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The world is too much with us |
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Childe Harold's Pilgrimage |
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Byron -Byronic Hero: not good or evil, but passive and selfish |
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Hemens (He dies, she wants to. Turn from worldly events to personal events. "Glimpse of joy divine. The moment reveals the grand scheme.) |
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Preface to Lyrical Ballads |
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Recollection in tranquility Spontaneous overflow of powerful feelings Binds passion and knowledge Wordsworth |
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I Wandered Lonely as a Cloud |
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A Slumber Did My Spirit Seal |
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I Traveled Among Unknown Men |
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Coleridge (vision, fragment, drugs. Desire to live in imagination, real world hurts) |
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Shelley (ruins in the desert and old Egyptian King. Never create immortality, prideful, Shelley is a prideful bitch) |
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Keats
Spontaneity in tension with posterity |
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Keats Madeline and Porphyro Gothic elements |
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Keats (woman seduces and then leaves) |
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Geraldine/Cristabel
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Coleridge -Whether hypnotic power of literature is a good or bad thing -Relates to real language of men |
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Lines Composed Above Tintern Abbey |
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Wordsworth -Nature and sublimity -sublime reconciles us to nature |
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Shelley -can't control nature |
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Keats -wants to be a nightingale's song -we can't escape life, unlike this bird -can't cheat the sublime |
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Sense: common sense. No emotions. Elinor. Edward Sensibility: Emotions. Marianne. Willoughby. Captn. Brandon.
No normative characters |
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Tennyson I am aweary aweay i would that i were dead |
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Tennyson -Millennial growth |
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Tennyson -work is delight -desire to break |
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Tennyson -cant connect with anything -loss of faith |
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Browning -He kills her "And yet God has not said a word" |
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Browning -painting -helped destroy the idea that poetry must be communicative or expressive in a conventional sense -psycho characters |
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Arnold -withdrawal of faith |
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