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Anna Ancher: Lars Gaihede Carving a Stick, 1880, Denmark -Tonalist palatte -Theatrical lighting -Influenced by Krogh |
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Anna Ancher: The Maid in the Kitchen, 1883-6, Denmark -Sea air and breeze come in through window -View from back, unaware subject -Quiet domestic interior were often painted by Anna (vs. outside spaces)
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Michael Ancher: A Sick Girl, 1882, Denmark -conservative, traditional -lots of environment -sexual connotations |
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Michael Ancher: Christening in a Skagen Church, 1888, Denmark -return to Danish Golden Age style -Classical, highly spiritual moment -Bourgeois instead of fisherman |
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Michael Ancher: Portrait of Lars Gaihede, 1880, Denmark -Tonalist palatte -speculate on Lars' character |
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Michael Ancher: Will He Round The Point?, 1880, Denmark -narrative -popular to conservatives -staged arrangement |
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Cederstrom: Charles XII Funeral Procession, 1885, Sweden -precisely painted -looks staged -monochrome background cut by blue uniforms -mourns death of nat'l hero -high degree of realism with dramatic touch |
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Hockert: The Fire in the Royal Palace in Stockholm, 1862-6, Sweden -historical genre -national Romanticism -large painting |
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Isaachsen: Storeroom in Setesdal, 1878, Norway -no story, not a genre painting -almost still life -celebrates ancient Norway |
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Krohg: Albertine in the Police Doctor's Waiting Room, 1886-7, Norway -scene staged and photographed with real prostitutes -prostitution tolerated and regulated by police -prostitution became a way for country girls new in the city to make money |
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Krohg: Braiding Hair, 1883, Norway -not important subject -inappropriate for art because it is a woman's activity
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Krohg: Sleeping Mother, 1883, Norway -radically cropped -portrays sheer exhaustion rather than domestic harmony -deglamorizes rural life |
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Krohg: The Net Mender, 1879, Norway -daily, mundane task -modern times (pages of journal on wall) -break with Dusseldorf school -not sentimental, merely a record of activity |
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Krohg: The Sick Girl, 1880-1, Norway -radically cropped, uncomfortable position - dying flower shows she will soon die -Tuberculosis epidemic -all narrative gone |
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Krohg: Tired, 1885, Norway -plight of female workers in textile industry, current concern -morning sun comes in through window |
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Kroyer: The Artist's Luncheon, 1883, Denmark -radically cropped -shows comradarie among artists -hung in hotel dining room |
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Kroyer: Hip, Hip, Hooray! Artist's Party at Skagen, 1883, Denmark -based on photos and sketches -like French scenes of Friviolity |
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Kroyer: Fisherman on the Beach at Skagen. Late summer evening, 1883, Denmark -twilight, "blue hour" -about mood and reverie rather than subject -not a struggle with nature but a prevailing atmosphere |
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Kroyer: In the Store During a Pause from Fishing, 1882, Denmark -routine moment in life -does not make men heroic -fisherman warily looking at viewer makes us wonder if the artist was ever integrated into local life |
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Kroyer: Summer Evening on the South Beach at Skagen, 1893, Denmark -light and mood focus of painting (not women) -from a photo -Kroyer's wife and Anna Ancher |
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Nordenberg: A Tithe Meeting in Scandia, 1865, Sweden -peasants bring gifts to help the ministry
-social community through religion -religious reform: social change |
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Sundt-Hansen: Wounded, 1888, Norway -forceful study of character -storytelling puts it a little out of date -wife contemplates her fate if her husband dies -nothing can be added or taken out of painting -limited background |
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Tidemand: Followers of Hauge, 1852, Norway -interior looks like peasant home -studied poses, dress to make sure they were accurate -light on speaker suggests divine inspiration -disillusioned with state church --> relious reform |
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Tidemand: Grandmother's Bridal Crown, 1869, Norway -almost like a catalog because there are so many items -cliched everyday -folk pieces reflect growing nationalism |
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Tidemand: Old Age Solitude, 1859, Norway -captures quiet days of aged when they can no longer do physical work -wearing Sunday best |
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Tidemand: Woman at the Loom, 1874, Norway -unaware woman -study of domestic work, woman not subject -awareness of contemporary works |
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Kroyer: Sardine Factory at Concarneau, 1879, Denmark -focus on industrial life but not a political statement -light from roof refelcts off fish scales -native clothes -plunging space |
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Tidemand: Bridal Crossing in Hardanger, 1848, Norway -with Gude -genre painting -high moment in peasant life -glorifies Norwegian landscape |
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