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A process or a state … a removal from reality -> we can think of all art as abstracted.
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anything that is recognizable.. If there is an answer to the question what is it OF? |
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Picture perfect… better than in reality / there is disagreements on what is ideal. |
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art that consciously attempts to make it as realistic as possible… the top right photo is an example of this ( he is even chanting….not idealised |
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Study of signs and symbols in art
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double meaning.. Surface meaning and underlying meaning. |
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meaning nothingness putting jewelry in a religious painting....Weighing the good and the bad going on in the painting on the right… religious meaning… jewelry is distracting or detrimental to spiritual well being. Woman w/ balance
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is one of the most important factors that goes into art.
Patronage is money. Art needs money.
Private patronage is the most popular way…like a private gallery where you put your work and hope someone buys it.
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is often commission… make me this statue
Commission is ordering art. (Top right… Vietnam memorial in dc.)
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Most basic element of art
o Edge/Contour
o Rectilinear/Curvilinear
o Implied Line
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What color is it?
What shade of color is it? |
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Actual texture (rough brick)
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depicted texture (ornamentation...illusion of roughness) |
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reflection of the values of the culture.
o 15th century till 1 point perspective
o Organization of Picture (values of Artist/Culture)
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where there isn’t something |
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Some formal properties line/edge shape/mass value (light and dark) color space configuration (up/down, left/right, repetition, direction, implication) proportion (relative sizes of things) texture |
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old stone age, hunter gathering societies, probably no hierarchy
Palliolific art has almost no context
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Cave paintings were discovered in late 19th and 20th century
Cannot call this work primitive if you look closely there is sophistication and sensitivity …. What makes something primitive or advanced??
The idea of primitive has recently been abandoned.
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how a culture does something.. What counts as good for them
Why the spots?? Can’t really know for sure, possibly things being thrown at the horse, supernatural/spiritual
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attempt to influence the future (killing of animals their survival depended on it) not all right because they are not all prey animals they made art of |
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4,000-2,000 BCE
New stone age …. End of ice age… more available farm land…. More fishing and hunting available.
Hierarchy’s developed
Paleolithic art has much more animals than people where Neolithic art has more people … more geometric “a vocabulary or pieces”
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laying a stone on top of another stone only shifted a little how you make arches… each stone goes out a little bit further… end up with a corbel vault .. Narrow at top wider on bottom
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how they fit together (stonehenge)
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Two vertical pieces with one laid on top...basic architecture |
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word for highly abstracted human
(i.e. woman and Man, Romania, c. 3500 BCE, ceramic, height 4 1/2 in.)
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wedge-shaped written language |
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· Nanna Ziggurat c. 2100-2050 bce
o Used as form of propaganda
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Great Lyre w/ Bull's Head |
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· c. 2550-2400 BCE
o Lapis Lazuli : Expansive Blue stone
o Registers layinging out pictorial space
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long poem found in Sumer … it’s a story of a king or prince whose best friend dies and goes on a long quest looking for immortality ./ first examples of iconography |
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Biggest figure=most important/rich |
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-general term for a standing stone that honors someone… so this stele memorializes naram-sin … He seems to be powerful, feared, big à (heratic scale) he’s bigger than the rest most important… good example of propaganda= displays a message…Is this an example of register??? No answer really could be… looks like one scene…. Different spatial organization than we’re used to |
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known for squared off beards and curl like things in their art especially in hair.
Power was shown through their architecture… originally these stone figures were painted…. Animal human like creatures (god like) legs represent potential movement (5 legs front look he looks still, side he looks moving)
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(6th century bce)
Darius had his image on coins
The Persians art was cosmopolitan
Formal stiffness seen in this Persian art
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Established around Nile river delta… it deposits silt making for great farming
Upper Egypt was further south on the Nile southern Egypt was further north.. They were unified
We assume these were painted
Ceremonial
Right is registered
Conceptual space show everything that can be shown
Perceptual space is how you see it….
Bodies laid out flat on the ground (upper right) heads cut off and sitting between feet
Probably sacrificed
Cutting someone's head off symbolizes loss of identity
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canon is what ought to be done, rules: there is a certain way things were made, rules for depicting a person/ predetermined on the way the person was made |
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Profile head, frontal eye, frontal torso, profile trunk (legs), and 2 left feet because inside of foot was thought to be more beautiful part of foot |
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broad flat topped structure where deceased were placed with their stuff, as time went on it became more and more elaborate
Funeral complex designed a stepped mastaba more elaborate, lots of passageways to discourage robbers
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built one of the pyramids
He has a certain stiffness, made of stone that would glow blue in sunlight, he was a king, poised, he as formality,
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not a ruler or preist, believed to be a scribe, realistic sculpture, both natural, but the one on the right is realistic compared to khafre
Kai didn’t merrit the kind of regard , somber, way of representation , depicted more naturalistically
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holes cut in that let sunlight in …. Tops of columns were nearly invisible |
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Their architecture demonstrates hierarchical society
Looking at post and lintel construction system, this was part of a much larger temple complex where certain areas were only accessible to the upper people
Columns were carved and painted, only a little sunlight came through the roof
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moved capital, monotheistic worship of Aten (sun god)
c. 1300's BC
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•Mummy of a boy, Roman period, c. 100-120 CE, linen wrappings with encaustic portrait
•encaustic is hot wax
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From the time when Egypt was under control of the Romans.
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Aegean: 2700-2500 BCE Seated Harpist,
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· Cyclades, & two female figures
o fixed they were found buried and broken
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· Crete, c. 2000-1375 BCE
o inoan civ. On Crete (speculated by mith)
o Found 1900’s
o Reconstruction
o Palace? Labyrinth?
o Has many rooms not necessarily a palace, not much is know
o Organization seems illogical
o Ancient history to the Greeks already, the myth could be based on the ruins
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· 1600-1200 BCE
o Mainland Greece
o Presumed Troy
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· Man is the measure of all things
o Individual is something that matters
§ Hopes, dreams, fears matter
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900-700 BCE)
· Funerary Vase Design, thoughts and feelings more important then in ancient egpyt
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620-480 BCE)
· Statues are stiff, and rather smoothed over, men have long hair (very formal)
o Idealization
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· 600 BCE
o Human perfection, turm for main Greek statue in Greek period
o More rounded, musculature indicated more then realized
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· Anavysos Kouros 530 BCE
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More fullness, more lifelike with rounded muscles, still stiff, and archaic smile |
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· 570-560 bce
o Female almost always clothed, male nude
o Kore arcaic female
o Women thought of as property
o Sexuality was socially derived not morally derived, homosexuality was practiced in greek.
(Perverted) Greeks would latch onto youthfull boys (social norm) Dominate and submissive no equals. |
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o Exekias, Suicide of Ajax, c 540 BCE
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§ One of the first know artist names (Vase Signed)
· Important of artist names
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550-320 BCE
· Polycleitus, Canon, or Spearbearer, Roman Copy after Bronze original c. 450-440 BCE
o Treatise 71/2 Heads tall “perfect” proportion with Greek systematization
o Not a portrait it’s a “perfect” human
o Contrapposto
§ Weight one 1 leg, opposite shoulder thrust up, other leg trails off
· Apollo with battling Lapiths and Centaurs from pediment, Temple of Olympia 460 BCE
o Morals expressed through physical beauty
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is in architecture it’s sculpture the triangular top of building |
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3 orders of Greek Architecture |
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Doric (abacus and echinus), Ionic, Corinthian of Greek architecture |
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o is sculpture that’s on the tablature
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· leader of Athens commissioned Parthenon (post war with Persia)
o Adore Athena with new Peplos every 4 years
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· Praxiteles? Hermes and infant dionysos, 4th c. BCE orig. (roman or Hellenistic copy)
· Anecdotal: little story
o Idea figure changed to 8 heads tall
· Female nudes became expectable
o Praxiteles, Aphrodite of Knidos, Composite copies of c. 350 BCE orig.
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· Greek culture spread throughout Europe (Alexander G)
· Extremely dramatic, theatrical, distorted faces.
· More clothing not all nudes
· Laocoon and his Sons, c 2nd c BCE or Roman copy
· Roman mosaic copy of c. 310 BCE painting Alexander the great confronts Darius III at Issos
· Ekphrasis detailed description of picture
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o Keystone
o Use cement to keep together
o Help up partial by live forces
o Temp wood structed centering
o Buttress on side to keep together
o Row of arches is arcade
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· Intuitive perspective (no single point)
o No separation of the arts (all together)
o Painting for decorating interior
o Pictorial Unswept floor mosaic
o Portraiture more common in roman art
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· 312-15 CE (Cannibalizing Earlier work)
o Christian Emperor (edict of Malan: No religious persecution) Mother Christian
§ Converted himself on death bed
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a paint consisting of pigment mixed with melted beeswax; it is fixed with heat after application |
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glazed earthenware decorated with opaque colors |
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In Greek mythology, Minos (Greek: ) was a mythical king of Crete, son of Zeus and Europa. After his death, Minos became a judge of the dead in Hades. The Minoan civilization of pre-Hellene Crete has been named after him. ... |
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Why so-called mask of agamemnon? |
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Schliemann believed that he had discovered the body of the legendary Greek leader Agamemnon, and from this the mask gets its name. However, modern archaeological research suggests that the mask is from 1550-1500 BC, which is earlier than the traditional life of Agamemnon. In spite of this, the name remains. |
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Classical & Late Classical Period |
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- second part of the Stone Age beginning about 750,00 to 500,000 years BC and lasting until the end of the last ice age about 8,500 years BC
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- latest part of the Stone Age beginning about 10,000 BC in the Middle East (but later elsewhere)
- of or relating to the most recent period of the Stone Age (following the mesolithic); "evidence of neolithic settlements"
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Egyptian Canon of Proportions |
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Whenever the Ancient Egyptian artists sculptured, inscribed or painted figures, their proportions would be determined by a canon of proportions. Up until the end of the New Kingdom's 26th Dynasty, the Ancient Egyptians used a grid that measured 18 units to the hairline, or 19 units to the top of the head. |
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