Term
|
Definition
the amount of stimulus energy needed for a person to say that she perceives it. |
|
|
Term
|
Definition
the amount of stimulus energy that needs to be added to or subtracted from a stimulus for a person to say that she notices a difference. |
|
|
Term
|
Definition
one jnd needs to be added to or subtracted from a stimulus for a person to say that she notices the difference |
|
|
Term
|
Definition
what's important in producing a jnd is not the absolute difference between the two stimuli, but the ratio of them. |
|
|
Term
|
Definition
(signal detection theory)measures how risky the subject is in sensory decision-making; based upon nonsensory factors. |
|
|
Term
|
Definition
(signal detection thry)measures how well the subject can sense the stimulus |
|
|
Term
|
Definition
(signal detection thry)used to graphically summarize a subject's response in a signal detection experiment |
|
|
Term
|
Definition
an objective measurement of the amount of light falling on a surface |
|
|
Term
|
Definition
the subjective impression of the intensity of a stimulus |
|
|
Term
|
Definition
caused by the regeneration of rhodsin, the phootpigment in the rods |
|
|
Term
|
Definition
adjacent retinal cells inhibit one another; sharpens and highlights borders b/w light and dark areas. |
|
|
Term
Young-Helmholtz (trichromatic) |
|
Definition
three types of color receptors: red, blue, & green |
|
|
Term
Hering (opponent process) |
|
Definition
(thry of color vision)three opposing pairs: red-green; blue-yellow, and black-white |
|
|
Term
|
Definition
cue for depth perception; if one object covers another, the partially hidden object is seen as farther away. |
|
|
Term
|
Definition
(cue for depth perception)comparison of retinal size of object to actual size of objects gives cue to depth |
|
|
Term
|
Definition
(cue for depth perception)parallel lines appear to converge as they recede into the distance |
|
|
Term
|
Definition
(cue for depth perception)as scene recedes from viewer, the surface texture of the object appears to change |
|
|
Term
|
Definition
(cue for depth perception)when observer moves, objects in a stationary environment appear to move relative to distance from observer |
|
|
Term
binocular disparity (steropsis) |
|
Definition
(cue for depth perception)each eye sees slightly different scene; when the brain combines the scenes, we get perception of depth |
|
|
Term
|
Definition
(Gestalt law of organization)elements of close to one another tend to be perceived as a unit |
|
|
Term
|
Definition
(gestalt law of organization)elements that are similar to one another tend to be grouped together. |
|
|
Term
|
Definition
(gestalt law of organization)elements that appear to follow in the same direction tend to be grouped together |
|
|
Term
|
Definition
(gestalt law of organization)the tendency to see incomplete figures as being complete |
|
|
Term
|
Definition
(gestalt law of organization)perceptual organization will always be as "good" (i.e., regular, simple, symmetrical, etc.) as possible. |
|
|
Term
|
Definition
(data-driven processing)response directly to components of incoming stimulus on the basis of fixed rules and then sums of components to arrive at the whole pattern. |
|
|
Term
|
Definition
(conceptually driven processing)guided by conceptual processes such as memories and expectations that allow the brain to recognize whole objects and then the components. |
|
|
Term
|
Definition
when two or more stationary lights flicker in succession they tend to be perceived as a single moving light |
|
|
Term
|
Definition
a stationary point of light appears to move when the background moves |
|
|
Term
|
Definition
a stationary point of light when viewed in an otherwise totally dark room appears to move; probably caused by involuntary eye movements. |
|
|
Term
|
Definition
if a moving object is viewed for an extended period of time, it will appear to move in an opposite direction when the motion stops. |
|
|
Term
|
Definition
tendency for the perceived size of an object to remain constant despite variations in the size of its retinal image |
|
|
Term
|
Definition
tendency for the perceived shape of an object to remain constant despite variations in the shape of its retinal image |
|
|
Term
|
Definition
tendency for the perceived lightness of an object to remain constant despite changes in illumination |
|
|
Term
|
Definition
tendency for the perceived color of an object to remain constant despite changes in the spectrum of light falling on it. |
|
|
Term
|
Definition
method used to study infant visual perception; two diff. simuli are presented side by side; if infant looks longer at one of them, it is inferred that the infant can perceive the difference b/w the stimuli |
|
|
Term
|
Definition
a stimulus is presented to infant, infant eventually stops attending to it; a different stimulus is presented, if the infant attends to it, it is inferred that the infant can perceive the difference b/w the old & new stimuli |
|
|
Term
|
Definition
an apparatus designed by Gibson and Walk to asses infant depth perception |
|
|
Term
|
Definition
sometimes used to assess contributions of nature and nurture to the development of vision |
|
|
Term
|
Definition
objective dimension of sound; the number of cycles per sec.; measured in Hertzes |
|
|
Term
|
Definition
objective dimension of sound; the amptitude of the sound wave; measured in decibels. |
|
|
Term
|
Definition
subjective dimension of sound.the subjective experience of the frequency of the sound. |
|
|
Term
|
Definition
the subjective experience of the intensity of the sound |
|
|
Term
|
Definition
subjective dimension of sound; refers to the quality of sound |
|
|
Term
|
Definition
the minimum distance necessary b/w two points of stimulation on the skin such that the points will be felt as two distinct stimuli |
|
|
Term
|
Definition
a neutral temperature perceived to be neither hot nor cold. |
|
|
Term
|
Definition
the theory that there is a gating mechanism in the spinal cord that turns pain signals on and off |
|
|
Term
|
Definition
empirical studies led to traveling wave theory of pitch perception which, at least partially, supported Helholtz's place-resonance theory. |
|
|
Term
|
Definition
developed a list of depth cues that help us to perceive depth |
|
|
Term
|
Definition
proposed filter theory of attention |
|
|
Term
|
Definition
developed Fechner's law, which expresses the relationship b/w the intensity of the stimulus and the intensity of the sensation. |
|
|
Term
|
Definition
developed the visual cliff apparatus, which is used to study the development of depth perception |
|
|
Term
|
Definition
studied depth cues (especially texture gradients) that help us to perceive depth |
|
|
Term
|
Definition
developed Young-Helmholtz trichromatic theory of color vision: developed place-resonance theory of pitch perception. |
|
|
Term
|
Definition
developed theory of isomorphism |
|
|
Term
|
Definition
studied feature detection in visual cortex and discovered simple, complex, and hypercomplex cells. |
|
|
Term
|
Definition
developed theory of isomorphism |
|
|
Term
|
Definition
proposed gate theory of pain |
|
|
Term
|
Definition
developed Stevens' Law as an alternative to Fechner's law |
|
|
Term
|
Definition
Refined ROC curves in signal detection theory |
|
|
Term
|
Definition
proposed volley theory of pitch perception in response to a criticism of the frequency theory of pitch perception |
|
|
Term
Yerkes, R. and Dodson, J. |
|
Definition
Developed Yerkes-Dodson Law which states that performance is best at intermediate levels of arousal. |
|
|