New York Kouros

• 1.94m (Lifesize)
• Marble
• 590-580BC
• Wig like hair
• Clenched fists
• Thin waist
• Feet one infront of the other

 Berlin Kore

• 1.18m (Below lifesize)
• White marble (originally painted)
• 570-560BC
• Detailed folds in dress
• Detailed hands, jewelry 
• Was wrapped in sheet of lead to prevent theft, maybe important figure?

Peplos Kore

• White marble (Originally painted)
• 1.18m (Below lifesize)
• 530BC
• Archaic smile
• Wig-like hair
• Youthful
• More detailed facial features
• Stone sculpture becoming more sophisticated

Anavysos Kouros

• White marble (originally painted)
• 530-520BC
• Clenched fists
• Feet one infront of the other
• Archaic smile
• Better facial features
• Abs look more real
• Thighs too thick

Tyrannicides

• Marble (originally bronze)
• 2.03m (lifesize)
• 509BC
• Wig like hair
• Exaggerated hips
• Killed a tyrant, leading to democracy
• Symettrical
• Realistic feet
• Anatomically correct

Kritios Boy

• Sculptor: Kritios
• 1.17m (Below lifesize)
• 480BC
• Parian marble (with inlaid eyes)
• First portrayal of contrapposto
• Transitional
• Slight archaic smile
• Realistic looking muscles, though overly long thigh
• Overexaggerated v-line at the hip

Delphi Charioteer

• Bronze
• 2.03m (lifesize)
• 474BC
• Hasn't started race, not showing hubiris. Neck shows breathing in and feet gripping; antipcation
• Realistic feet and hands
• Hugely detailed drapery
• Oiled down hair
• Rounded features suggest youth

Artemision Bronze

• Sculptor: Kalamis
• 2.09 (above lifesize)
• 460BC
• Intricate hair and beard
• Holds either trident or lightning bolt; zeus or poseidon
• Raw power and awe that only a God could have, directing his wrath
• Contrapposto, thorax isn't twisted, pecs don't move with shoulder, legs too long
• Hugely detailed muscles
• Pan-Hellenic ideal of power, strength and wrath to aspire to

Riace Warriors

• Bronze
• 1.98m (Slightly over lifesize)
• 450BC
• Contrapposto with rhythmos shown
• Deep grooves in abs, musculature shown in detail
• Both originally held shields
• Tailbone is missing, perhaps to improve beauty of the back
• Legs are too long
• Helmet on one, oiled hair on the other

Myron's Diskobolos

• Sculptor: Myron
• Marble (originally bronze)
• 1.7m (Below lifesize)
• Dynamism, action anticipated through tension, toes bent, veins are shown on one arm focused on the discus
• Pecs don't move with arms, ribs turn into the arm well
• Concentration, self-control, hubris
• Rhythmos shown
• Advance of classical sculpture from archaic

Polykleitos' Doryphoros

• Marble (originally bronze)
• 2.1m (above lifesize)
• 450-440BC 
• Veins in the arms visible, musculature is immense
• Vertical and horizontal symmetry
• Contrapposto
• Knee joint sticks out
• Used to hold a spear

Paionios' Nike

• Parian marble (originally painted)
• 2.16m, 3m with wingspan (above lifesize)
• 420BC
• Slightly undressed in a sensual way, audience will undress her with their eyes
• Drapery realistic, flows behind her leg
• Stoon on a pillar 10m tall outside temple of Zeus, viewed from below imposed a dramatic and terrifying figure
• Stepping forward, as if landing from flight
• Material is thin, sometimes see-through, enhancing sensuality of the figure

Eirene and Ploutos

• Sculptor: Kephisodotos
• 1.77m (Lifesize)
• Marble (Originally bronze)
• 375-374BC
• Goddess of spring and peace
• Ploutos gazes trustingly at her, she maternally looks down with love
• Drapery accents her breasts and is realistic in its folds
• Once held a cornucopia full of food but has since been lost
• Very realistic hair

Knidian Aphrodite

• Sculptor: Praxiteles 
• Marble
• 2m (Slightly over lifesize)
• 350BC
• Depicts goddess of love bathing to restore her purity
• Audience is turned into voyeur of her, she peers round a tree to look at them
•  Her nakedness puts an element of vulnerability sensuality on the piece, making the audience in control rather than the figure
• Wants to show the Gods with character and a story rather than the accepted view

Apollo Sauroktonos

• Sculptor: Praxiteles
• Parian marble
• 1.49m (Just below lifesize)
• 343-330BC
• Three quarter view feminine face with realistich hair
• Depicts the god deep in thought, about to kill the lizard
• Feminised body, very little musculature 
• Contrapposto, s-line curve
• Not for 360 degree viewing

Hermes and Dionysos

• Sculptor: Praxiteles 
• Parian marble
• 3.72m (Very above lifesize)
• 343-330BC
• Extreme contrapposto with a huge s-line curve on the back and rhythmos
• Hermes was holding grapes up, teasing the future god of wine, Dionysos, shown as baby
• Strength, graec, gentleness and benevolence - Kenneth Clark
• Very smooth body, not much musculature shown
• Thights too long, but rest of body in proportion

Lysippos' Apoxyomenos

• Marble (orignally bronze)
• 2.05m (slightly above lifesize)
• 330BC
• Athlete scraping the oil that traps dust and dirt off his body
• New canon of sculpture, 1:8 ratio of head to body instead of 1:7 + longer, thinner limbs
• S-curve of body and spine seen
• More rounded face with realistic hair
• Lots of creases on neck and forehead, perhaps showing fat rather than muscle

Marathon Boy

• Sculptor: Anonymous but in the style of Praxiteles
• Bronze
• 1.29m (Below lifesize)
• 325-300BC
• Perhaps showing a young Hermes, but could be generic young, achieving athlete
• S-line curve and 3/4 view face (Praxiteles)
• Twists head to look at (now lost) object in hand
• Stone inlayed eyes, soft muscles and overly long arm stretched out
• Could be leaning against something for support