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liturgical drama (medieval) |
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Medieval Theatre based on church literature dramatized the bible written in latin chanted or sung |
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religious drama (medieval) |
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Medieval Theatre drama moved outside the church used the vernacular (understood by everyone) spoken not sung amateur actors |
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Medieval Theatre written by Hrotsvitha (first christian dramatist, saxon poet, & female historian) |
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Medieval Theatre a play about a miracle, lives of saints |
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Medieval Theatre take many stories in the bible and stringing them together bible stories combined into "cycles" authors usually anonymous plays in vernacular (speech understood by everyone) |
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Medieval Theatre aka cycle plays produced by "maestri" or "guilds" (bakers, candle makers, etc)-(represents different trades) might present 30+ plays over several days staged as a part of religious festivals |
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Medieval Theatre developed in England and Europe Pope sanctioned festival in 1311 AD Corpus Christi plays date from 1376 AD in England Dramatized the history of the owls from the fall of the angels to the last judgement. |
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Medieval Theatre represent different trades ship builders, candle makers, bakers, etc. |
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Medieval Theatre all sets onstage at same time |
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Medieval Theatre little sets to represent one plays |
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Medieval Theatre open area in front of the mansions that can be an extension of the location redefined through performance |
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Medieval Theatre mansions on wagons |
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Medieval Theatre Heaven and Hell were two most important mansions Monsters mouth; devils run out into audience to drag people to hell Lots of spectacle realism NOT the goal - symbolic |
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Medieval Theatre comic, secular drama secular=non-religious start around 13th century example: "Pierre Pantelin" |
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Medieval Theatre about the lives of the saints performed on saints days (PG 72 of book) |
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Medieval Theatre examples: "St. George and the Dragon" & "Robin Hood" Simple plots Form:conflict, battle, many killed, doctor arrives and heals everyone & they dance |
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Medieval Theatre popular between 1400-1550 dramatized, spiritual trials of ordinary people Religious in nature, but not stories from the bible protagonist = everyman of mankind telling you how to live a christian life personifications of good and evil allegorical tales of moral temptations *how to live your life today so you can go to Heaven example: "Everyman" by Anonymous, "Castle of Perserverance" & "Wit and Science" |
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Medieval Theatre non religious performed between courses at banquet led to professional troupes madrigals serious or comic performed by servants performed in the castle/home |
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Hrotsvitha of Gandersheim (Hrotsvit) |
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Medieval Theatre 10th century German nun 1st Christian Dramatist 1st Saxon Poet 1st Female Historian Incorporate Christian values into theatre
Greek-Terence The Quem Quaeritis |
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Medieval Theatre representation of abstract principles by characters characters are personifications of ideas/concept call the character by the quality |
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What historical event happened in 476 C.E. and how did it affect the development of theatre? |
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Medieval Theatre Roman Empire Falls • No support for theatre (theatre is suppressed); romans have lost their power • Financial loss |
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What is the time period for what we call “medieval theatre”? |
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How was medieval religious drama similar to/ different from medieval liturgical drama? |
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Medieval Theatre Religious Drama Like Liturgical Drama -performed on religious holidays -entire community participated -short episodes based on christian themes Different from Liturgical Drama -Vernacular (understood by everyone; common language) - not latin -spoken, not sung -amateur actors community produced |
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Why are the English cities of York, Wakefield, Chester and N-Town significant in medieval theatre? |
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Medieval Theatre York Mystery Plays York, Wakefield, Chester - towns in england Ntown - touring group cycle plays small sets - must fit on the wagon 2 dimensional characters |
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What are the two primary methods of staging medieval drama and which countries used which style of staging? |
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What kind of costumes, props, sets and special effects were used to stage medieval theatre? |
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Medieval Theatre no attempt at historical privacy contemporary dress - according to their status -did not try to costume for the time of Christ god,angels,saints - church robes god-gloves,gold face st. michael - flaming sword devils - wings, claws, tails |
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Who were the actors and who were the producers of medieval theatre? |
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Medieval Theatre actors = all men |
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In addition to the cycle/mystery plays, what kind of plays were popular in the middle ages in Britain and Europe? |
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Medieval Theatre Miracle (saint) Plays Medieval Farce folk plays morality plays |
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How did medieval theatre in England provide a foundation for the Elizabethan (English Renaissance) theatre? |
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Why have the plays of Hrotsvitha of Gandersheim (Hrotsvit) been marginalized? What “firsts” was she known for? |
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Medieval Theatre first - christian dramatist, saxon poet, female historian |
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characters, plot, themes and significance of... Everyman |
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"Art of Poetry" by Horace |
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Italian Renaissance wrote DE ARCHITECTURA at 25 BC |
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Italian Renaissance written in 25 BC Published in 1486 scholars and artist base their structures on it |
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Italian Renaissance Oldest surviving theatre constructed in the Renaissance Built by Palladio (he started it) Finished by Scamozzi in 1584 Premiered Oedipus Rex Has about 3000 seats 70’ Wide stage, 18 feet deep Similar to Roman stage Vistas: long, built out hallway |
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Italian Renaissance built by Scamozzi between 1580-1590 250 seats first freestanding, purpose built theatre in modern world (built to be a theatre) second oldest surviving indoor theatre in the world scenery permanent and could not change 1 vista horseshoe house (audience) stage was narrow |
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Italian Renaissance Larger; seats 3500 audience Built in 1618 1 single perspective vista Horseshoe house (audience) Backless benches 1 single vista becomes the proscenium arch One of the oldest proscenium arches we have Deep horseshoe in front of seats - Semi circle in front of seats Dances Royal processions Could be flooded for water spectacle Or more seats 4th wall stage, proscenium sstage o Hides stage machinery • Illusionistic • Gives rise to greater realism on stage o How theatres are now |
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Italian Renaissance frame for picture originally temporary still the most common in our theaters most common & most popular hides tricks and machinery tricks us into a false reality |
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Italian Renaissance creates depth -usually meant to be seen from from fixed viewpoint - right in the middle |
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Italian Renaissance 1545 italian architect & painter published book on italian theatre introduces perspective drawing into theatrical design |
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Serlio's three stock settings |
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Italian Renaissance comedy - street scenes w/different houses tragedy - in front of the palace pastoral (outside, nature) - woodland, garden, country scene with woods & nature |
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Italian Renaissance (shutters) wings - sides of painting shutters/drop - back of painting (comes together & meets in the middle/broken up into parts) |
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Italian Renaissance two sided flats set up on both sides of stage fixed - not changeable |
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Italian Renaissance replaced angled wings - set into tracks that are moved on and off to reveal another flat (wing and groove) |
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Italian Renaissance flats onstage set into tracks that are moved on and off to reveal another flat |
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Italian Renaissance (Giacomo Torelli) type of stage design mechanism for changing scenery pulleys below stage move flats offstage remained in use for a long time |
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Italian Renaissance short spectacles between the acts of regular plays elaborate usually compliment to a higher audience member (king, lady) special effects develop into opera in 16th century modern auditorium develops |
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Italian Renaissance seats now on upper levels prevalent forms of modern auditorium hierarchy of seating and wealth classes designed to show off the audience as well as the actors box-places for elite people -semi-private sections of seats -arranged around horseshoe -most expensive = directly opposite stage -arranged in tiers of two or more levels -see and be seen pit (orchestra) -first idea of the orchestra -greek (circle -> roman (half-cirlce)_ -> renaissance -floor level -closest to stage -second most expensive seats -could be seated (standing or seating) gallery - one tier filled with long benches -cheap seats -servants for rich people sit here -middle to lower class |
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Italian Renaissance Opposite the stage in the center KIng & Queen Best view of the stage |
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Italian Renaissance good guys rewarded bad guys punished |
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Unities of time, place, and action |
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Italian Renaissance Time-24 hours max Place - one location Action - one single plot |
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Italian Renaissance basic structure or storyline that is improvised characters, situations, complications, and outcome could be - comic, tragic, melodramatic, musical improvised dialoge and action common plots-love affairs, disguises, cross purposes |
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Italian Renaissance stereotypical characters actors play the same character for life used Lazzi, Concetti Innamorati Panalone IlDottore Il Capitano Zannni |
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Italian Renaissance stock comic business three stooges clown characters comic |
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Italian Renaissance stock verses & poetry young lovers |
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Italian Renaissance the young lovers not masked opposed by masters aided by servants women played by women |
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Italian Renaissance elderly, venetian merchant also called magnifico:older characters master greedy,old,rich $$$ young girl wears red might be father of lovers full mask - brown, beard, crooked nose |
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Italian Renaissance doctor, academic, lawyer 2nd magnifico walks in figure 8's panalone's friend or rival older than pant alone has so much education he knows nothing spouts nonsense easily fooled often is tricked wears an academic cap and gown mask is only the forehead and nose |
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Italian Renaissance braggart soldier, real coward type of master foreigner coward who boasts says he's good in bed and is good soldier unwelcome suitor to young women feathered cap cowardice |
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Italian Renaissance comic servants could be as many as 4 keep the plot moving have lazzi - comic bits some are female clever maid that serves the daughter - young witty, carries on love affairs with other servants |
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Italian Renaissance most popular #1 servant cunning and stupidity bright outfit acrobat and dancer mask covers to below check white hat black mask sneaky walk costume began as patchwork and then developed into diamond pattern carries a wooden sword (slapstick) used for beatings |
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Italian Renaissance wooden sword carried by harlequin used for beatings |
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What are some of the changes in politics, religion and society that led to the Renaissance in Europe? |
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Italian Renaissance printing press! renaissance = reinvention |
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What are the major contributions of theatre from the Italian Renaissance and in what way are they significant? |
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Italian Renaissance changes in the theatre space - theatre stage and auditorium *proscenium stage is created (picture frame) theatre scenery -the idea that set can be one thing but changed - scene changes - fixed theatre design - one stage -illusionistic scenery = realistic improvised comedy=commedia del arte new plays based on classical forms=academic, opera |
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How did the discovery of Vitruvius's de Architectura and perspective painting determine the development of the Italian theatre space and staging? |
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Italian Renaissance scholars and artists base their structures on De Architectura |
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What is opera's relationship to Italian Renaissance theatre? |
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Describe the basic elements of the Italian Renaissance stage house and auditorium. |
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What are the "rules" of neoclassicism? What do we mean when we day they are "prescriptive"? o Reality o Morality o Verisimilitude |
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Where did neoclassic theory take hold and where did it not restrict the playwright's innovation? |
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What is commedia dell 'arte and why is it significant in theatre history? |
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Whataretheattributesofthesecommediacharacters: o Pantalone & Il Dottore o Arlecchino (Harlequin) o Innamorati (Isabella, Flavio, etc.) o Zanni o El Capitano |
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English Renaissance Person Theatre Companies would need to get a license from. (Elizabeth Decree 1574) |
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English Renaissance Queen Elizabeth I 1558-1603
*no plays could be performed with religious/political subjects *professional and secular theatre replaces religious theatre *new sources for drama - classical literature, historical chronicles, medieval tales *cycle plays dying off *Theatre becomes commercial - no support from church |
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English Renaissance King James I 1603-1625 |
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English Renaissance King Charles I 1625-1649 |
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English Renaissance o Edward Alleyn and Philip Henslowe (heads of company) o Christopher Marlowe (playwright)
->Prince Henry's Men (Jacobean Theatre - King James I) |
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English Renaissance o James Burbage (head) o Richard Burbage (lead actor) o William Shakespeare (actor and playwright) o William Kempe (greatest comic actor)
-> King's Men (James I - Jacobean Theatre) |
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English Renaissance (Same as Lord Chamberlain's Men) Under Royal Ages - Noblemen no longer allowed to keep troupes. King James I - Jacobean Theatre |
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English Renaissance (Same as Lord Admiral's Men) Under Royal Ages - Noblemen no longer allowed to keep troupes. King James I - Jacobean Theatre |
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English Renaissance Actor and playwright for Lord Chamberlain's Men/King's Men Only wrote 2 plays a year (others wrote 4-5) Wrote Comedy, Tragedy, History (wrote 34 plays) Greatest Playwright of the English Speaking Stage |
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English Renaissance Greatest Comic Actor Lord Chamberlain's Men/King's Men Famous Shakespeare Clown Character |
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English Renaissance Head of the Lord Admiral's Men/Prince Henry's Men Played the first Plautus |
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English Renaissance Head of the Lord Admiral's Men/Prince Henry's Men |
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English Renaissance Playwright for the Lord Admiral's Men/Prince Henry's Men Father of Spanish Tragedy Established Blank Verse (Verse that doesn't rhyme) Wrote: The Tragical History of Dr. Faustus Wrote: Tamburlaine the Great Poet & Playwright |
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English Renaissance Wrote The Duchess of Malfi Wrote The White Devil Jacobean Tragedies Collaborated on plays with other playwrights (worked with Thomas Dekker & Thomas Haywood) Worked for Phillip Henslowe |
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English Renaissance indoors elitest more costly than public *anyone could attend |
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English Renaissance outdoors cheaper, allowed more *anyone could attend |
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English Renaissance ????
[Medieval Theatre= dressing/green room under the stage] |
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English Renaissance Commonly referred to when talking about the Globe performance space on second level |
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English Renaissance Commonly referred to when talking about the Globe performance space on stage space behind the center door below |
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English Renaissance ????? The under side of the roof over the stage was painted to look like the heavens |
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English Renaissance Surrounded the stage on 3 sides Lower class would stand here no seating |
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English Renaissance 3 levels of galleries long benches |
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English Renaissance Private rooms for the rich in the first tier of galleries |
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English Renaissance Indoor theatre best known private theatre |
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English Renaissance lines tell scenery |
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English Renaissance 1 or more members share ownership of the theatre building |
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English Renaissance invest in company get a lot out of it make important decisions help write plays share profits and losses half of the company usually shareholders |
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English Renaissance • 1-2 year contract • Paid weekly wage • Act in small roles • Backstage jobs (prompter, stagehands) |
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English Renaissance • 4-6 boys • Play female roles • Work for bed/board (no money) • “Internships” • Actors • Responsible for a large number of roles |
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English Renaissance Most Famous Designer in English History |
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English Renaissance Court Entertainment of the English Renaissance Not found in public/private playhouses only done in court most after Elizabeth passes - James I & Charles I Closely related to pageants and royal processions to honor the monarch. became so popular - added to plays at the globe & blackfriars great display of wealth/riches |
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English Renaissance lower class stand in pit |
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How did theatre change in England from medieval to the Elizabethan era? |
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English Renaissance Medieval: occasional performances celebratory, religious officially supported free, open to all Elizabethan: continual performances commercial, secular self-supporting pay per view |
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What are the architectural elements of the English Renaissance public theatre (stage and auditorium)? What are those of the private theatre of this era? |
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English Renaissance Public (Globe) *outdoors *octagonal *3 stories *covered by a thatched roof *stage -thrust -roof extended over the stage - held up by two columns -back wall - 3 doors (2 smaller outside doors, 1 larger inside door) - 3 story facade *large - 2,000+ seats Private (Blackfriars) *indoors *smaller - 700 seats *stage -no proscenium arch -extends to walls on either sides -no columns, roof, or heavens *more expensive |
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What are the staging devices of the English Renaissance public and private theatre? |
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English Renaissance Public (Globe) - traps in the stage Private (Blackfriars) - spoken decor |
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How did the English Renaissance public theatre (e.g. the Globe) and private theatre (e.g., Blackfriars) differ? How were they similar? |
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How were professional acting companies structured in the English Renaissance? |
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What were the conventions for costumes and props on the English Renaissance stage? |
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English Renaissance costumes: "contemporary" symbolic accent of costume start to reveal specific character supernatural characters racial/national stereotypes the actor's greatest expense props: sometime they may carry on a lantern to tell us that it is dark outside |
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What are the separate plot lines that are woven together in Much Ado About Nothing? |
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How do the plays of Shakespeare incorporate Roman influences and how do they differ from the tenets of the neoclassic model? |
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What is the masque and how did it differ from the plays produced in the professional theatres during the English Renaissance? |
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Who were the two major companies of the English Renaissance era and the major actors/playwrights associated with them? |
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English Renaissance Lord Admiral’s Men (Prince Henry's Men) o Edward Alleyn and Philip Henslowe (heads of company) o Christopher Marlowe (playwright) Lord Chamberlain’s Men (King's Men) o James Burbage (head) o Richard Burbage (lead actor) o William Shakespeare (actor and playwright) o William Kempe (greatest comic actor) |
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characters, plot, themes and significance of... Much Ado about Nothing |
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