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Ancient Theories: 2 Approaches |
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Definition
1. Where/How Myths Originated
2. Allegory |
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believed gods of myth were originally human beings
(Where/How Myths Originated) |
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Definition
Euhemerus
(ex. Zeus may have started as a human king who was elevated to the status of a god for his successful rule) |
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Definition
-esplains why such an important religious site as Apollo's sanctuary was located on Delos (small/politically unimportant)
-explains this by saying Delos is the island of Apollo's birth |
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Callimachus' Hymn to Apollo |
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Definition
-after his adventure w/ the Minotaur on Crete, Theseus stopped on Delos:
1. boys/girls rescued performed a dance called the crane (twisting movements reflected the twists of the Minotaur's maze)
2. Theseus left a wooden statue of Aphrodite (actual religious object in the sanctuary)
-this later intro of Theseus reflects the historical reality of how Delos came under the influence of Athens politically |
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Term
Apollo, Theseus and Coming of Age Rites |
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Definition
-Theseus set up Delian games (boxing, singing, dancing)
-activities typical of young men undergoing "coming of age" rites of passage
-activities are typical of Apollo who represents an ephebe
-Theseus' journey to Crete to face the Minotaur is a coming of age story |
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Definition
-sons have a natural bond w/ their mothers
-this results in a desire for them and animosity toward their fathers
-these infantile emotions must be abandoned by an indiidual to mature into an adult
Criticism: overemphasis on sexual motives, Oedipus does not have the complex himself |
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Term
How did Freud's followers differ from him? |
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Definition
-viewed myth more positivley
-myths are subjeted to collective morality; thereby can teach members of a society to put aside immature feelings/desires |
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Term
How did the ancient Greeks look at myths in a historical context? |
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Definition
-believed myth was a part of their history
-did not necessarily see myths as historically accurate due to the length of time btwn the heroic age and the historical age was lengthy
-resulted in general process of rationalization by which the myths are manipulated to make them fit w/ an overall conception of history
-this included explaining away fantastic/improbable elements of a myth
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Definition
Herodotus
-wrote account of Persian wars
-attributes the east vs. west conflict to a series of thefts of women on both sides leading down to Paris' theft of Helen |
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wrote history of Peloponnesian War |
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Definition
Thucydides
-generation after Herodotus
-more critical than Herodotus, did include material which today would be considered myth
(ex. believed Minos, king of Crete existed) |
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Term
wrote a work tracing the history of Greece down to the Trojan War |
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Definition
Hecataeus
-used rationalization to construct his account because this "history" only existed in mythical tales
(ex. Myth of Heracles' capture of Cerberus was explained as a result of someone taking the name of a large snake called "the hound of Hades" and applying it to the idea of a three headed dog) |
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Term
Greeks divided into 3 basic tribes based upon ethnic/linguistic distinctions: |
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Definition
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Term
Which historical movement was linked w/ the myth of Heracles? |
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Definition
"Dorian invasion from the NW"
-Heracles was an important hero of the Dorians and Greeks in general
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Term
When the Heraclids returned, the Peloponnese was divided btwn btwn three ethnic/linguistic groups: |
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Definition
Spartans
Argives
Messenians |
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Definition
-all male citizens
-each dramatist was allowed only 3 actors with speaking parts
3 actor rule- only three speaking characters on stage at one time (not including the chorus) |
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Definition
-both originally meant myth
-meaning of logos changed from myth to logic/reason when the content of myth of questioned |
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Particular Aspects of Greek Myth |
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Definition
oral vs. literary- creation of literary works based on oral tales
humanism- anthropomorphic gods, humans strived to be godlike but were confined by their animalistic nature
pessimism-heroes usu. die in some violent fashion
individualism-heroes struggle for recognition/fame as a way to surmount death by gaining a reputation that lives after their death |
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Term
Parry-Lord Theory of the Composition of the Epics |
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Definition
-epics were a product of an oral trad |
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Term
Migration, Movement and Myth |
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Definition
-Ionian coast settled by Greeks during dark age
-in travels they developed oral poetry to recall, preserve and dev. their culture |
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Term
How does the Iliad question warfare, even if it glorifies it? |
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Definition
-criticism through showing the effect of warfare on family and peacetime activities
ex.
-Hector's family in Book 6
-Suggesting alternative more peaceful ethical systems, such as the gift giving btwn Diomedes and Glaukos
-Achilles and Hector often question it and are constrained by it |
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Term
In Apollonius Rhodius' Argonautica, discuss the distinct nature of Jason's heroism. |
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Definition
-not trad powerful hero like Heracles
-often makes use of social bonds such as xenia and philia to get tasks done
-use of social bonds shows his over-reliance on language rather than deed
-a hero must be powerful in word and deed
-use of deceptive language was supposedly characteristic of women, he does this w/ Medea
-human in his expression of doubt |
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Term
The order of things has changed. The holy waters of the rivers flow upwards.
Justice and all things human turn backwards.
Men’s thoughts are evil now and their belief in the gods is gone.
And I can see that the coming stories will turn women’s reputation to that of a glorious and honourable gender.
Their name will not longer be foul.
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Definition
Work: Medea
Speaker: Chorus
Significance: Jason's failure to behave ethically and honour his oath to Medea has allowed Medea to take the position of the hero |
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You, who have never fought the Trojans, married my mother improperly and murdered her husband, the leader of the Greek army. You were such a fool, thinking that marrying my mother and dishonouring my father’s bed, she would stay faithful to you. Yet everyone should know this: when a man seduces another man’s wife with secret love and then is forced to marry her, he is a fool to think that she’d be honest with him if she wasn’t with her first husband. You lived in misery yet you didn’t suspect it and felt, instead, that you were happy. Of course both of you knew your union was unholy. Unholy marriage, unlawful husband. You two, being evil, hid each other’s misery: she hid yours and you hid hers. All the Argives would say, “Look, there goes Klytaimestra’s husband” and not, “there goes Aigisthus’ wife!” It’s a great shame to see a house being ruled by the woman and not by the man. I turn away from any child whom the city calls not a father’s son but a mother’s. This is because if the man marries a woman of a far better standing than his and far more noble than him, the citizen will never speak about him but about his wife. |
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Definition
Work: Electra
Speaker: Electra
Significance: Electra's ethical outlook is for women is teh culturally prescribed one, that women should support the men in their lives and not be known or spoken about as independent agents |
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And you, Aigisthus, because of your lack of intelligence, fell into a big trap which is that you thought that the great wealth made you important. Yet wealth is not something you can have for long. A man’s strength is his nature, not his wealth because that is what stays with us and that is what defeats our troubles. When the unjust joy falls into sinful ways, it blossoms in the house for a very short time before it flies away again. I am not going to talk openly about your behaviour towards women; a virgin must not do so but if I speak of them in hidden terms they will still be easy to understand. You dishonoured them because, they say, you had royal palaces and beauty. |
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Definition
Work: Electra
Speaker: Electra verbally abusign the corpse of Aigisthus
Significance: Character and Class- neither Aigisthus' wealth nor his good looks was indicative of his anoble character |
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The situation of all mortals –every one of them, every single one of them- is the same: They’ll all die! They must! And none of them know if they’ll still be around tomorrow. Fate’s feet walk on uncharted paths. No one can tell us where they’re walking. No philosopher can make it clear for us. Take this lesson from me, my friend: Enjoy life! Drink and call each day your own. The rest is Fate’s business. |
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Definition
Work: Alcestis
Speaker: Heracles
Significance: drunken discussion w/ servant, humans are doomed to die, so one must take pleasure and happiness that one can in the moment, this is to accept one's humanity |
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Term
During w/ time period did hero cults start to become prevalent in Greece? |
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Definition
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Term
How did Palaephatus explain the origin of myths? |
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Definition
they resulted from linguistic misunderstanding |
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In Iliad Book 22 w/ do Hector's words to Achilles "I will become the anger of the gods" mean? |
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Definition
Achilles disrespect of Hector's body will lead to Achilles' death |
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Which god has a particular connection to the island of Lemnos? |
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Who usurped the rightful throne of Iolcus from Jason? |
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