Term
| French Impressionist painter/haystacks |
|
Definition
|
|
Term
Bowey's inspiration for a visual life
(painting and artist) |
|
Definition
|
|
Term
|
Definition
| two items put in a frame that aren't normally seen together to give visual interest and shock value |
|
|
Term
| Inventor of the movable type in 1400s and famous book he printed |
|
Definition
|
|
Term
| Six Basic typeface families |
|
Definition
Roman
Sans serif
Square serif (block serif)
Black letter
Novelty
Script |
|
|
Term
| Times is part of what typeface family |
|
Definition
|
|
Term
| Helvetica is part of what typeface family |
|
Definition
|
|
Term
| Snell is part of what typeface family |
|
Definition
|
|
Term
| Hoefler is part of what typeface family |
|
Definition
|
|
Term
| 6 perspectives for analyzing images |
|
Definition
personal
historical
technical
ethical
cultural
critical |
|
|
Term
| Traditional sculpture methods |
|
Definition
carving hard materials
modeling soft materials
casting molten materials
assembling materials |
|
|
Term
|
Definition
large scale works
i.e.: Big Horn Medicine Wheel, Wyoming
Nazca Lines, Southern Peru
Serpent Mound, Southern Ohio |
|
|
Term
|
Definition
-additive process
-imaleable material; clay, plaster, wax
-may require a form or amarture |
|
|
Term
|
Definition
-subtractive process
-Hard material; stone, wood, ivory |
|
|
Term
|
Definition
|
|
Term
|
Definition
materials; wood, stone, metal
tools; hand-held, mechanical
form;
function; |
|
|
Term
|
Definition
| exist in a unique sequence of 0's and 1's contained in bits |
|
|
Term
|
Definition
founder of the internet
UCLA computer science prof |
|
|
Term
|
Definition
|
|
Term
|
Definition
the # of transistors that can be placed inexpensively
-Gordon E. Moore, 1965 |
|
|
Term
|
Definition
language behind the icons
March 1989, Jim Berners Lee invents http, using hypertext |
|
|
Term
|
Definition
-visual display usually combining text and images to help explain specific info to viewer
-began with charts, graphs, and maps to explain what happened or what will happen |
|
|
Term
| When were info graphics introduced? |
|
Definition
by USA Today in 1982
it sparked a huge increase in the use of info graphics: USA snapshots |
|
|
Term
| 2 main types of infographs |
|
Definition
Statistical
Non-statistical |
|
|
Term
|
Definition
charts and data maps
visual displays that present empirical, quantitative data |
|
|
Term
|
Definition
fact boxes, tables, diagrams, non-data maps
visual displays that rely on a display of text and pictures to present qualitative data |
|
|
Term
|
Definition
| combines geographic info with numeric data |
|
|
Term
|
Definition
| display numbers or words in orderly format of rows and columns |
|
|
Term
|
Definition
| locator maps show geographic info |
|
|
Term
|
Definition
comparing relationships of 2 qualitative data
(lots of corps and businesses use these) |
|
|
Term
|
Definition
persuasion-uses factual info and emotional appeals to change a person's mind and to promote desired behavior
propaganda-uses 1-sided and often non-factual info or opinions that appear to be facts, along with emotional appeals, to change a person's mind and promote a desired behavior |
|
|
Term
|
Definition
-single-framed (caricature)
-humorous (entertainment)
-multi-framed (comic strips/books) |
|
|
Term
|
Definition
| one thing conceived as representing another; a symbol |
|
|
Term
|
Definition
| vehicle-subject from which attributes are taken |
|
|
Term
|
Definition
| tenor-subject to which attributes are given |
|
|
Term
|
Definition
the ability to think and conceive metaphorically is how we create
doorway to world of experience and understanding
what makes us human |
|
|
Term
|
Definition
| late 1700's; return to the form of ancient Greek and Roman aesthetics |
|
|
Term
|
Definition
| early 1800s; focused on emotion and imagination |
|
|
Term
|
Definition
| mid-to-late 1800s; presented people and nature as it was seen by the artist |
|
|
Term
|
Definition
| late 1800s; artistic use of light, colors, patterns, and brushes |
|
|
Term
|
Definition
| late 1800s; combines impressionists technique with |
|
|
Term
|
Definition
| early 1900s; art portrays inner psychological states |
|
|
Term
|
Definition
| early 1900s; rebellion against harmony and good taste (2D and 3D art) |
|
|
Term
| 3 key points of semiotics |
|
Definition
|
|
Term
|
Definition
| most closely resemble the thing they represent |
|
|
Term
|
Definition
| conveys a message about something |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| famous quote about seeing |
|
Definition
"The more you know, the more you see."
-Aldous Huxley |
|
|
Term
| famous quote about creativity grier talked about |
|
Definition
"the making of the new or the rearranging of the old in a new way."
-Mike Vance |
|
|
