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Fletcher Henderson, Benny Goodman, Gene Krupa, Teddy Wilson, John Hammond |
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Wrappin it up- Fletcher Henderson Sing, Sing, Sing- Gene Krupa Body and Soul- Benny Goodman Trio |
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Jazz=Swing=Pop evolved from early jazz Benny Goodman- first to popularize swing- radio show- Lets Dance Swing- carefree and light diversion from stress |
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4 instruments- Drums, Guitar, Piano, Bass Drums- bass drum every beat, high hat every other beat Guitar- strum chords every beat Piano- rooted w ragtime, alternates bass notes and chords, 10ths Bass- walking bass, every beat |
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Trumpet- 3-4 Trombone- 2-3 Reed- 4-5 |
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Full ensemble- all sections play together Melody and Accompaniment- one/two sections play melody, one/both of others play accompaniment Call and Response- one call other responds Riffs- repeated rhythmic figures, pyramiding- one piled on another Improvised Solos- one instrument accompanied by rhythm section |
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lighter than STRIDE- used microphone mostly oom-pah beat more single notes in RH fast RUNS in RH Walking 10ths in LH |
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Mid-West Swing (Kansas City Swing) names |
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Count Basie Freddie Green Jo Jones Walter Page Lester Young |
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Mid-West Swing (Kansas City Swing) Music |
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One O'Clock Jump- Count Basie Lester Leaps In- Count Basie and Lester Young |
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Mid-West Swing (Kansas City Swing) |
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emphasis on groove and swing itself no written arrangements- HEAD arrangements- improvised blues, riffs, improvised solos |
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Mid-West Swing (Kansas City Swing) Great Rhythm Section |
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Count Basie- first great rhythm section swing more than any other perfectly synchronized, perfect sense of beat Count Basie- piano Freddie Green- Guitar Walter Page- Bass Jo Jones- Drums |
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Mid-West Swing (Kansas City Swing) continued |
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comping- playing of chords in a random-like way, modern way of playing in rhythm section COMP short for accompany or compliment
Basies piano style- light, sparse, space, high register "splinks" and "splanks"
Lester Young- cool player little vibrato, light tone, HORIZONTAL PLAYER- more interested in melody than harmony which made for more complex harmonic effect by emphasizing upper chord extensions or by using Substitute Chords |
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Duke Ellington Cootie Williams Johnny Hodges Joe Nanton Jimmy Blanton Harry Carney |
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In a Mellotone- Cootie Williams, Johnny Hodges Ko-ko- Joe Nanton, Jimmy Blanton |
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scoring across sections- blending instruments in different sections ex- clarinet, muted trumpet, tenor sax- new sound |
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Jungle Music- pre-swing played in cotton club use of mutes, unusual sounds (growls and grunts) to create exotic soundscape |
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tone color- sound- blended different instruments to create new sounds, wrote for each player, not instrument rarely people left the band MUTES |
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Glenn Miller Tex Beneke Marion Hutton The Modernaires |
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I've Got a Gal in Kalamazoo- Glenn Miller |
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led most popular band during WWII
played in Army Air Force band |
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Singers from the Swing Era names |
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Billie Holiday Lester Young Frank Sinatra Nelson Riddle Cole Poster Ella Fitzgerald Louis Armstrong George and Ira Gershwin Tommy Dorsey |
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Singers from the Swing Era music |
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All of Me- Billie Holiday Ive Got You Under My Skin- Frank Sinatra The Can't Take That Away From Me- Ella Fitzgerald and Louis Armstrong |
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Singers from the Swing Era |
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Billie Holiday- not great voice but great singer Vocal phrasing and rhythm lyrics- phrasing resulted from trying to convey meaning of words changed melody and rhythm for dramatic effect personal statements with lyrics did not scat sing
Frank Sinatra first to fully exploit the microphone used as extension of voice held and manipulated it- moving to and from mouth for effects stressed consonants- more like speech, more direct, clear diction Concept album- conceiving it as a complete work, songs connected by common theme or mood LP record album- long playing
Ella Fitzgerald scat singing- probably best ever |
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Dizzy Gillespie Charlie Parker Max Roach Curly Russell Kenny Clarke Thelonious Monk |
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Willow Weep for Me- Art Tatum Shaw 'Nuff- Dizzy Gilespie and Charlie Parker Koko- Dizzy Gillespie and Charlie Parker Parker's Mood- Charlie Parker |
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Art Tatum influenced Bebop technique- fat notes and tempos advanced harmonic language and art of reharmonization
runs- very fast in either or both hand at the same time
Minton's Playhouse- after hours club in Harlem place where bebop began and first developed founding fathers Dizzy Gillespie- trumpet, Thelonious Monk- piano, Kenny Clarke- drums
Bebop differs from swing- tempos- fast tunes faster, slow tunes slower harmony- complex chords and chord progression rhythm- more complex in melodies and rhythm section |
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rhythm section DRUMS- hi hat on beats 2 and 4 bass drum no longer on every beat snare and tom-toms- random-like accents PIANO- no longer keeps pulse comps- random-like playing of chords BASS-keeps pulse or beat in more aggressive way guitar no longer necessary
horns- usually 2 player- trumpet and sax no real arangement
harmony melodies- emphasis on upper chord tones and altered chord tones to construct melodies- 9ths, 11ths, 13ths evolution= Beiderbecke-Lester Young- Bebop
harmonic rhythm- quick- chords change more often than in earlier jazz |
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Melodies- phrase lengths- uneven, unpredictable, two and a half, three, five measures accents- unpredictable, uneven, could be on any note and any beat or between beats direction- abrupt changes in direction
rhythm- complex music
Pop songs original tunes- based on pop songs used chord progressions and tunes from standard pop songs and wrote new melodies on them
rhythm changes most commonly used chord progressions or chard Changes was from George Gershwin's "I got rhythm" became so common it is commonly referred to as "rhythm changes"- short for "I Got Rhythm" Changes |
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Bud Powell Thelonious Monk Max Roach Curly Russell Milt Jackson |
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A Night in Tunisia- Bud Powell Misterioso- Thelonious Monk |
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Thelonious Monk Piano style stark, dissonant sounds percussive attacks unexpected rhythms and notes
bends notes- illusion of note bending |
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Latin Jazz Dizzy Gillespie pioneered Latin Jazz in 1940s Latin and Jazz have common roots Latin music evolved in different ways from Jazz- language key factor
Afro-Cuban Jazz- style term for this music mostly inspired by Afro-Cuban music AABA
Monk Tunes based on one of two ideas if two- combine them in ingenious ways melody and harmony usually mutually dependent on eachother |
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