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distance between highest and lowest pitches that can be sung or played by voice or instrument |
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distance between two pitches |
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A sequence of pitches, also called a "tune," heard in the foreground of music. |
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The highness or lowness of a sound |
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The perceived loudness or softness of a sound. |
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A term describing the regular puls of much of western calssical music and its divisios into regular groupingof two, three, four or six beats |
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The temporal relationships within music. |
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The unit of time in Western music and musical notation in which one cycle of the meter takes place. |
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A regular fluctuation of a sound, produced by varying the pitch of the sound. |
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Contrasting rhythms that are performed at the same time |
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A grouping, or measure, of two beats |
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A rhythmic organization based on groupings, or measure, or three beats. |
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Groupings of two, three, or four beats per measure. |
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Groupings of six, nine, or twelve beats per measure. |
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A rhythmic effect that providesan unexpected accent, often by temprarily unsettling the meter through a change in the established pattern of stressed and unstressed beats. |
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more pleasant, stable, provides feeling of resolution |
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harsh, discordant, unstableunpleasant--- In need of resolution |
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“Single voice” Melodic line without harmonic accompaniment or other melodic lines present Includes a group of singers or instruments performing the exact same line (doesn’t have to be solo performance) Gregorian Chant Solo Voice or single-pitch instrument |
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Single melody takes importance (interest) over subordinate accompaniment Frequently used in Folk, pop, rock music: singer with guitar, for example |
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“many voices” Two or more different melodic lines are combined Example: J.S. Bach: Art of the Fugue |
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Multiple (2 or more) voices/ instruments simultaneously elaborating same melodic line Same melody used as basis or springboard for further improvisation Improvisation-spontaneous Heterophony more often found in folk, jazz, or popular styles |
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any instrument that makes sound using air
Examples: flutes, accordions, bagpipes, horns, didgeridoo |
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make sound by vibrating string between two points Examples: violin, harp, guitar, sitar |
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make sound using element of instrument itself; generally percussion Examples: shaker, rattle, bells, xylophone, gong |
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make sound stretched membrane; can be struck, rubbed, even sung into to produce sound; generally percussion Examples: drums-toms, snare drum, conga |
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People living outside their historic homeland who maintain memories of, and attachments to, their place of origin |
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– Movement of people into a new region by choice: “pull” factors – Possible reasons: religious or economic opportunities – Examples: European colonization of Americas, Chinese Migration |
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– Movement due to forces beyond migrant’s control: “push” factors – Conquest, slavery, famine, war – Ex: 1845 Irish “great hunger,” African Forced Migration |
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slide up or down (usually in just one direction-not quite as in Indian music) |
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• Lullaby: free rhythm, vibrato • Pentatonic-based melody • “The music of the Dan Bau should be solely for the pleasure of its player. Don’t listen to it if you are a young woman.” – Also used for love songs. |
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West Africa Loud Drumming Was played before combat to prepare, provide courage Played after to communicate events, note deaths of warriors or chiefs |
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“Mood” -- “That which colors the mind” Term for melodic scale; how pitch system is organized |
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Repeated rhythmic patterns Sollukattu: rhythm language/counting system; syllables mimic drum sound (Carnatic Music) “Bol”: same thing in Hindustani music |
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two drums; played with fingers |
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similar instrument in Carnatic music (fewer strings) |
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string instrument: 18-string guitar/lute |
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