Term
|
Definition
| polyphonic mass in which the movements are linked primarily by sharing the same opening motive or phrase |
|
|
Term
|
Definition
| Preexisting chant used as the basis for the ordinary of the mass, melody not necessarily from sacred works *Superius, Contratenor Altus, Tenor, Contratenor Bass |
|
|
Term
|
Definition
| it uses a single cantus firmus in the tenor for every movement |
|
|
Term
|
Definition
| Mass borrowed from several lines of another piece of music *The resemblance is strongest at the beginning and end of each movement. *It replaced the cantus firmus Mass as the dominant type around 1520. |
|
|
Term
|
Definition
| polyphonic mass in which each movement is based on the same monophonic melody, normally a chant, which is abbreviated in most or all voices rather than being used as a cantus firmus in one voice. |
|
|
Term
|
Definition
| adopted by some smaller churches, published by Luther in 1526. It followed the main outline of the Roman Mass. Most elements of the Proper and Ordinary were replaced with chorales. |
|
|
Term
|
Definition
| Mass based entirely on newly composed material. |
|
|
