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| c flat major key signature |
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| notes that are spelled differently but sound the same |
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| 2 identical 4 note patterns separated by whole step- make up major scale |
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| __ of any minor key is 1 of relative major |
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| __ of any major key is 1 of relative minor |
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| d __ flats to get parallel minor |
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| tonic, supertonic, mediant, subdominant, dominant, submediant, subtonic, leading tone |
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| simple intervals; compound intervals |
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| augmented 4, diminished 5, 6 half steps |
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| M/m3rd, M/m6th, p5th, 8ve |
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| stem should go up if note below middle line, down if note above middle line |
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| diminished triad, minor 7th |
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| diminished triad, diminished 7th |
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| an accidental by itself in figured bass refers to |
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| a slash or plus sign w/ an arabic numeral means |
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| FB: horizontal line means |
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| first inversion triad symbol |
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| first inversion 7th symbol |
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| third inversion triad symbol |
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| third inversion 7th symbol |
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| pitches that, though spelled differently, are the same- no matter what octave |
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| chords found only in the scale of the key |
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| chords found outside the key's scale |
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| common diatonic minor chords |
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| i iidim III iv V VI viidim |
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| other possible minor diatonic chords |
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| IM7 ii7 iii7 IVM7 V7 vi7 vii 1/2dim7 |
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| most common diatonic minor 7ths |
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| i7 ii1/2dim7 IIIM7 iv7 V7 VIM7 viidim7 |
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| d from c- looks like natural minor but raised 6 |
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| e from c- like natural minor but lowered 2 |
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| f from c- like major but raised 4 |
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| g from c- like major but lowered 7 |
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| b from c- like natural minor but lowered 2, lowered 5; or like phrygian but lowered 5 |
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| if the top # of key sig is a factor of a prime # > 3 |
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| not capable of supporting tonal center- no clear start/end- dream sequence scale |
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| whole half whole half- 9 total notes |
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| vii dim is the __ __ triad |
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