Term
Giovanni Pergolesi 'La Serva Padrona' (INTERMEZZO)
man singing |
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Definition
an intermezzo
1733
written for his own opera seria (the prideful prisoner)
lived: 1710-1736 |
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Term
Giovanni Pergolesi 'La Serva Padrona'(Aria)
man singing fast |
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Definition
aria in de capo form
1733
lived: 1710-1736
expresses confusion in rapid patter style
man singing fast |
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Term
Johann Hasse 'Cleofide'(Act II, scene 9)
woman singing (weird accents and crazy embellishments) |
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Definition
opera seria
lived 1699-1783
1731
librettist: Metastasio |
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Term
John Gay 'The Beggar's Opera'
(man and woman in english and when singing, really simple melody) |
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Definition
Ballad opera
lived: 1685-1732
1728
first english ballad opera
satire of pretensions of london society |
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Term
Christoph Gluck 'Orfeo ed Euridice'
(violent chorus) |
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Definition
lived: 1714-1787
1762
opera
gluck wanted the music to express the poetry
role of orfeo written for castrati |
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Term
Domenico Scarlatti 'Sonata in D Major, K. 119'
(harpsichord) |
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Definition
keyboard sonata
lived: 1685-1757
ca. 1740's
(balanced: both halves end with same stuff, but in different keys)binary form (like almost all his other sonatas) |
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Term
Carl Philipp E Bach 'Sonata in A Major, H. 186, Wq. 55/4: Second Movement, Poco Adagio'
(fortepiano honkeytonk; close mic) |
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Definition
Keyboard sonata
lived: 1714-1788
1765
written for amateurs to play for their own enjoyment
CPE Bach was a leader of empfindsam (this work is good example)
embellishment in this is expression, not just decoration |
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Term
Giovanni Battista Sammartini 'Symphony in F Major, no. 32: first movement, Presto'
(string orchestra with harpsichord) |
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Definition
symphony
ca. 1740
lived: ca. 1700-1775
sonata form |
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Term
Johann Stamitz 'Sinfonia a 8 in E-Flat Major, op. 11, no. 3: first movement, Allegro Assai
(strings, harpsichord, winds. very prominant violins) |
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Definition
symphony
lived: 1717-1757
mid-1750's
three large periods
sonata form |
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Term
Johann Christian Bach 'concerto for harpsichord or piano and strings in E-flat major, op. 7, no. 5: first movement Allegro di molto'
(pianoforte and strings, repetitive) |
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Definition
keyboard concerto
lived: 1735-1782
1770
classic concerto form: a combination of ritornello form of Baroque concerto and sonata form of symphonic first moves
intended to be play by amatuers
Galant style |
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Term
| Joseph Haydn 'String Quartet in E-flat major, op. 33, no. 2 (the joke)' |
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Definition
string quartet
lived: 1732-1809
1781
first move: sonata form
second move is funny scherzo
third move alternates A and B and has coada
finale is surprisingly in rondo form |
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Term
| Joseph Haydn 'Symphony no. 88 in G major' |
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Definition
symphony
lived: 1732-1809
1787
first movement in sonata form
second move largo
third move: minuet and trio in binary form |
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Term
Joseph Haydn 'The Creation: no. 2, In the beginning God'
(strings, slow, man later chorus singing) |
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Definition
oratorio
lived:1732-1809
1997-1998
libretto is some from KJV Bible |
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Term
| Wolfgang Amadeus Mozart 'Piano Sonata in F Major, K. 332 First Move, Allegro' |
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Definition
piano sonata
lived: 1756-1791
1781-83
sonata form
contrasts style and figuration to delineate parts of form |
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Term
| Wolfgang Amadeus Mozart 'Piano Concerto in A major, K. 488: first move, Allegro' |
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Definition
Piano concerto
lived: 1756-1791
1786
opening displays thematic variety of sonata form exposition and qualities of baroque concerto ritornello |
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Term
| Wolfgang Amadeus Mozart 'Symphony no. 41 in C major (jupiter), k. 551: finale' |
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Definition
symphony
lived: 1756-1791
1788
sonata form
fugato
stretto
coda is culmination and example of invertible counterpoint |
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Term
| Wolfgang Amadeus Mozart 'Don Giovanni: Act 1, Scenes 1-2' |
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Definition
opera (dramma giocoso)
lived 1756-1791
1787
librettist: Lorenzo da ponte
opera buffa servant
scene 1 and 2(the recit.)
patter
multi-section finale |
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