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for reaching things that are high up |
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good for splattering or making crosshatch, 5"-6" width |
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swish swish, make an x with your paint pushes paint into pores, blends surface |
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basic colors, 2"-3" width |
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Decorating and Lining Brushes |
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Should you let brushes air dry |
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cuz markers bleed through |
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the gold thingy that's in between the bristles and the handle, it holds the bristles in, you have to get water up into it to get it clean and keep the paint from drying up in it |
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used for corners or to dirty something up or to add texture |
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Panda food that holds brushes |
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Panda food that holds brushes |
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create quick floor boards |
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handle with a wheel that has poky things on it...used for making holes in things, perhaps used for making a pattern and then you put charcoal in some muslin and make a bag and hit it against the pattern to make a charcoal pattern |
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what Jeff uses...I mean used to erase lines |
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a paint frame that has 1"x6" bolted to the wall |
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Counterweighed paint frame |
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has a winch and a motor and moves the paint frame up and down in order to paint different areas, we have one! |
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a rolly stair like thing that has lots of levels on which to stand on to paint from |
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splitting up a drawing into sections and transferring it onto the backdrop |
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The Controllable Qualities of Light |
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Distribution Intensity Movement Color ways in which to manipulate a lighting instrument |
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direction- angle, position front/behind/below shape/size- area, pools of light, tight, flooded, gobo, barn doors, instrument size quality of light- diffusion, sharp |
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bright or dim "ghost" the light hazer- see beam of light really well |
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off stage lighting source-follow spot gobo rotator onstage light source- candle, flashlights, torch button- sudden change, stop, pop on or off, boom, sunset |
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gels, think Free Will, red= blood/fire/passion, blue=cool/depth/serenity ALL THE COLORS OF THE RAINBOW |
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The Functions of Stage Lighting |
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how to create the idea using lighting |
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make sure we can see the production, probably a good idea |
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putting more light on one area or person to catch the attention of the audience, cuz they're dumb and they need to be shown things |
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what I do for a living, creating dimensions (putting lights on sides and above) like dance concert |
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right now I'm not happy cuz I'm studying for stagecraft instead of drinking Margaritas for Cinqo de Mayo |
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using a needle and thread to sew, old fashioned, like granny baist- a very wide stitch used to hold items together for a short time, not meant to be used in production, easy to take out, can be long or short but usually long
running/whip stitch- used to attach items together, starts from the left, goes through once side of the fabric then crosses about 1/4" to the left and you make just a tiny prick so that it doesn't show through the other side
Cross Stitch- crosshatch by going back and forth with the stitching, holds things together well |
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sew through only two holes to create parallel lines showing (basically don't make a square) ok this is hard to explain, then you make a shank by wrapping the thread around the bottom of the button and tying it off |
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you just do it start from underneath, go through each hole four times, do one hole at a time, Male is always on top |
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big bad monster that is used to keep fabric from fraying, used on most of your clothes, economic, has lots of threads, makes Charlotte mad when it breaks and Melanie has to fix it, |
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used to strengthen thread for hand sewing and reduce tangling and knotting |
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the "bible" is the book that includes renderings, research, budget info, rental info, measurements, meeting/rehearsal notes |
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A method of 3D pattern drafting 1.padding dress form to correct size 2.apply design lines for garment seams 3.drape garment in muslin 4.create pattern from muslin 5.mock up fitting 6.correct pattern and build real costume |
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Draper's assistant usually in charge of cutting fabric and handing pieces off to stitchers, we don't really have one, don't memorize this |
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fasteners used at top of zipper or opening, look for it at the top of your formal dresses |
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very strong, waxed thread used for sewing closures |
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heavy, hot, gravity fed with water, constant steam |
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first draft of a costume made of muslin, fits costume to actor before expensive fabric is used |
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millner-long thin sharps-short to medium leather-thick pointed or beveled tip |
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accommodates fabric of the buttonhole, easier to button |
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Melanie, in charge of all costume shop business including deciding with designers things, schedules, hiring staff, assinging jobs, purchasing, supplying shop |
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size 6 LARGE snap, fun name, should be the name of pop corn, someone get on that |
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person who sews the costume, very important people who are very pretty and nice |
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commonly used for sewing hems |
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the handle for the lighting instrument |
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Tungsten Halogen Incandescent Lamp |
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a very long name for a type of light bulb that was made by this cool man and you find it in most lighting instruments, has pure halogen gas, 2,000hr life span, Source 4 has four wire filaments, envelope is glass cover, wire filament inside, base connects it to electricity |
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has to be put in upside down-Polly told me that, has a cool design like leaves |
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like a camera, changes size of light pool |
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change pool of light remember light is reflected so the bottom changes the top etc |
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What kind of lens does a Ellipsoidal Reflector Spotlight have? |
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plano convex, determines size and shape of light, redirects light, 19degree is small, 26degree is medium, 36degree large pool |
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Should you touch the envelope of the THIL, or that long name for a light bulb? |
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rotates the barrel, ya ok I made up that name |
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Green paint in squirt bottle |
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Ellipsoidal Reflector Spotlight |
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cool lighting instrument used for most stuff |
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soft light, not crisp top light, back light, side light 575watt no shudder, no gobo no iris sorry 4 different lenses 1. very narrow has no frost 2.narrow has wide frost 3.medium has a waffle pattern on it 4.wide 50degrees or more oval shaped, very waffled |
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...twist the light thing, mostly for when the pool of light is an oval shape |
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lamp reflector and lens in one unit outdoors tin can, can get wet light weight splashing color not front but side and back headlight also 4 diff lenses |
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pronounced like the french, FRE-NEL, named by the lens, plano convex lens and made it thinner so less light is absorbed, refers to width of lense soft pools of light pebbled featur to spread light, less harsh inky=tiny 3" attach to a flat or upstage lighting 1,000watt |
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lots of them no lens lamp source mat finish softens light big washes spread soft saturated colors can't control beam of light |
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light backdrop or cyc, color wash to mix, across back pipe, wide even spread, 500watt, 4 cell |
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complementary to cyc lights, could have pretty colors, think dance concert |
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clips on top of spot to line up and guide direction of light, Dylan put this on the worksheet |
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buit-in iris like a big Ellipsoidal built in gels pivots $$$$$$$$ |
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6,000 changes gel itself gobos cool stuff |
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ridiculous life span changes color with temperature no gels cooler, won't set things on fire |
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Shannon Fujimara says Cover Your Ass, write everything down, circulate notes, dated and signed |
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prompt book, script w/blocking, quick changes, contact info, health stuff, copies of rehearsal and performance notes, book belongs to theatre, floor plan, accident reports |
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yes...we do...pretty ones |
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stage manager kit sewing kit pencil paperclips highlighter first aid kit rubber gloves (some actors are icky) ruler measuring tape cough drops mints handbook spike tape gaphers tape |
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When you're a stage manager do you touch stuff? |
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NO yell at other people to touch it |
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What are the two ways to create texture when scenic painting? |
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actual texture- dementional as possible ex: vacufoam, what we used for As You Like It simulated |
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think of painting the world on the floor, lay out all the stuff and paint it on the floor like we do in the Allman |
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matter of mixing and watering Rosco Broadway paint is so thick |
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what Jeff let us use to paint with paint saved from other shows dump in 5 gallon bucket makes good primer I guess |
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pour between two buckets to mix paint |
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taking 2+ colors and applying to surface to blend, stamping pattern down on surface stipple (pushing bristles down) creates background to build off of don't blend so much so that it's one color variety vs tone down only hints of color crosshatch |
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throw paint at work with brush adds texture tones work down ages work biggest brush possible use watered down paint test first flick and turn |
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use sponge to create texture brick or stucco wet down well and squeeze out twist |
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