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the repitition of initial sounds |
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a figre of speech in which a writer speaks directly to someone absent or to something nonhuman as if it were present or human |
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the repitition of consanant sounds |
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deliberate exaggeration for emphasis |
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Descriptive language which provides details of sight, sounds, taste, touch, smell, or movement to help the reader sense the experience being described |
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surprising, interesting, or amusig contradictions |
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comparson not using life or as |
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the feeling or atmosphere that the reader percieves |
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nonhuman given human qualities |
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use one element more than once. |
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the repitition of sounds at the end of a word |
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the pattern of beats or stresses |
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comparason using like or as |
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imaginary voice spoken by the speaker |
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the writers atitude toward the readers and toward the subject |
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the recurrence of a pattern of stressed and unstressed syllabels |
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grouping of two or more lines in a poem in a form |
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one or more characters speak |
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highly musical, expresses observations, feelings of a single speaker. |
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songlike poem that tells a story |
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long poem that exploits the heros or gods |
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poetry to praise a person, animal, or thing |
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three line japanese, 1st and 3rd have 5, the 2nd has 7 |
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poetry arranged to shape the object of the poem |
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lyric poem of fourteen lines with a set rhyme scheme. |
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peotry without any fancystuff |
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the conflict presented,
-orphan -Reed's -Gateshead |
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Conflict (Internal, Externa [person vs. person| |person vs. nature| |person vs. fate| |person vs. society] Jane Eyre |
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conflict presented, leads to climax |
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the most drama. "turning" point of the story |
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after climax, the small events |
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"what is this story about?" |
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reference to another book in a story |
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describes the distinctive nature of a ..... |
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indication or warning of something |
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general expression toward the character |
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the time and place that a story unfolds |
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english nocel,mysteries & horror |
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idealistic but flawed character |
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cuplet turcet quatrain sestet octet |
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