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most informal, often being made of lingerie type fabrics such as white cotton or fine linen with lace |
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decorative epaulettes placed at the shoulder |
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full to the wrist but tied in at intervals with ribbons or bands |
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full from shoulder to elbow, then fitted from elbow to the waist, often with an extension over the wrist |
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full at the shoulder, gradually decreasing in size to the write where they ended in a fitted cuff |
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extremely full from shoulder to wrist, where they gathered into a fitted cuff |
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dress for daytime that was adapted from the pelisse that was worn out-of-doors |
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raised the necklines of daytime dresses, separate from the dress and could be worn with different bodices |
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wide, capelike collars that extended over the shoulders and down across the bosom |
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silk cravat worn over a ruff |
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small, sleeveless spencer worn over a bodice |
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hair style, created by pulling back and side hair into a knot at the top of the head |
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one bonnet, had a soft fabric crown and a stiff brim |
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made in imitation of a mans waistcoat |
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made with row of vertical pleats at the shoulder that released into a soft, full sleeve gathered to a fitted cuff at the wrist |
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sleeve with puff at elbow |
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pleated or gathered strips of fabric |
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wide, deep collars following the neckline |
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ruffle at the back of the neck to keep the sun off the neck |
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fashionable bonnets made from concentric circles of metal, whalebone and covered in silk |
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bonnet with soft crons and rigid brims |
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short garment rather like a hybrid between a shawl and a short mantle with points hanging down at either side of the front |
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cross or heart of pearls around the neck |
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