Term
| Renaissance Musical Style |
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Definition
A Cappella- is the ideal sound Polyphony based on continuous imitation Move of the Cantus Firmus to the uppermost voice |
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| The Motet in the High Renaissance |
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-Non-Liturgical sacred latin text -Marian Motets (Virgin Mary) -Composed for three, four, or more voices -Cantus Firmus could be used as principal melody |
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-Renaissance sacred, polyphonic motet |
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Definition
-attention to grammatical structure of the text -combinations of voices and textures-top voice gets the cantus firmus -quotation of chant at beginning, rest of work is newly composed -imitative v homorhythmic -final couplet; simple homorhythmic texture |
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Renaissance Secular Music |
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Definition
Popular Dance Types Bassadanza saltarello pavave galliad allemande ronde |
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Definition
| smooth, gliding dance for couples in triple simple meter |
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| quicker Italian jumping dance |
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| Slow stately french court dance |
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| More vigorous french version of the salterrello |
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| German dance in moderate duple simple meter |
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| less courtly round dance, danced in a circle outdoors |
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Definition
Haut, Bas Haut- High, loud for the outdoors Bas- Low and soft, for the indoors NEVER MIX |
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Definition
Woodwind instruments -recorders -double-reed instruments (shawm) -crumhorn -schreirpfeife-screaming pipe -Kortholts _Dulcian Racket Brass and lip vibrator sackbut-trombone cornett |
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Definition
Bowed String instrumets -viol (da gamba=between the legs) Plucked string instruments lute-used tableture |
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