Term
|
Definition
Hugo Ball, 1916 (Dada- Soiree) Paper costume he couldn't even walk in Nonsense words created with ritualistic feel- doesn't matter what he says, but trance like state. (Objects and masks- what they do and what power they have) |
|
|
Term
|
Definition
Sophie Turner, 1920 Made pattern, placed onto 3D form- beads reference traditional craft Heads are: sculptural portraits Sculptural comparison to portraits- don't capture likeness Ethnographic? Spiritual power? Hat stand? No real place that fits- frustrates categorization |
|
|
Term
Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany |
|
Definition
Hannah Hoch, 1919-1920 Shifts power of interpretation to viewer Mapping a cosmology of current politics What does this mean within history of a pictorial surface? |
|
|
Term
|
Definition
George Grosz, 1920 - dif medium from life drawings (photomontage and water color) Develops vocab of types within society in which he lives in Implementing cast of real life into cast of public life Space emphasizes intimacy (behind closed doors) Detests society he's living in but also aware he's living in it (self loathing) Photomontages window as well as organs- urban space has crept into his core itself. |
|
|
Term
Monument to the Third International |
|
Definition
Vladimir Tatlin, 1919 Both a monument and functional building (different) Monuments built to signify heroic figure, now it served as HQ for communist party. It revolved and used modern materials |
|
|
Term
The Factory Workbench Await You |
|
Definition
El Lissitzky, 1920- abstraction to create propoganda Forms come together to express how people need to come together. Encourage people to return to work |
|
|
Term
Hanging Spatial Construction |
|
Definition
Aleksandr Rodchenko, 1921 - what motivates form here? Designs work to function in a particular way to viewer- viewer engages with it. Solutions must work for everyone What motivates form? |
|
|
Term
Advertisement for cooking oil for the state department store Mossel’prom |
|
Definition
Aleksandr Rodchenko and Vladimir Mayakovsky, 1923- Print styles- style is no longer personal, but a brand identity State run businesses not trying to make profit No longer expressing themselves but working for a solution to get people to buy |
|
|
Term
EM1, EM2, EM3 (telephone paintings) |
|
Definition
Lázló Moholy-Nagy, 1922-23 Shift from "art" to "design" Constructivism? Method of calling over phone, emphasizing distance of manufacturing process to produce and degree of tech involved. |
|
|
Term
La Femme 100 Têtes (The Hundred Headless Woman) |
|
Definition
Max Ernst, 1929 Photomontage practice In terms of collage with Hoch The Uncanny/ the marvelous convulsive beauty Sense of scale is off, not photo illustration |
|
|
Term
|
Definition
René Magritte, 1930 Same script, wants us to read in the same way But labels contradict pictures |
|
|
Term
|
Definition
Man Ray, 1933 Looks like the head of a minotaur- head of bull w/ scary face Not artless- he's lit and framed his subject He's seen the representation and took the image- you see one or the other |
|
|
Term
|
Definition
André Breton, 1928- Whole ass book about questioning reality Establishes his bearings for a long time- using text and images to describe places or memories of places Meets Nadja- her as an idea enraptures him She turns out to be batshit- he's driven to insanity |
|
|
Term
|
Definition
Pablo Picasso, Geurnica 1937 -
Two different light sources- planes didn't reflect that. Distorted facial features
High contrast- very movie/documentary like
Reproduction of how movies were being made in the 1930s- size and ration similar to that of film.
Condeming war attack on Geurnica
Negative view on modern tech |
|
|
Term
|
Definition
Dorothea Lange, 1936 Documenting the Depression and migratory labor Working to provide but not being able to- pictures question what we need to do as a society Face to identify with- transcends specificity Reservations on being foster child for poverty- how true is "documentary"? |
|
|
Term
Collective Farm Girl on Bicycle |
|
Definition
Aleksandr Deineka, 1935 Social realism was 1 style- but no one specified what it would be. Focus on regular people, everyday moment between "here and there" Socialist life that should be celebrated Signs of modernity- bike/truck Have to imagine where she's going |
|
|
Term
Man at the Crossroads Looking with Hope and High Vision to the Choosing of a Better Future, commission for Rockefeller Plaza |
|
Definition
Diego Rivera, 1933- Gets criticized for being involved with Rockafellar by the communists? Monumental public creation requires so much buy-in Story as a common value until someone comes to chip it off the wall. |
|
|
Term
Hurrah, the Butter is Finished! |
|
Definition
John Heartfield, 1935 -"Get guns or feed people?" People bought into that- sure, we'll eat this weapon instead Ridiculous contradictions in ideology presented as normal Common family dinner scene |
|
|