Term
|
Definition
-rebelled against the preceding time period -great fans of cities like Athens -represent a pronounced way in breaking the traditional way of looking at things. -rebelling against the Enlightenment |
|
|
Term
|
Definition
revolving around the gods |
|
|
Term
|
Definition
logic, thinking clearly, etc. This was a predominate notion of the Enlightenment |
|
|
Term
|
Definition
something that makes no sense in terms of time. EX: words in writing that make no sense or do not exist as far as we know |
|
|
Term
|
Definition
he spoke of angels, prophets, etc to be truth tellers of their culture, their political structures. |
|
|
Term
Blake: three stages of existence |
|
Definition
1) untested innocence 2) experience Hell: vegetative world 3) tested/organizedm innocence. this level can only be entered by the exercise of human imagination EXAMPLE: Book of Thel |
|
|
Term
|
Definition
repetition of consonant sounds at the beginnings of words to create a sort of atmostphere |
|
|
Term
|
Definition
the blending of two or more of the five senses in a single poetic image. Sensory imagery: visual, aural, tactile, olfactory, gustatory. EXAMPLE: London: "the hapless soldier's sigh runs in blood doun castle walls" |
|
|
Term
|
Definition
gives us the definition for EGOTISTICAL SUBLIME |
|
|
Term
|
Definition
Comes from the Greek. The belief that there is a divine presence in all things, animate or inanimate. This applies strongly to Wordsworth and Coleridge |
|
|
Term
|
Definition
A narrative in which the places, characters, and events all have a second, deeper level of meaning. The deeper level is usually religious, moral, political, or historical. EXAMPLE: |
|
|
Term
|
Definition
Refers to the stripes on the tiger's body in Blake. Meaning: he wants us to strive to be more like the tiger than the lamb. The tiger does not allow itself to be shackled. The same god must somehow be able to create both a fierce animal and the meek docile animal. |
|
|
Term
|
Definition
Marriage of Heaven and Hell People live in a cabin encircled with brick and occasionally a brick may fall and they see a ray of sunshine. if they only knocked down all the bricks they could bask in the light (of imagination). However, most do not wish to do this, but only live in the safety of the wall. |
|
|
Term
|
Definition
A stringed instrument. A box with strings on it and when the wind blows over the strings it plays, almost like a wind chime. The romantics used it in the Prelude. This is an example of Pathetic fallacy: it represents the unique sounds that flowed through the harp were creatings of the human imagination. |
|
|
Term
|
Definition
Also known as Lamia: Supernatural snake woman. |
|
|
Term
|
Definition
He challenges Malthus' notion of just putting all the old people in poor houses and not really taking care of them. |
|
|
Term
Negative Egotism vs. Positive Egotism |
|
Definition
NEGATIVE: arrogance of the narrator. Ex: We are Seven, Simon Lee |
|
|
Term
|
Definition
he spoke of angels and prophets to be truth tellers of their culture or political structure |
|
|
Term
|
Definition
a word in the middle of the line rhymes with one at the end. |
|
|
Term
|
Definition
Each person is made of different parts that have become fragmented and are moving away from each other. Blake wanted them to all move back together to work in a human being. This came from the "giant eternals" that came before us and lived in Atlantis. |
|
|
Term
North on the Blakian Compass |
|
Definition
Los/Sol/Urthona "Earth Owner" Someone who lives by their IMAGINATION. They are the true owner's of the world. |
|
|
Term
South on the Blakian Compass |
|
Definition
Urizen: REASON, limitation. Says that limitation is necessary. Depicted as the old man with the flowing beard. This side creates a circumference around imagination. |
|
|
Term
East on the Blakian Compass |
|
Definition
Luvah: LOVE OR EMOTION: this is the place that the sun rises, without love or emotion the world cannot renew. |
|
|
Term
West on the Blakian compass |
|
Definition
Tharmas: Represents the MATERIAL WORLD, the physical body, the FIVE SENSES. |
|
|
Term
Coleridge: Primary Imagination |
|
Definition
the living power and prime agent of all human perception. A repetition in the finite mind of the eternal act of creation in the infinite I AM. |
|
|
Term
Coleridge: Secondary Imagination |
|
Definition
an echo of Primary Imagination: coexisting with the conscious will, yet still as identical with the primary in the KIND of it's agency and differing only in the DEGREE and in the mode of its operation. It dissolves, dissipates, and diffuses in order to recreate |
|
|
Term
|
Definition
a mode of memory emancipated from the order of time and space, blended with and modified by that emirical phenomenon of the will which we express by the word CHOICE. |
|
|
Term
|
Definition
Used in the Book of Thel: Blake changes the general use of this and instead of deciding with the number of syllables in a sentence, he uses the number of STRESSED syllables in a line. There are always SEVEN stressed syllables in a line. |
|
|
Term
|
Definition
intentionally misreading text with Satan being the hero. Ex: in Milton's Paradise Lost many people only read the first two chapters and it appears that Satan is the hero, rebelling against the system. |
|
|
Term
|
Definition
Humor used with the purpose of revealing the weakness in something or to try to shame it into changing. Blake: The Marriage of Heaven and Hell |
|
|
Term
|
Definition
the author deliberately and consciously draws down our awareness that he is being serious, satiracal, or both at the some time. |
|
|
Term
|
Definition
from the beginning to the end the poet gives you no notion that it is satire. There is nothing in the work itself that tells you that it is satire. |
|
|
Term
Blake's CONTRARIES OF LIFE |
|
Definition
if you didn't know what was cold, you wouldn't know what was hot, etc. The two are constantly at war with each other |
|
|
Term
Blake: Active vs. Passive Constraries of Life |
|
Definition
Active --> imagination --> prolific --> energy --> desire Passive --> reason --> devouring --> restraint |
|
|
Term
|
Definition
Creation of a New word: Blake did this with the word SWAG: Sag + Sway |
|
|
Term
|
Definition
Marriage of Heaven and Hell: Deliberate inversion of Christian Proverbs |
|
|
Term
|
Definition
seeing the divine nature in all living and nonliving things |
|
|
Term
This Lime-Tree Bower my Prison |
|
Definition
Written by Coleridge: lots of color images: He feels he has actually benefited more than his friends by staying behind and using his imagination. His experience was actually much richer. Shows the positive power of imagination. |
|
|
Term
|
Definition
characters may shift from one meaning to another within the work. Ex: Orc in America a Prophecy This relies on readers to actively use their imaginations to sort out the meaning of the changing characters and perspectives. |
|
|
Term
|
Definition
Fiery spirit of revolution with snakes for hair. Son of Los and Enitharmon. |
|
|
Term
|
Definition
Poetic Styles involves nature. He believed that nature actually shapes human beings. Charge against him is that he was an egotist. Every poem he wrote was about himself and how he perceived the world around him. |
|
|
Term
|
Definition
Written by WW. Involves a negatively egotistical narrator. |
|
|
Term
|
Definition
Written by WW. Involved an old farmer and an negatively egotistical narrator. |
|
|
Term
Resolution and Independence |
|
Definition
Written by WW. Involves an old leach gatherer and a positive narrator. Moral: compared to this old man the narrator should be thankful for his life, but then he sees that the man is actually very happy/content with his life. He is not bitter. Resolution of the problem that these poems face, and indpendence of that enslavement of egotism. |
|
|
Term
|
Definition
Verse form is seven line stanza. First six lines are iambic pentameter, last line is iambic hexameter. |
|
|
Term
|
Definition
Written by WW. as a child he steals a boat and imagines the huge mountains behind him coming after him. 3 parts: 1) epic quest (on only one) 2) spirital autobiography: the person is saves from himself through the interjection of God 3) Epistemology: we must not conform to the world around us. |
|
|
Term
|
Definition
ascribing human mental or emotional traits to nature that are either animate or inanimate. Coined by John Ruskin. Ex: On the moors the hair is running races in her mirth |
|
|
Term
|
Definition
repetition of key worlds or phrases, sometimes many times over in order to reinforce a theme. |
|
|
Term
|
Definition
Written by WW. a poem about individual consciousness: he comes back to the abbey 5 years after his first visit. he has been through alot in the last five years, including losing a sibling. He saw that the abbey was unchanged. He is seeing it with different eyes. |
|
|
Term
|
Definition
referring to something directly. Direct form of address. |
|
|
Term
|
Definition
Written by Coleridge: good example of Pathetic fallacy: The Merry Nightingale instead of the Melancholy nightingale |
|
|
Term
|
Definition
Written by Coleridge: Talking about the possible invasion of by France. you cannot simply shed a robe of evil and become a better person |
|
|
Term
|
Definition
aka Loyalty Oath: the requirement that if you wanted to advance in British society you had to sign a document before you entered as a student that you recognized the British monarch as God's earthly representative. |
|
|
Term
|
Definition
Written by Coleridge: love poem to Sara Hutchinson (WW Sister in law) shares the conversational nature and is extremely intimate. |
|
|
Term
|
Definition
Written by Coleridge: story of how Christabel was entranced by the devil. |
|
|
Term
|
Definition
they had this vision of the middle ages that at that time most of Europe was covered by tall fur and pine trees with a few paths to connect the towns. It was also a time of great supersition. |
|
|
Term
Songs of Innocence and Experience |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
Ode: Intimations of Immortality from Recollections of Early Childhood |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|