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“Magnificat”
Manoel Dias de Oliveira (1700s)
Elements: Exoticism, Shifts to 6/8, Oscilates between 2-4 voices, Changes in speed, Violin moves fast and slow.
Keyword: Racist Amen needs Man Oil |
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“Les Sauvages” Jean-Philippe Rameau (1729) Elements: Exoticism, Consistent rhythmic percussion, Repeating violin phrase (?), Building vocal harmonies, Galant style (?) Keyword: Racist Voyage |
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“La serva padrona” Giovanni Battista Pergolesi (1733) Elements: Intermezzo, Fast runs, Repeating vocal phrase, Changes in speed, Quick string runs. Keyword: Uberto |
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“La serva padrona” Giovanni Battista Pergolesi (1733) Elements: Intermezzo, Fast runs, Repeating vocal phrase, Changes in speed, Quick string runs. Keyword: Uberto |
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“Sonata in D Major”
Domenico Scarlatti (1740s)
Elements: Galant Style, Binary Form Sonata, Quick arpeggios, Modulation, Phrases immediately repeated.
Keyword: Your favorite (coffee shop) |
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“Keyboard Sonata in D Major, finale”
Baldassare Galuppi (1750)
Elements: Galant style, Three binary sections, Melodic frills, Repeating schema, Idiomatic writing for piano.
Keyword: Frills |
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“’J’ai perdu tout mon bonheur’ from Le devin du village”
Jean-Jacques Rousseau
(1752)
Elements:
Keyword: Boring, lose your happiness |
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“Orfeo ed Euridice, Act II Scene I”
Christoph Willibald Gluck
(1762)
Keyword: Violins falling down a rabbit hole |
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“Orfeo ed Euridice, Act II Scene I”
Christoph Willibald Gluck
(1762)
Keyword: 2 hits then subtle hit |
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“Orfeo ed Euridice, Act II Scene I” Christoph Willibald Gluck (1762) |
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“Orfeo ed Euridice, Act II Scene I”
Christoph Willibald Gluck
(1762)
Keyword: Scary Harpies |
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“Orfeo ed Euridice, Act II Scene I” Christoph Willibald Gluck (1762) |
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“Orfeo ed Euridice, Act II Scene I” Christoph Willibald Gluck (1762) |
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“Sonata Op. 5, No. 2, Allegro di molto”
Johann Christian Bach
(1766)
Keyword: Plucky intro (but also demonic) (happy furry demon) |
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“Chevalier de Saint-Georges, Violin Concerto in D Major, Rondeau”
Joseph Bologne
(1774)
Keyword: Seaworthy Violins (Rondo is on the sea) |
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“Symphony No. 31 in D Major, “Paris,” I: Allegro assai”
Wolfgang Amadeus Mozart
(1778)
Keyword: 4 Hits (of weeD in Paris) (happy abt acai) |
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“Symphony in G Major, No. 88, I: Adagio-Allegro”
Joseph Haydn
(1786)
Keyword: Sparse/Stilted Hits (they're hidinG) |
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“Symphony in C Major, No. 82 ‘L’Ours,’ I: Vivace assai”
Joseph Haydn
(1786-87)
Elements: Manheim Rocket
Keyword: Bear living on Rocket eating ACai |
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“Symphony No. 39 in E-flat Major, I: Adagio-Allegro”
Wolfgang Amadeus Mozart
(1788)
Elements: Premier coup d'archet,
Keyword: DrummEr (I like adages) |
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“Symphony No. 40 in G Minor, I: Molto Allegro”
Wolfgang Amadeus Mozart
(1788)
Keyword: Deadly ballet dancinG. Dancers are happy to be molting |
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“Sonata no. 8 in C Minor (Pathétique), I: Grave Allegro di molto e con brio”
Ludwig von Beethoven
(1798)
Elements: Changes in speed, Glosses over cadences, Intricate arpeggios
Keyword: Crepuscular Intro (like a 8-legged grave spider) |
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“Symphony No. 3 in E-flat Major, (‘Eroica’), I: Allegro con brio”
Ludwig von Beethoven
(1803)
Keyword: Tugboat (Erotic tugboat) |
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“Gretchen am Spinnrade”
Franz Schubert
(1814)
Elements: Lied, Quick arpeggios
Keyword: Detroit |
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