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Things that elicit great dislike or abhorrence |
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theoretical or lacking substance |
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a vast or bottomless hole |
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declared but not proven; report or maintain |
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not caring one way or the other, indifferent due to lack of energy or concern |
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lack of emotion or interest |
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to annunciate, to speak distinctly, expressing oneself clearly |
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Reckless, bold, daring, rash |
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arguing favorable circumstances and good luck |
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exhibiting strong animosity as a result of pain or grief |
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a mistake due to stupidness |
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Lack of warmth and friendliness |
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Judging and declaring something wrong or even after weighing evidence |
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agreement to a secret plot |
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gullible, believing on slight evidence |
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disbelieving the goodness in people |
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to say, to tell, to use words |
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to find out the truth about something |
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a statement that is not literally false but that cleverly avoids an unpleasant truth |
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possesed by an irrational zeal |
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the belief that all things are pre-planned and we can do nothing to change them |
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a spell, written or recited formula of words designed for a particular effect |
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not caring one way or another |
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Originating, where it is found |
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unavoidable, bound to happen |
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lacking in sophistication or worldliness |
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to be creative or produce something new |
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having or seeming to have no end |
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the quality of exhibiting rainbow like colors, brilliant appearance |
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Usually humorous and often sarcastic |
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Lacking proper respect or seriousness |
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Characterized by a tendency to judge harshly; authoritative and often critical opinion |
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to mourn or express sorrow |
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A false and malicious publication printed for the purpose of defaming a living person |
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ill will or evil intention |
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purposly hurtful; intending to cause distress pain or injury |
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expressive of a narrow and conventional moral attitude |
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Gloomy, sullen, surly or despondent |
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expresssing or dealing with facts or conditions as perceived without distortion by personal feelings, prejudices, or interpretations |
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Perversely adhering to an opinion, purpose, or course in spite of reason, arguments or persuasion |
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overly dutiful or obliging |
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showing or reflecting an iridecent light |
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not transparent, hard to understand |
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humorous or ridiculous imitation |
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one who strongly supports a person or idea |
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perform an act, usually with a negative connotation |
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gloomy, seeing the worst side of things |
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marked by or reflective of narrow interests and sympathies, small minded |
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a speech of violent denunciation |
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the peak or highest point |
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deserving or arousing pity |
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an authoritative declaration |
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limited in outlook to one's own small corner of the world; narrow |
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characterized by/ using coarse indecent humor |
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to be sorry for, to regret |
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severe, harsh, inclined to or maked by irritability or anger |
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understood, silent, not spoken |
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dominance through threat of punishment and violence |
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a feeling of anger caused by being offended |
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Irritated, annoyed or agitated by petty provocations, puzzled or baffled |
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a passing from one thing to another, a change of luck |
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susceptible to injury or attack |
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Maked by keen caution and watchful prudence |
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the prominence or emphasis given to a syllable or word. In the word poetry, the accent (or stress) falls on the first syllable |
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the repitition of the same or similar sounds at the beginning of words such as tongue twisters like "She sells seashells by the seashore" |
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is a likeness or similarity between things that are otherwise unlike |
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a metrical foot of three syllabels, two short or unstressed followed by one long or stressed. The anapaest is the opposite of the dactyl |
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words and phrases with opposite meanings balanced against each other |
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a figure of speech in which someone absent or dead or somethingnonuman is addressed as if it were alive and present and could reply |
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the repetition or pattern of similar sounds, tounge twisters |
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unpleasant spoken sound created by clashing consonants ex: Jabberwocky |
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grammatical pause or break in a line of poetry (like a question mark) usually nare the middle of the line |
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an image or metaphor likens one thing to something else that is seemilgly very different |
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the repetition at close intervals of the final consonant sounds of accented syllables or imported words |
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what a word suggests beyond its basic definition. |
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A pair of lines that are the same length and usually rhyme and form a complete thought |
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a metrical foot of three syllables, one long or stressed followed by two short or unstressed |
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refers to pronunciation of a particular region of a country or region |
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the leaving out of an unstressed syllable or vowel usually in order t keep a regular meter in a line of poetry for example o'er |
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the continuation of a sentence form one line or couplet into the next and derives from the french verb "to straddle" |
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the shorter final stanza of a poem |
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a descriptive expression, a word or phrase expressing some quality or attribute |
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refers to pleasant spoken sound that is created by smooth consonants such as "ripple" |
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the use of a soft indrect expression instead of one that is harsh or unpleasantly direct. "to pass away" instead of to die |
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words, phrases or patterns of expression |
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draws the reader into poetic experiences by touching on the images and senses which the reader already knows |
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is a situation, involing some kind of discrepancy |
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words and phrases developed by a particular group to fit their own needs which other people understand |
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words and phrases developed by a particular group to fit their own needs which other people understand |
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a pattern equating two seemingly unlike objects |
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a figure of speech in which one word is substituted for another with which it is closely associated |
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a figure of speech in which words are used to imitate sounds |
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statement or situation containing apparently contradictory or incompatible elements |
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a line of poetry that has five metrical feet |
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the narrartor or speaker of the poem not the author |
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giving human traits to nunhuman or abstract things |
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the comparison of two things using the words "like" or "as" |
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the highly informal and substandard vocabulary which may exist for some time and then vanish. |
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word order and setance structure. Normal word order in english sentences is firmly fixed in subject-verb-object sequence or subject-verb-complement. |
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intentional downplaying of a situation's significance for ironic or humorous effect |
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haveing or believing on slight evidence, gullible |
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not caring one way or the other |
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lacking spirit or intrest |
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punishment from a higher being (god is pissed) |
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to establish oneself in the grace of others |
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predictive of future bad events |
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taking the place of something else, substitute |
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