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- stated by Louis Sullivan - points out how the skyscraper's form is designed to best accomodate how the building will be used |
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- tall buildings made of steel which made efficient use of space in crowded cities (Industrial Revolution) - new innovations accompanying rise of skyscrapers: vertical plumbing, heating/ventilation, fireproofing, elevators. |
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Designed by Gustave Eiffel (1887-1889) Location: Paris, France France wanted to show off at the World Fair so the Eiffel Tower was created. Elevator took people up into tower which was a huge deal since people couldn't normally go up so high (pre-airplanes, etc). Made of cast iron (very heavy) - great compressive strength, but hardly any tensile strength (not flexible). |
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Designed by Louis Sullivan (1890-1891) Location: St. Louis, Missouri This was the first skyscraper to be built. It allowed for a large workspace in a compact area which was important during the Industrial Revolution (crowded cities). New innovations that accompanied the rise of skyscrapers include: steel framework for building, vertical plumbing (restrooms on every floor), heating/ventilation, fireproofing, and elevators. |
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This movement was named after Claude Monet's "Impression: Sunrise." Started in 1860s when several young artists were rejected by the Salon de Paris to show their art. In defiance of the rejection, the artists set up their own show (Salon des Refuses) which catalyzed the impressionistic movement.
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Started in 1863 when artists rejected from the Salon de Paris decided to create a show of their own to exhibit their artwork. Salon des Refuses translates into "Exhibition of Rejects." |
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The act of painting outdoors. Started during Impressionism due to availability of paint in tubes. |
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"Luncheon on the Grass" Who? Edouard Manet When? 1863 With the Industrial Revolution came the start of "cafe life" where people had the luxury of a set "work day" with weekends for leisure. This painting was controversial not because the women were nude, but because the women (prositutes) were undressed in the presence of clothed men in a park. |
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"Olympia" Who? Edouard Manet When? 1863 This painting was also highly controversial due to its unorthodox painting style. The colors are flat with no depth which is aesthetically unpleasing to the eye. In addition to the untraditional painting technique, the prostitute has an insultingly haughty face which makes her seem arrogant. Traditionally, nude women were always alluring with an inviting attitude in their eyes and pose. In this painting, the woman seems to have no interest in the viewer - quite possibly even annoyed. |
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"Impression: Sunrise" Who? Claude Monet When? 1872 Monet was fascinated with the properties of light and water. He loved how the light reflected off water, and how water painted reflections of images on its surface. He used these ideas and incorporated them into this painting. This painting also gave the name to the Impressionism movement. |
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"Boulevard des Capucines, Paris" Who? Claude Monet When? 1873-1874 I missed this part of class. I don't have any background information on this one. =/ Anyone? |
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"The Rehearsal of the Ballet on the Stage" Who? Edgar Degas When? 1874 I missed this one too. But I remember her saying something about how it depicts the reality of theater. Instead of portraying the perfect ballet, it shows the ballerinas practicing on the side, warming up, preparing, getting ready, etc. That contributes to the Impressionistic idea of how not everything follows a standard - an ideal. Shrug. |
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"Luncheon of the Boating Party" Who? Pierre- Auguste Renoir When? 1881 The Industrial Revolution brought about the work week which led to weekends. Weekends allowed people to enjoy leisure activities such as luncheons on boats (as seen in this painting). Having paint available in tubes allowed artists like Renoir to paint outdoors. She mentioned: You can tell just by the shadows on the white tablecloth and shirt that this picture was painting outside. How? Because the shadows that are painted are not all black or grey. The shadows are softer, indicating a more uniform source of light. Also, they have other colors incoporated into the shadows because the objects near the white surfaces influence the color of the shadows. All of these characters indicate a natural outdoor light. |
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This movement rejected Impressionism because people thought that it was too hazy and vague. Post-Impressionists sought to bring more structure and emotions into their paintings. |
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Thick accumulation of paint on a canvas (as seen in The Starry Night by Van Gogh) |
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When an artist distorts reality for an emotional effect. (as seen in The Scream by Munch) |
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"Mont Sainte-Victoire" Who? Paul Cezanne When? 1885-1887 Cezanne wanted to bring structure to paintings unlike what was seen in Impressionism. Therefore, he painted a landscape in a series of geometric shapes. It may seem unstructured, but Cezanne maintained organization by dissolving nature into geometric forms. |
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"The Starry Night" Who? Vincent Van Gogh When? 1889 Van Gogh uses heavier lines to create edges in this painting. He continues to use linear brushstrokes to create the rest of his painting. Impasto can be seen in this painting, particularly on the moon. The paint is layered very thickly. This painting also shows more emotion than is seen in others. (I don't see it, but that's what Badgett said.) |
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"The Scream" Who? Edward Munch When? 1893 Munch sought to show more emotions in artwork. Existential frustration seems to be the main theme in this painting. |
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"Mahana no alua (Day of the God)" Who? Paul Gauguin When? 1894 Gauguin paints a picture inspired by his residence in Tahiti. The painting is intentionally obscure to create a sort of fantasy. The different hues of water are exaggerated into big blobs of color. |
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