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Somewhere between the Renaissance and mid 1800s |
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Advantages: cheap, lightweight, easy to build Materials: 1x3 Equipment: saw, wood glue (permanent), pneumatic staple gun Parts: top/bottom rail, stile/vertical member, toggle, cornerblock, keystone |
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material used to connect flats to make a seamless wall |
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preferably 100% cotton, unbleached always tears in a straight line H2O based paint, constricts |
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first layer of paint on flat (H2O + glue) (laundry starch + water) |
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support for under door openings |
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Size: 4'x8' Material: 1x3 Frame: pieces at 90O to each other Covering: 1/4" ply Special: no cornerblocks or keystones |
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square steel tubes 1.5" x 0.5" welded covered with 1/4" ply |
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much more durable and heavy-duty |
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different painting surface, paints seem more vibrant |
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series of flats at back of stage to hide cyclights |
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material added to flat to give irregular edges; 3/4" ply |
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large painted piece of fabric hung from grid; 100% muslin; can be made translucent with dye in specific areas and backpainting all but that area with dye |
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drop with area(s) cut out of it |
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downstage drop before show |
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drop used to mask scene change while small scene played in front of drop |
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to move without wheels (teflon) |
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platform with legs on one side |
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1/4" masonite 1/2" celotex 3/4" ply |
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strength is in the top and bottom, not frame (honeycomb cardboard) |
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system where platforms are 4'x4' stressed-skin |
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