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The Puritan jerk dictator. Hated theater; wanted ultimate simplicity; banned theatre for a time until Charles was restored to the throne and people got sick of the Puritan rules and regulations. Would arrest actors who performed regardless of the rules; allowed only operas because they were not ligitimate theatre. |
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"little plays" shorter versions of the longer plays |
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was an actor before Cromwell's ban on theater; gets a patent to perform masques and brings them to the public; he flees arrest because of performing; tries to go to America, but the boat he was on gets caught and he's brought back to Britain where the court pardoned him and he was freed and was able to do private performances; gets patent back when Charles returns to the throne; Duke's Company at Lincoln Inn Fields. |
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First Day's Entertainment at Rutland House |
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performance for Parliament by William Davenant to persuade them that theatre is good; Rutland House = Davenant's housey |
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another performance by Davenant in order to get pardons from Parliament; first clear use in England of Italiante scenery for a public performance; performed at Rutland House (Davenant's residence). |
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the restoration of Charles II to the throne; Theater: want classics; 1)Heroic Tragedy 2) Comedy of Manners; witty and sophisticated; making fun of upper class by the upper class; plays were meant to piss off the Puritans. |
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One: Killigrew Two: Davenant |
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With Davenant, they both established complete control over theatrical performances in London. They had the only two patents. Manager of the King's Men at Drury Lane. |
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Got the third patent issued, but got screwed over by Killigrew and Davenant. They took his patent, thus creating only two theaters in London. Jolly opened his own acting school called The Nursery. |
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Managed by Killigrew. Located at Theater Royal in Drury Lane. |
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Managed by Davenant Located at Lincoln Inn Fields |
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When Davenant dies, his son and wife sell the theater to Christopher Rich; Rich is not a theater businessman and pisses off a lot of people. |
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love and honor adaptations of classic material: example = adding music and dance to Hamlet or changing the ending to Romeo and Juliet super noble hero |
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Writer of Heroic Tragedy originally a Puritan but changes his mind during the Restoration The Indian Queen The Conquest of Granada All for Love plays were so over the top that he was subject to satire |
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witty dialogue rather than baudy humor names of characters are qualities of their personalities: Miss Fainall; Frederick Frolic (haha) |
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Love in a Tub The Man of Mode the fully developed comedy of manners is usually traced to his plays |
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Comedy of Manners writer only wrote 4 plays very promiscuous plays! plays were extremely well constructed, but their moral tone offended people The Country Wife The Plain Dealer |
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best of the three primary comedy of manners writers; captures the essence of Restoration London didn't want to be acknowledged for his plays The Way of the World very witty |
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"A Short View of the Immorality and Profaneness of the English Stage" reflects the attitudes of the rising middle class |
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actor who usually played foppish characters; one of the first actor/managers The Careless Husband:First play to effect middle class theater transition |
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Richard Steele Sentimental Drama |
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trend in comedy toward sentimentality and toward protagonists drawn from the middle class; The Conscious Lovers |
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The London Merchant chose his characters out of everyday life because he believed that the lessons of traditional tragedy, with characters drawn from the nobility, were not applicable to ordinary people. |
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prohibited the acting for "gain, hire, or reward" of any play not previously licensed by the Lord Chamberlain (or else it is not ligitimate theatre) Other public entertainments did not require a license; bascally made the provincial theater illegal but people ignored it and did it anyway |
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opposed sentimentalism late 1700s |
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used a lot of the same plots as Congreve but his morality was more conventional because he always made true virtue triumphant. |
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Standard Units of Scene Design |
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wings, borders, and shutters |
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built Drury Lane originally 650 seats eventually, to compete with Covent Garden, built up to 3600 seats |
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more like a modern day director actor/manager at Drury Lane (had moved back and forth however, until made manager) set rehearsals, very strict |
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Philippe Jacques de Loutherbourg |
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hired by Garrick to do scene design; incorporates real existing places in his design |
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"patent lamp" technological leap in theatrical lighting big deal woah wow wee wow |
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Irish actor actor/manager first at Lincoln Inn Fields but moves to Drury Lane where he had his big break at Shylock in The Merchant of Venice more of a natural actor has a really bad temper |
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first theater built in America in 1716 |
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Walter Murray and Thomas Kean first American theater company tours and performs an entire season |
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Began with brothers William and Lewis Hallam; form a troupe in England and move to America; eventually go to Jamaica and meet David Douglass who owns a theater company there; companies merge to create Hallam-Douglass; tour America and dominates American theater until the American Revolution |
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