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What was key to Greek Theater? |
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The festivals were a communal expression of what? And it employed what? |
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Religious belief and it employed music, dance, and drama. |
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Dionysos was the god of what? They had what kind of dance festivals for him that turned into what? |
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Dionysos was the god of sex, wine, and festivities. They had dytherambic dance festivals that turned into carefully structured dramatic event. |
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What was the major dramatic form of the time (Greek Classicism)? |
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Definition
Tragedy was the major dramatic form of the time |
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What were the parts of the plays, or tragedies? |
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Definition
They consisted of a prologue, a parados, and exodus, or conclusion |
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There were how many annual religious festivals that theatre played a major role in? Name them. |
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Definition
there were 3: The City of Dionysia - festival of tragedy The Rustic Dionysia and The Lenaea - both of which were festivals of comedy |
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Contests were held at the festivals. Who were the 3 most prominent winners? |
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Definition
Aeschylus, Sophocles, and Euripides. |
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How many actors did plays originally have? |
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Definition
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List Aristotle's Theory of Tragedy in order of importance |
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Definition
Plot, Character, Thought, Diction, Music, and Spectacle. |
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What are the parts of plot? |
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Beginning (exposition), a middle (complication), and an end (denouement) |
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Characters learn about themselves and others. |
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Alerts the audience of future action. |
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Creates tension and make characters grow |
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How does Aristotle view tragedy? |
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Definition
As a form of drama in which a protagonist goes through a significant struggle which ends in disaster. Always a heroic character, who gains a moral victory even in physical defeat. Tragedy is a positive experience, which evokes a catharsis, or purging, of pity and fear in the audience. |
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What was Agamemnon about? What questions does it raise? |
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Definition
It warms that success and wealth are insufficient without goodness. Aeschylus poses questions such as: How responsible are we for our own actions? How subject are we for our own actions? |
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What is Aeschylus credited with? |
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Definition
The addition of a second actor. |
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Are Aeschylus' characters types or individuals? |
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Definition
They emerge larger than life as types rather than individuals. |
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What is Prometheus about? |
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Definition
Prometheus frustrated the plans of Zeus by giving fire to a race of mortals whom Zeus sought to destroy. |
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How did Aeschylus view the gods? |
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Definition
Gods were seen as less than bright. |
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What was the point of the play Prometheus? |
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Definition
It said that with reason, application, and vision, human beings can defy the gods and win. |
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What was the main device employed in Prometheus? |
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Definition
Dialogue as the main character is chained to a rock during the whole play. |
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The background building where costumes and other things were stored. It was connected to the main stage. |
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Who's contributions to dramaturgy and production make him, if not the greatest writer, then certainly the most important person in Western theatre history? |
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Who was considered the creator of tragedy? |
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Battles are infused in his works, which illuminates the miseries - not the glories of war. |
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How does Aeschylus treat history? |
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Definition
He treats history loosely |
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What viewpoint does Aeschylus have? |
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Definition
He has a classic view point |
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What does Aeschylus focus on? |
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Definition
He focuses on intellect as opposed to emotion. |
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What style does Aeschylus write in? |
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Definition
He writes in an exalted style, using vocabulary clearly linked to the epic and lyric tradition of Homer. |
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Term
Who wrote Oedipus the King? |
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Definition
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Term
Sophocles' plots and characterizations illustrate a tend toward what? |
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Definition
Increasing realism. However the move toward realism did not involve any illusion of reality on stage. |
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Term
What was Oedipus the King about? |
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Definition
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What kind of play was Oedipus the king? And what made it that? |
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Definition
Tragedy. His tragedy lies in the discovery of his guilt, rather than the heinous act themselves. |
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What was the hamartia, or tragic flaw, in Oedipus the King? |
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Definition
Oedipus' hamartia is excessive pride, or hubris. Ir drives him to pursue the truth. |
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What questions does Oedipus raise? |
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Definition
It asks if we can we control our own destinies? |
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Term
What device does Sophocles employ in the dialogue of Oedipus the King? What is its effect? |
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Definition
the use of stichomythia - dialogue involving a dispute presented in alternating lines. It heightens the emotional intensity of a scene. It can easily develop into a pun this way. |
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Term
While Sophocles was a less formal poet than Aeschylus, he used more what? |
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Definition
He used more human themes and more complex plots than Aeschylus |
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Classic Greek theatre consisted mostly of discussion and narration as opposed to what? |
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Definition
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Was blood ever shed on stage in classical Greek theatre? |
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Is Euripides plays evolve classicism or realism? What does his plays deal with mostly? |
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Definition
His plays carry realism further than any other Greek tragedies and deals more with psychological probing and individual emotions that with great events. |
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Was Euripides' language poetic and formal? |
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Definition
His language was poetic, but much less formal than his predecessors' language. |
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Euripides plays with what in his productions? |
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What does Euripides question? |
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Definition
The religion of the time. |
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It depicts the bitter tragedy of the interrelationship between those who rule and those who obey. It goes along with the troubles of the times. |
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What is the story of Hecuba? What does the chorus do? |
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Definition
Hecuba, the wife of Priam, King of troy, whose city has fallen to the Greeks, has her children murdered. She seeks the help of the Greek King, Agamemnon, but receives only pity and questions. The chorus condemns the tragic waste of war and questions the logic of imperialism. |
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Who does Euripides attack in his play Hecuba? What does he say about them? |
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Definition
He attacks the gods themselves. He says that even if they exist, their justice lies so far removed from humans that it has no relevance. |
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What does The Bacchae represent? |
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Definition
It reflects the changing Athenian spirit and dissatisfaction with contemporary events. |
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Term
Why was Euripides not particularly popular in his time? |
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Definition
Perhaps because of his less idealistic, less formal, and less conventional treatment of dramatic themes and characters. His plays are the most popular of Greek Tragedies today though. |
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What does Euripides play represent, classicism or realism, intellect or emotion? |
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Definition
They represent realism and emotion. |
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Explain tragic costumes? Who wore them? |
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Definition
They were larger than life costumes. Always men |
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Definition
thick-soled boots, padded robes, bright colors. |
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Definition
Wiglike protrusions on top of masks that made characters look even taller. |
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Athenians had a great love of this? |
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What kind of plays did Aristophanes write? |
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Definition
He wrote sophisticated, biting satire - rather obscene. |
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What was lysistrata about? |
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Definition
It was about a strike by the women of Athens who vow to withhold sex from their husbands until the authorities rid the city of war and warmongers. |
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Term
Why aren't Euripides plays as funny to us now as they originally were? |
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Definition
Because we aren't familiar with the personal and political targets of his plays. |
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Term
During what period did comedy become the staple of theatrical fare? |
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Definition
During the Hellenistic period. |
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Who are the only comedies we have written by? |
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Definition
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Term
What are the characteristics of Menander's plays? |
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Definition
Very bawdy, superficial themes (much like 21st century), uses almost no satire, unlike Aristophanes, religion played no role and the chorus had completely disappeared. |
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What did Aeschylus write? |
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Definition
Agamemnon, and Prometheus |
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What did Sophocles write? |
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Definition
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Term
What did Euripides write? |
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Definition
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What did Aristophanes write? |
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