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| artists distort reality for an emotional effect |
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| Style used by Dizzy Gillespy and Charles Parker, fast tempos & complex harmonies. |
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| Form follows function in architecture. Zorn, Adams, Rochley |
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| French artistic movement first applied to the paintings of Claude Money |
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| Large ensembles meant to be heard across big dance floors |
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| commonly called avant-garde |
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| music born of anonymous authors passed down by word of mouth |
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| principles from past music applied to modern music. Stravinsky |
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| The loosest possible framework for free exploration |
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| Speaking voice. Pierre Luniere. Asks person to speak on pitches |
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| 1970s style that fuses jazz and rock and roll |
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| Artistic style featuring suggestion rather than outright statement |
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| A western music from the US featuring unredictability and performance |
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| also referred to as serialism |
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| Jazz stemming from Latin American musicians |
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| An outsider's art which emphasized harmony outside of tonality |
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| Used by Joplin to operate player pianos, used to demonstrate proper music |
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| Used by Joplin to operate player pianos, used to demonstrate proper music |
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| Jazz pianist least representative of the bebop style |
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| Used unusual timbres and extended techniques |
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| Initially composed for the ballet Russe & wrote rite of Spring |
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| Borrowed ideas from Indonesian and Russian music, pentatonic sclae |
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| German composer who admired Webern |
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| Father of electonic music |
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| Germany's leading neo-classicist |
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| Also Shoenburg's student, made invovations to the 12 tone technique with rhythm and pitch and dynamics |
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| First composer of experimental music. Used polytonality |
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| Trumpet player. Most influential in New Orleans jazz |
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| Hungarian, collects folk songs |
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| French composer organist, and ornithologist, studied birdsong |
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| Composer and the band leader who wrote over 1000 pieces |
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| A student of Schoenburg and made adaptations to the 12 tone technique |
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| Favored popular idioms and traditional forms |
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| Clarinet player, and he employed the first integrated big band |
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| A French composer and conductor of contemporary and classical music |
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| Favored simplicity and avoided variation |
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| Louis Armstrong's second wife |
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| Chance music, electronic music, nonstandard use of musical instruments |
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| An American pianist and composer that played at the Maple Leaf Club |
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| American composer and mastered the genre of the symphony |
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