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Jargon, technical terminology, or term of art,[1] is "the technical terminology or characteristic idiom of a special activity or group."[ |
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Limited omniscient point of view
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Third-person narration provides the greatest flexibility to the author and thus is the most commonly used narrative mode in literature. In the third-person narrative mode, each and every character is referred to by the narrator as "he", "she", "it", or "they", but never as "I" or "we" (first-person), or "you" (second-person). In third-person narrative, it is obvious that the narrator is merely an unspecified entity or uninvolved person that conveys the story and is not a character of any kind within the story being told.[5] Third-person singular (he/she) is overwhelmingly the most common type of third-person narrative, but there have been successful uses of the third-person plural (they). Even more common, however, is to see singular and plural used together in one story, at different times, depending upon the number of people being referred to at a given moment in the plot |
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(poetry) Of, or relating to a type of poetry (such as a sonnet or ode) that expresses subjective thoughts and feelings, often in a songlike style |
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A metaphor is a figure of speech that describes a subject by asserting that it is, on some point of comparison, the same as another otherwise unrelated object. Metaphor is a type of analogy and is closely related to other rhetorical figures of speech that achieve their effects via association, comparison or resemblance including allegory, hyperbole, and simile. |
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the affective setting of a piece of literature |
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The act of recounting or relating in order the particulars of some action, occurrence, or affair; a narrating. |
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A narrative (or play) is any account of connected events, presented to a reader or listener in a sequence of written or spoken words, or in a sequence of (moving) pictures |
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One who narrates or tells stories
The person or the "voice" whose viewpoint is used in telling a story |
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Objective point of view
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With the objective point of view, the writer tells what happens without stating more than can be inferred from the story's action and dialogue. The narrator never discloses anything about what the characters think or feel, remaining a detached observer. |
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Omniscient point of view
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A narrator who know everything about all the characters is all knowing, or omniscient.
A narrator whose knowledge is limited to one character, either major or minor, has a limited omniscient point of view. |
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The property of a word of sounding like what it represents |
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An oxymoron (plural oxymora or oxymorons) is a figure of speech that juxtaposes elements that appear to be contradictory. Oxymora appear in a variety of contexts, including inadvertent errors (such as "ground pilot") and literary oxymorons crafted to reveal a paradox. |
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A self-contradictory statement, which can only be true if it is false, and vice versa. |
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A person, thing or name typifying a certain quality or idea; an embodiment or exemplification |
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The act of persuading, or trying to do so; the addressing of arguments to someone with the intention of changing their mind or convincing them of a certain point of view, course of action |
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The course of a story, comprising a series of incidents which are gradually unfolded, sometimes by unexpected means |
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A position from which something is seen; outlook; standpoint |
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Propaganda is a form of communication aimed towards influencing the attitude of a population toward some cause or position. |
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The main character in a any story, such as a literary work or drama. |
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