Term
The Palace of Westminster |
|
Definition
•Date of completion/opening: 1837–67
•Architect/lead designer: Charles Barry and A. W. N. Pugin
•Principle sponsor or client: The Royal Commission
•Purpose of the building: Parliamentary use
|
|
|
Term
The Palace of Westminster |
|
Definition
The present-day Palace of Westminster is built in the perpendicular Gothic style, which was popular during the 15th century and was responsible for the Gothic revival of the 19th century.
|
|
|
Term
The Palace of Westminster |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
ROYAL COLLEGE OF PHSYICIANS |
|
Definition
|
|
Term
ROYAL COLLEGE OF PHYSICIANS |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
PETER JONES DEPARTMENT STORE |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
PETER JONES DEPARTMENT STORE |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
FOREIGN AND COMMONWEALTH OFFICE |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
FORIGN AND COMMONWEALTH OFFICE |
|
Definition
|
|
Term
FOREIGN AND COMMONWEALTH OFFICE |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
CARRERAS CIGARETTE FACTORY |
|
Definition
|
|
Term
|
Definition
|
|
Term
CARRERAS CIGARETTE FACTORY |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
ALL SAINTS MARGARET STREET |
|
Definition
|
|
Term
ALL SAINTS MARGARET STEET |
|
Definition
|
|
Term
ALL SAINTS MARGARET STEET |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
Date of completion/opening: 1850-1851 Architect/lead designer: Joseph Paxton Principle sponsor or client: public subscription Purpose of the building: The Great Exhibition of 1851 |
|
|
Term
|
Definition
- Victorian architecture The geometry of the Crystal Palace was a classic example of the concept of form following function - the shape and size of the whole building was directly based around the size of the panes of glass made by the supplier was prefabricated, assembled onsite and used large quantities of metal (iron) and glass |
|
|
Term
All Saints Margaret Street |
|
Definition
Date of completion/opening: 1850-1859 Architect/lead designer: William Butterfield Principle sponsor or client: The Ecclesiological Society Purpose of the building: Anglo- Catholic Church |
|
|
Term
All Saints Margaret Street |
|
Definition
-High Victorian Gothic architecture (revival) -All Saints is built of red brick. high quality, expensive brick -braided with black brick -marble and tile make inside richly patterned |
|
|
Term
|
Definition
Date of completion/opening: 1859-1861 Architect/lead designer: George Edmund Street Principle sponsor or client: three daughters of Bishop Monk of Gloucester to construct a church in their father's memory Purpose of the building: Church of England |
|
|
Term
|
Definition
-red bricks with an exterior embellished with black bricks, bands of Morpeth stone, voussoirs of coloured bricks and marble shafts.[6]
-steeply sloping roof is covered with slate, with a gable at one end and carried round the apse as a half-cone at the other end
- Gothic revival |
|
|
Term
|
Definition
Date of completion/opening: 1859-1860 Architect/lead designer: William Morris and Philip Webb Principle sponsor or client: William Morris Purpose of the building: Family Home |
|
|
Term
|
Definition
- a significant Arts and Crafts building L-shaped plan, with two stories and a high-pitched roof made of red tile acked any applied ornamentation, with its decorative features instead serving constructional purposes, such as the arches over the windows, and the louvre in the open roof over the staircase. |
|
|
Term
Foreign and Commonwealth Office |
|
Definition
Date of completion/opening: 1862-1875 Architect/lead designer: George Gilbert Scott Principle sponsor or client: English Government Purpose of the building: a department of the Government of the United Kingdom. |
|
|
Term
Foreign and Commonwealth Office |
|
Definition
- Its architecture is in the Italianate style Scott had initially envisaged a Gothic design, but Lord Palmerston, then Prime Minister, insisted on a classical style. |
|
|
Term
St Pancras Station and Midland Grand Hotel, by George Gilbert Scott (the hotel designed 1865–7, built 1868–74) |
|
Definition
Date of completion/opening: the hotel designed 1865–7, built 1868–74 Architect/lead designer: George Gilbert Scott Principle sponsor or client: Midland Railway Company Purpose of the building: Hotel to service those coming into london |
|
|
Term
St Pancras Station and Midland Grand Hotel, by George Gilbert Scott (the hotel designed 1865–7, built 1868–74) |
|
Definition
Victorian architecture, the station building is primarily brick, but polychromatic, in a style derived from the Italian gothic, and with numerous other architectural influences. |
|
|
Term
St Pancras Station and Midland Grand HotelW. H. Barlow (the railway shed designed and built 1866–8) |
|
Definition
Date of completion/opening: 1866-1868 Architect/lead designer: W. H. Barlow Principle sponsor or client: Midland Railway. Purpose of the building: a central London railway terminus and Grade I listed building located on Euston Road |
|
|
Term
Royal Courts of Justice, Westminster |
|
Definition
Date of completion/opening: 1871-1882 Architect/lead designer: George Edmund Street Principle sponsor or client: Government Purpose of the building: houses both the High Court and Court of Appeal of England and Wales. |
|
|
Term
Royal Courts of Justice, Westminster |
|
Definition
the Victorian Gothic style two elaborately carved porches fitted with iron gates |
|
|
Term
St Michael and All Angels |
|
Definition
Date of completion/opening: 1879-1880 Architect/lead designer: Richard Norman Shaw Principle sponsor or client: Purpose of the building: Anglo-Catholic church a parish church serving the spiritual needs of residents |
|
|
Term
St Michael and All Angels |
|
Definition
Like the houses in Bedford Park, the church was built with bricks from local brickworks, and demonstrates Shaw's "panache in the use of the 'cocktail of styles' which characterised the Queen Anne revival" as well as "a sensitivity to the aspirations of an aesthetically minded middle class community Perpendicular Gothic with seventeenth- and eighteenth-century domestic features Queen Anne revival style and as Perpendicular Gothic style modified with English domestic features. |
|
|
Term
|
Definition
Date of completion/opening: 1890 Architect/lead designer: C F A Voysey Principle sponsor or client: built for the artist J. W. Foster Purpose of the building: residential |
|
|
Term
|
Definition
"white roughcast render and stone trim" to be an "outstanding example" of Arts and Crafts architecture "as a protest against the bland red brick of the rest of the 'suburb'" and provoked criticism for "the old-fashioned look of the white stucco and leaded light windows" |
|
|
Term
|
Definition
Date of completion/opening: 1909-1911 Architect/lead designer: Edwin Lutyens Principle sponsor or client: Henrietta Barnett Purpose of the building: church in a model community where all classes of people could live together in attractive surroundings and social harmony |
|
|
Term
|
Definition
Date of completion/opening: 1920 Architect/lead designer: Edwin Lutyens Principle sponsor or client: Prime Minister Lloyd George/ British War Cabinet Purpose of the building: a memorial erected for a peace parade following the end of the First World War |
|
|
Term
Wembley Stadium/Empire Stadium |
|
Definition
Date of completion/opening: 1922-1923 Architect/lead designer: John Simpson, Maxwell Ayrton and Owen Williams Principle sponsor or client: British Empire Exhibition Incorporated Purpose of the building: British Empire Exhibition |
|
|
Term
Carreras Cigarette Factory |
|
Definition
Date of completion/opening:1926-1928 Architect/lead designer: M. E. and O.H. Collins and A. G. Piorri Principle sponsor or client: Carreras Tobacco Company Purpose of the building: demand for cigarettes increased during the First World War, needed new space |
|
|
Term
Carreras Cigarette Factory |
|
Definition
Art Deco building in Camden, London Mainly white distinctive Egyptian-style ornamentation originally included a solar disc to the Sun-god Ra, two gigantic effigies of black cats flanking the entrance and colourful painted details |
|
|
Term
|
Definition
Date of completion/opening: 1932 Architect/lead designer: Charles Holden Principle sponsor or client: Great Northern Railway and Parliamentary Act Purpose of the building: as the most northerly station on the first section of the Piccadilly line extension from Finsbury Park to Cockfosters. |
|
|
Term
|
Definition
a significant work of modern architecture. a modern European style using brick, glass and reinforced concrete and basic geometric shapes |
|
|
Term
Peter Jones Department Store |
|
Definition
- the first modern-movement use of the glass curtain wall in Britain (not, as is often claimed, the first per se, as late-Victorian examples in the gothic revival style exist) |
|
|
Term
Peter Jones Department Store |
|
Definition
Date of completion/opening: 1932-1936 Architect/lead designer: William Crabtree Principle sponsor or client: John Lewis Purpose of the building: Department store |
|
|
Term
|
Definition
Date of completion/opening: 1932-1938 Architect/lead designer: Wallis Gilbert and Partners Principle sponsor or client: The Hoover Company Purpose of the building: built for the vacuum company |
|
|
Term
|
Definition
Art Deco architecture "a sort of Art Deco Wentworth Woodhouse - with whizzing window curves derived from Erich Mendelsohn's work in Germany, and splashes of primary colour from the Aztec and Mayan fashions |
|
|
Term
|
Definition
Date of completion/opening: 1935 Architect/lead designer: Owen Williams Principle sponsor or client: George Scott Williamson and Innes Hope Pearse Purpose of the building: The Peckham Experiment |
|
|
Term
|
Definition
initially generated by rising public concern over the health of the working class and an increasing interest in preventative social medicine moved away from the idea of traditional lines dominating medical buildings a glazed roof, which, along with large areas of windows, allowed natural light into the building |
|
|
Term
|
Definition
Date of completion/opening: 1935-1938 Architect/lead designer: Berthold Lubetkin Principle sponsor or client: Borough of Finsbury Purpose of the building: offered a wide variety of health services to the people of Finsbury and was designed to be adaptable to new requirements as healthcare priorities developed and changed |
|
|
Term
|
Definition
Reinforced concrete wings with rough cutting system consisting of hollow tile floors supported by perimeter beams and structural mullions partially clad with faience tiles and asbestos panels H-shaped plan, with centre block projecting at rear; shanks splayed and their walls not parallel. |
|
|
Term
|
Definition
Date of completion/opening: 1950-1951 Architect/lead designer: Robert Matthew, Leslie Martin and Peter Moro Principle sponsor or client: London County Council Purpose of the building: built for the Festival of Britain |
|
|
Term
|
Definition
concert hall as the egg in a box used modernism’s favourite material, reinforced concrete, alongside more luxurious elements including beautiful woods and Derbyshire fossilised limestone exterior of the building was bright white, intended to contrast with the blackened city surrounding it. Large areas of glass on its façade meant that light coursed freely throughout the interior, and at night, the glass let the light from inside flood out onto the river, |
|
|
Term
|
Definition
Date of completion/opening: 1956-1981 Architect/lead designer: Chamberlin, Powell and Bon Principle sponsor or client: Corporation of London Purpose of the building: high-density residential neighbourhoods could be integrated with schools, shops and restaurants |
|
|
Term
|
Definition
- brutalism: one of the modern wonders of the world represents a utopian ideal for inner-city living With its coarse concrete surfaces, elevated gardens and trio of high-rise towers a complex that created a clear distinction between private, community and public domains, but that also allowed pedestrians as much priority as cars |
|
|
Term
|
Definition
Date of completion/opening:1960-1962 Architect/lead designer: Robert Matthew, Johnson-Marshall and Partners Principle sponsor or client: funded by the UK government, with contributions of materials from Commonwealth countries Purpose of the building: contained a permanent exhibition about the nations of the Commonwealth |
|
|
Term
|
Definition
2nd most important modernist building in london building has a low brickwork plinth clad in blue-grey glazing. complex hyperbolic paraboloid copper roof, made with 25 tonnes of copper shape of the roof reflects the architects' desire to create a "tent in the park". |
|
|
Term
Royal College of Physicians |
|
Definition
Date of completion/opening: 1961-1964 Architect/lead designer: Denys Lasdun and Partners Principle sponsor or client: A small group of distinguished physicians, led by the scholar and humanist Thomas Linacre, petitioned King Henry VIII Purpose of the building: grant licenses to those qualified to practice and to punish unqualified practitioners and those engaging in malpractice
-modernist monument |
|
|
Term
Southbank Centre (Hayward Gallery, Queen Elizabeth Hall and Purcell Room) |
|
Definition
Date of completion/opening: 1965-1968 Architect/lead designer: GLC Architects Department Principle sponsor or client: London County Council Purpose of the building: part of the Festival of Britain and then an independent arts organization |
|
|
Term
Southbank Centre (Hayward Gallery, Queen Elizabeth Hall and Purcell Room) |
|
Definition
- massing and extensive use of exposed concrete construction are typical of Brutalist architecture |
|
|
Term
|
Definition
Date of completion/opening:1961-1976 Architect/lead designer: Denys Lasdun and Partners Principle sponsor or client: London County Council Purpose of the building: A national theatre |
|
|
Term
|
Definition
- the theatre is often cited as an archetype of Brutalist architecture in England - modernists are split on the building - concrete both inside and out overbearing. |
|
|