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minimum amount of a stimulus a person can perceive
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how different two stimuli must be in magnitude before they are perceived to be different - compare standard stimulus to comparison stimulus
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another word for threshold
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just noticeable difference |
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the amount of change necessary to predict the difference between two stimuli
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the change in stimulus intensity needed to produce a jnd divided by the stimulus intensity of the standard stimulus is a constant - which is called K
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relates the intensity of the stimulus to the intensity of the sensation
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relates the intensity of the stimulus to the intensity of the sensation - countered Fechner's law
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suggests that other, nonsensory factors influence what the subject says she senses
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response bias/signal detection theory |
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measures how risky the subject is in sensory decision-making; based upon nonsensory factors
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sensitivity/signal detection theory |
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measures how well the subject can sense the stimulus
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ROC (receiver operating charecteristic) curve/Swets |
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used to graphically summarize a subject's responses in a signal detection experiment
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respond to physical stimuli
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translates physical energy to neural impulses
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brain areas that further analyze sensory input
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clear, domelike window in front of eye which gathers and focuses incoming light
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colored part of the eye made up of involuntary muscles and autonomic nerve fibers
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lies right behind the iris and helps control the curvature of the light coming in and can focus near or distant objects on the retina
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back of eye - screen filled with neural elements and blood vessels - image-detecting part of the eye
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duplexity/duplicity theory of vision |
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retina contains two types of photoreceptors
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used for color vision and perceiving fine detail
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low sensitivity to detail, function best in reduced illumination, allow perception only of achromatic colors
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which one has more: rods or cones |
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middle section of the retina which contains only cones
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where fibers from the nasal half of the retina cross paths - nasal fibers from left eye to right side of brain, etc. |
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visual fibers which do not cross to the other side of the brain - outer edge of visual field
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lateral geniculate nucleus of thalamus
visual cortex in occipital lobe
superior colliculus |
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where visual information goes from the optic chiasm
three terms |
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feature detection theory/Hubel and Wiesel |
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suggests certain cells in the visual cortex are maximally sensitive to certain features of stimuli - distinguished three different types of cells
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simple cells/feature detection theory |
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responses of these cells give information about orientation and boundaries of an object
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complex cells/feature detection theory |
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responses of these cells give more advanced information about orientation, such as movement
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hypercomplex cells/feature detection theory |
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responses of these cells give information about more abstract concepts such as object shape
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measured cell responses using sing-cell recording, which involves placing a microelectrode in the cortex so sensitive that it could record responses of a single cell - called recording from single nerve fibers
two people |
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an objective measurement of the amount of light falling on a surface
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the subjective impression of the intensity of a stimulus
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caused by the regeneration of rhodopsin, the photopigment in the rods
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adjacent retinal cells inhibit one another; sharpens and highlights borders between light and dark areas - explains simultaneous brightness contrast
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wavelengths of light human eye can see
range |
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subtractive color mixture |
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occurs when mixing pigments
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occurs when mixing lights - primary colors of blue, green, and red
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trichromatic theory/Young-Helmholtz |
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there are three types of color receptors: red, blue, and green - ratio of activity in the receptors determines color
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opponent-process theory/Hering |
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there are three opposing pairs of color receptors: red-green, blue-yellow, and black-white - one side is excitement of receptor, one side is inhibition
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if one object covers another, the partially hidden object is seen as further away
cue for depth perception |
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comparison of retinal size of object to actual size of objects gives cue to depth
cue for depth perception |
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parallel lines appear to converge as they recede into the distance
cue for depth perception |
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as scene recedes from viewer, the surface texture of the object appears to change
cue for depth perception |
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when observer moves, objects in a stationary environment appear to move relative to distance from observer
cue for depth perception |
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binocular dispartity or stereopsis |
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each eye sees a slightly different scene; when brain combines two scenes, we get perception of depth
cue for depth perception |
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integrated visual experience that stands out at center of attention
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the background against which the figure appears
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elements close to one another tend to be perceived as a unit
Gestalt law of organization |
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elements that are similar to one another tend to be grouped together
Gestalt law of organization |
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elements that appear to follow in same direction tend to be grouped together
Gestalt law of organization |
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tendency to see incomplete figures as being complete
Gestalt law of organization |
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perceptual organization will always be as "good" (i.e., regular, simple, symmetrical, etc.) as possible
Gestalt law of organization - encompasses other laws
Gestalt law of organization |
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theory of isomorphism/Kohler |
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suggests that there is a one-to-one correspondence between the object in the perceptual field and the pattern of stimulation in the brain
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bottom-up processing or data-driven processing |
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responds directly to components of incoming stimulus on the basis of fixed rules and then sums up components to arrive at the whole pattern
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top-down processing or conceptually driven processing |
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guided by conceptual processes such as memories and expectations that allow the brain to recognize whole objects and then later the components
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apparent motion (Phi phenomenon) |
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when two or more stationary lights flicker in succession they tend to be perceived as a single moving light
illusion of motion |
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a stationary point of light appears to move when the background moves
illusion of motion |
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a stationary point of light when viewed in an otherwise totally dark room appears to move; probably caused by involuntary eye movements
illusion of motion |
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it a moving object is viewed for an extended period of time, it will appear to move in an opposite direction when the motion stops
illusion of motion |
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provides erroneous depth information which confuses notion of size - room with back left corner almost twice as far away from viewer as back right corner, with distortions in floor to ceiling height
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tendency for the perceived size of an object to remain constant despite variations in the size of its retinal image
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tendency for the perceived lightness of an object to remain constant despite changes in illumination
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tendency for the perceived color of an object to remain constant despite changes in the spectrum of light falling on it
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illusion where different directions of arrows on two same-length lines make one appear longer
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illusion where a starburst of lines makes two straight lines through the figure appear curved
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illusion where a v-shape makes the two same-legth lines inside the v appear different lengths
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illusion where two parallel lines each have a piece of another line coming out of them at an angle, but they are continuation of same line
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stimulus pattern in which two alternative, equally compelling, perceptual organizations spontaneously oscillate
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two different stimuli are presented side-by-side; if infant looks longer at one of them, it is inferred that the infant can perceive difference between the two
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stimulus is presented to infant, infant eventually stops attending to it; different stimulus is then presented, and if infant attends to it, it is inferred that infant can perceive difference between the two
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designed visual cliff
two people |
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with soundwaves, number of cycles per second; measured in Hertzes
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with soundwaves, the amplitude of the wave, measured in decibels
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subjective experience of the frequency of sound
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subjective experience of the intensity of sound
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refers to the quality of the sound
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fleshy part of ear visible from outside, which chanels sound waves into auditory canal
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vibrates in phase with incoming sound waves, moving back and forth at a high rate for high-frequency sounds and low rate for low-frequency
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three bones of middle ear |
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technical term for hammer |
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technical name for stirrup |
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entrance to inner ear, where edge of stirrup rests
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membrane that runs length of the cochlea
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rests on the basilar membrane along its entire length; composed of thousands of hair cells which bend to send electrical charges to transmit sound
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superior olive
inferior colliculus
medial geniculate nucleus in thalamus
temporal cortex |
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places auditory nerve projects signals
four places |
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place-resonance theory/Helmholtz |
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each different pitch causes a different place on the basilar membrane to vibrate - true for tones above 500 Hz
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suggests that basilar membrane vibrates as a whole, and that rate of vibration equals frequency of the stimulus, which is then translated directly to appropriate number of neural impulses per second - true for tones below 4000 Hz
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trsveling wave theory/von Bekesy |
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movement of basilar membrane is maximal at different place along the membrane for each different frequency
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bumps on tongue where taste buds are found
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where smell receptors are found - upper nasal passage of nose
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where taste information travels in brain
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where smell information travels in brain
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minimum distance necessary between two points of stimulation on the skin such that the points will be felt as two distinct stimuli
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neutral temperature perceived to be neither hot nor cold
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theory that there is a gating mechanism in the spinal chord that turns pain signals on and off
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has to do with sense of balance and of bodily position relative to gravity
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has to do with awareness of body movement and position, specifically with muscle, tendon, and joint position
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where touch sensations are processed in brain
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said selection attention is all-or-nothing process - if you attend to one thing, you don't attend to everything else
(proved wrong)
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technique where two ears are simultaneously presented with two different messages, and listener is asked to repeat one of the messages
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performance is worst at extremely high or low levels of arousal
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