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Governing note. Functions of ind notes depend on the position of mese as it rotates through the octave. (the middle of the scale) Greek, whole scale is dependent on the Mese. |
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Tenor means to hold, modal=chant=the repeated notes in the bulk of chant verses, organum=long drone, motet= harmonic part with no liturgical content=omnes
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four notes spanning interval of a perfect 4th, two of them makes an octave, inner pitches subdivided three ways diatonic(2 whole and semi) , chromatic(Augmented,2 semitones and, and enharmonic(2 quarters and ditone) .
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make it into a scale, ut, re me, fa, so, la (ut-la), six note grouping, invented by Guido de Arezo |
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schedule of prayers , standard worship plan by St. Benedict. that articulates, 8 day of study and work, main= Matins, lauds, prime, terce, sext, none, vespers, compline |
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THE PRESCRIBED ORDER FOR THE CONDUCT OF WORSHIP |
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Roman Empire vs. Holy Roman Empire |
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PAPAL POWER (POPE)/POLITICAL/MILITARY POWER
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Troubadour
trouvere
minnesinger
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sing about chivalry/COURTLY LOVE
sing about courtly love
sing about courtly love/RELIGIOUS
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the belief that music can powerfully effect HUMAN BEHAVIOR AND CHARACTER |
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Trope (and don’t say simply “adding text or notes”)- |
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MUSICAL GLOSSING/ADDING TEXT OR MUSIC TO ALREADY EXSISTING AND NOTATED MUSIC
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DIASTEMATIC” NEUMES, PLACING NEUMES AT DIFFERENT HEIGHTS TO INDICATE CHANGES IN PITCH IN PITCH OR OVERALL MELODIC GESTURES
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TEXT PRINTED ON SPECIFIC LINES OF A STAFF BASED ON PITCHES TO BE SUNG/USED IN TEACHING ORGANUM PERFORMANCES
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EACH JOINT OF THE HAND REPRESENTS A PITCH IN THE GAMUT (G2)
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AN IDEAL LOVE-DENY SELF PLEASURE FOR LOVE/ CONTRASTS THE MASCULINE THEMES OF BATTLE/CHIVALRY, COMMON TOPIC IN TROUBADOURS/TROUVERES |
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CREATED TO COORDINATE POLYPHONIC PARTS/VOICES, SEPERATED INTO LONG (LONGA) & SHORT (BREVE) NOTES, ALTERNATION CREATES TROCHAIC (LB, LB,LB) & IAMBIC (BL, BL, BL) 6 MODES
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ALTERNATE B/T SINGING AND RESTING WITH 2 VOICES, LIGHTER AND RHYTHMICALLY SPARKLING TEXTURE
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TECHNIQUE OF ORGANIZING A LINE OF POLYPHONIC MUSIC INTO REPETIONS A FIXED SERIES OF RHYTHMIC VALUES
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SUBTLE ART”- EXTRAVAGANT OVERUSE OF THE TECHNIQUES OF A PARTICULAR STYLE (MANNERISMS)
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English discant / Faburden |
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ENGLISH POLY SINGING, 3 VOICES IN HOMORHYTHMIC TEXTURE, CANTUS FIRMUS- PRIMARY VOICE, COUNTER- RUNS BELOW CANTUS FIRMS AND FORMS INTERVALS |
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“FIXED SONG” ORIGINAL CHANT LINE THAT THE OTHER VOICES ARE CENTERED AROUND
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