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period that babies undergo. |
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that whihc carries melody. that which allows us to order tones from low to high. |
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when you make a series of notes higher but still hear the same song |
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when you hear two tones with a frequency ratio of 2:1 or 1:2. or a collection of pitches. |
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three or more notes typically played simultaneously; is the basis of harmony |
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when three notes of a chord are introduced, and then played as a chord |
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a selection of notes, typically 5-12 that constitute the subset of possible pitches we use for constructing melodies |
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the 12 notes in Western musical system |
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the speed or pace of a peice of music. |
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characteristics that define where a sound is coming from; that which distinguishes two instruments playing the same note. |
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a counterpoint, or a parallel melody |
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two instrumentalists can play the same thing, or play different things in unison or in harmony |
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the reflections caused by sound waves bounding off the surfaces in enclosed acoustic spaces |
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more than one musical part playing at one time |
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distance between C and F-sharg; considered so dissonant in the past that it was associated with the Devil |
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basic elements of sound (8) |
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1. LOUDNESS 2. PITCH 3. CONTOUR 4. DURATION 5. TEMPO 6. TIMBRE 7. SPATIAL LOCATION 8. REVERBERATION |
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the actual frequency of a particular tone to its relative position in the musical scale |
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the human ear can only hear ___ range of sounds (Hz) |
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caused by slow frequencies |
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fast frequencies cause this |
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what you see written on a musical score |
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what you hear (as opposed to what is written on a musical score) |
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the duration of a series of notes and the way that they group together. |
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the speed or pace of a musical composition |
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the amplitude of a tone; volume control (measured in dB) |
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_____ that the string covers with each oscillation back and forth is translated by our brains into ____ |
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_____ at which the string oscillates is _____ |
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rate of an oscillation is determined by the _____ of the string |
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tones organized into groups of three. |
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tones organized into groups of two ro four |
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hierarchy (created in our minds) of importance that exists between tones in a musical piece |
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key change during the course of a song |
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the main theme of a musical piece. the pattern or relation of successive pitches across time |
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the relationship between pitches of different tones ; ca refer to a chord progression |
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distance between two ntoes |
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intervallic distance between A and B or Do and Re |
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a half step or 1/12 of an octave ; going sharp or flat |
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a subset of pitches, varying in size depending on culture |
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the most common of 7 tones in Western musical system |
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progression from whole note to half note to whole note to half note, etc. |
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minor scale using 5 notes (blues) |
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fundamental frequency : overtones
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the tone with the slowest vibration rate, with the lowest in ptich, is referred to as the_____; the rest of the tones are called _____. |
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the pattern of energy at different frequencies |
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partials/inharmonic overtones |
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overtones that are not clearly integer multiples of a fundamental are called _____. |
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restoration of the missing fundamental |
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if we encounter a sound that has all of the components except the fundamental, teh brain fills it in for us. |
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the very first part of a musical instrument sound |
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the way sound changes after it has started playing |
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group of three equal-valued notes played in the time of two |
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temp is measured in _____. |
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beat where the strong beat occurs every three beats (strong-weak-weak) |
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when a note anticipates a beat that is, when a note is palyed a bit earlier than the strict beat |
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note played earlier, or the note succeeding into the main piece is called _____ |
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to accent the 2nd and 4th beats in 4/4 time. |
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pleasing sounding chords and intervals |
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unpleasing sounding chords and intervals |
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singing or playing a song in a different key or with different pitches |
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Helmholtz's idea that unconscious processing of our sensory information plays a role in inferring what is being perceived |
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used by our brains; assumption that a single object produces harmonic components |
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Helmholtz's idea that unconscious processing of our sensory info plays a orle in inferring what is being perceived |
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our brains assume that it must be a single object producing these harmonic components |
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infants and adults have this. being able to distinguish easliy between a pair of tones an octave apart and a pair of tones not quite an octave apart |
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adults and infants have this. tones with different harmonic structure have the same pitch as long as their fundamental frequencies are the same. |
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is determined by the direction of movement for a set of musical notes. whether notes move higher/lower and if teh notes repeat/skip/move stepwise are all factors of how the contour affect a melody |
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one feature that distinguished singing from speech and is characteristic of adult musical organization |
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the two-level organization of beat and within-phrase rhythm |
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ability to identify pitches by their note names even in the ABSENCE of music context |
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early learning hypothesis |
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aboslute pitch can be acquired by anyone, but only during a cirtical period ending at the age of 5 or 6 |
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foudn in adults, it si the inability to identify pitches specifically yet APPROXIMATE the pitch levels of familiar songs (Levitin's study) |
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the difference between the emotions ____ & _____ doesn't fully occur until the age of ___. |
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who created brain scanners? |
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EMI (hte producers of the beatles) |
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multiple trace theory of memory |
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each time you experience something perceptually, it is traced down in memory. so when you experience an odd trace, your brain senses the mismatch immediately |
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can immeditaely identify many pieces of music without external aid |
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we can easily find a difference in two peices of music (based on timbre, pitch, etc.) |
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we can distinguish between multiple genres of music |
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we can recognize that two different versions of a song are actually just two different versions and not something new..this is called: |
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"pleasure" centers of the brain |
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H: hypothalamus V: ventral tegmented area N: nucleas accumbens these regions modulate DOPAMINE (the feel good hormone); and are activated during pleasurable activities |
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-in the PREFRONTAL cortex; the PREDICTION center of our brain -relevant to the question "could musical reward be related to prediction processes?) |
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the idea that in the auditory cortex, pitch is laid out. recall the tontopic homunculus. -relevant to discussion of TIMBRE and timbre maps |
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the part in each of us that embodies our thoughts, hopes, esires, memories, beliefs and experiences, it is non-physical |
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a physical entity/organ in body. BRAIN ACTIVITY gives rise to the mind |
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similar minds can arise from quite different brains; brains are just the collection of wires and processing modules that instantiate thought |
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involved in presonaliyt, planning and self control |
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involved with hearing and memory |
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invovled with motor movements and spatial skill |
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involved in emotions and the planning of movements |
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the surgical separation of a portion of the FRONTAL lobe (the PREFRONTAL CORTEX) from the THALAMUS |
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our brains work in "parallel" |
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meaning that many things can be worked on at once |
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computers work in serial; menaing things must we worked on one at a time |
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air molecules striking the ear drum at different frequencies |
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information coming into the system (perceptually) can be influenced by what the individual already knows about the information that is comng into the system |
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lower level systems categorize and describe incoming perceptual information and pass this descriptive information onto higher levels for more complex processing |
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caused by top-down or bottom-up processing when incomplete or ambiguous information is interpreted wrongly |
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black triangle and outline make a star. brain makes a calculated guess of what is there, fills in missing info. |
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an example of auditory illusion in music. - melody pops out when the notes are close enough together in TIME -the perceptual system HOLDS the notes together. the melody is lost when the notes are TOO far apart in time |
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Definition
when listening to music, we try to anticipate what is coming. we expect certain pitches, rhythms, timbers ect. to co-occur |
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a chord sequence that sets up a clear expectaion and then closes,t ypically with a satisfying resolution |
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composer repeats the chord sequence again and again until he convinces listeners that they're going to get what they expect, but then provides an unexpected chord at the end. |
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a mental representation or framework created from experience. it is used to guide a response -the more aspects of the schema are fulfilled, teh closer the situation is to the ideal/represented schema |
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a tpical melody includes a lot of stepwise motion, that is adjacent tones in the scale. if the melody makes a big leap, our brains expect that the leap was only temporary and we want tones to return to the jumping-off or starting point |
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-electroencephalogram -measures ELECTRICAL CURRENTS/BRAIN ACTIVITY of the brain. -records firings of LARGE groups of neurons (not individual neurons) |
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functional magnetic resonance imaging machine-uses the METALLIC PROPERTIES of HEMOGLOBIN to trace BLOOD FLOW in the brain. -through this we can see which areas of the brain are activated when listening to music. |
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constructivist view of memory |
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Definition
our memory system stores info about the relations b/w objects and ideas, but not necessarily details about the object themselves -theory ignores IRRELEVANT details, while preserving the "gist" |
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-memory is like a tape-recorder which preserves all or most of our experiences accurately |
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many inputs and outputs of the brain are contralateral-LEFT brain controls movement in teh RIGHT half of the boyd. the right brain controls processes on the left side of the body (the right brain processes info that your left eye sees) |
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manipulated common songs and realized that in most cases, the deformed tune was recognized more often than chance could account for...most subject could recognize change in transposition almost immediately |
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categorization (Wittgenstein) |
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Definition
-denounced idea that we can define a category -category membership is determined by a family ressemblance , which relies on a list of features that may or may not be present (ex. we call something a game if it resembles other things we have previously called games) |
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appearance-reality problems 1. objects though in presentation may be similar, are inherently different 2. object though in presentatino may be different are inherently identical 3. objects though different in presentation are of the same natural kind |
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-prototypes; the "best" category member -category membership can be thought of as a question of degree , with some tokens being 'better' exemplars than others |
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you can't find a prototype for a wide and broad category because the members vary ; ex. what's the prototype of a "tool"? (ambiguous); contextual info that prototype theory doesn't account for -we form contextual categories not perceptual categories |
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our memory for music involves this. means that not all words are equally salient, and not all parts of a musical phrase hold equal status (ex. singing national anthem and stoping at "rockets red glare"...) |
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-social, clinical, cognitive and developmental psych -also neuroscince and genetics |
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by the age of ____ the auditory system of the human fetus is function |
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Definition
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serves as a filter; can alter the way soun appears |
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Definition
the pinna; outer physiology of the ear |
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the inverted U preference curve |
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Definition
we prefer something in the middle, not the pole. -if we have low pitch on one en and high pithc on the other, we prefer pitches that fall in between. as we deviate from the middle, our liking decreases -this is the same for FAMILIARITY (usual) and NOVEL(unusual) |
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fundamental mathematical axiom |
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Definition
A=A if someone likes a particular song, they should like all versions of that song. BUT this falls apart because one person may like an original but despise a remake |
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-musical quality that moves the song forward, the musical equivalent to a book that you can't put down |
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-crucial to understanding of music -percieves TIMING -it has been evolutaionary benefical to relate movement to emotional activities -has an important role in EMOTION |
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-response to auditory info. for survival purposes, there are MULTIPLE PATHWAYS to let us knowt that danger is apparent. |
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Definition
similar to a startle resonse and to the auditory system's sensitivity to change -if your refrigerator has a hum, you get so used ot it that you no longer notice it -since teh CEREBELLUM acts as a timekeeper, when it's damaged, HABITUTAION may disappear |
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caused during PRENATAL DEVELOPMENT when a chromosome is missing (similar to Down's). individual with W.S. have defects in their cerebellum and are consquently unusually outgoing and pleasant. |
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Term
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someone who has reached a high degree of accomplishment relative to other people -expertise is a social judgement -10 000 hours of practice is required to achieve the level of mastery associationed with being an expert |
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the process of tying together units of information into groups and remembering the group as a whole rather than the individual pieces |
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the ability to identify pieces of music that we've heard before; similar to our memory for faces |
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- we try to memorize certain information by repeating it over and over again. but rote memorization is facilitated by a hierarchical organization -certain words, or notes are more important than others and we organize our learning around these words, or notes, etc. |
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conditioned head-turning task |
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Definition
two speakers are present in front of the baby which plays music when baby looks at it, they then learn that they control the music. babies prefered music they heard in the womb |
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Definition
talk shows claimed that listening to mozart 10 miutes a day makes you smarter. -there is thought that music makes you smarter on SPATIAL ABILITY TASKS |
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infant-directed speech/motherese |
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Definition
-speaking to infants with a slower tempo, an extended PITCH RANGE and higher overall PITCH LEVEL -infants notice a change in CONTOUR and thus udnerstand to some extent, what is being said |
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ability of the brain to REORGANIZE itself. the amount of reorganiztion that can occur in most adults is vastly less than can occur in children and adolsecents. |
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threshold in which song is too complex or too simple, and we dislike the song more readily after this point. likability: y-axis complexity is on teh x-axis |
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-idea that music developed through natural selection as part of human or paleohuman mating rituals |
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-proposed that once in a while we find a behaviour or attribute in an organism that lacks any clear evolutionary basis; this occures when evolutionar forices propagte an adaptation for a particular reson and soemthng else comes along with it. -PINKER ARGUED THAT LANGUAGE IS AN ADAPTATION AND MUSIC IS ITS SPANDREL |
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Definition
-Gould -a by-product of an architects' design. birds evolved feathres to keep warm but then used them to fly |
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time period/lag of 50 000 years between when an adaptatino first appears in a small proportion of individuals and when it becomes widely distributed in the population |
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evolutionary perspective of music acquisition in humans |
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Definition
-music was acquired by mankind for the sake fo charming the opposite sex, because qualities that attract a mate are eventually encoded in the genome and passed on to future generations (Sexual selection) |
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Definition
-selection which promotes traits that will increase an organism's success in mating. this is distinct from natural selection which acts simpy on traits which influence FECUNDITY (producing offspring) AND SURVIVAL |
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neurons that fire both when performing an action and when OBSERVING tohers performing that action. -purpose is to train and prepare the organism to make movements it has not made before |
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formalist position (psycholinguistics) |
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Definition
formal devices/logic symbols possess an advantage over their natural counterparts (expressions such as "and" or "the") -any meaning in language which is not conveyed by the fromal devices yet is expressed in the natural counterparts is not acceptable and not intelligible |
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language serves a purpose beyond scientific inquiry. because meaning can be conveyed without being in terms of formal devices, natural language must remain and while is can base itself on formal devices, it can also differ greatly from them at times. |
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Pribram's holographic theory of memory |
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each beam of light from a hologram is needed to complete the image. -memory is like a hologram -every neuron in the brain contains every memory in the brain. a sufficient number of neurons must be activated to recall a memory |
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Term
Rumelhart's parallel distributed processing account: |
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Definition
memory is distributed throughout the brain; it is not located in just one place |
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Term
charmichael, Hogan and Walters |
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Definition
noted label presented at time of encoding influenced recall -subjects were lated asked to draw the stimulus figures based on recall. the info they were given during the initial time of exposure influenced the subjects' recall ability |
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Term
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Definition
created "droodles" -when trying to recall figures, group2, whom recieved the DESCRIPTIVE words, were better at recalling the figures than group 1 |
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Definition
suppression of traumatic events |
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Definition
-eye-witness testimony -suggestibility; HOW she asked the questions influenced the response |
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Definition
the way you ask the question influences a person's recollection of how often something happens |
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Term
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Definition
if you suggest something to someone in a question you can make them recall false memories |
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Term
primacy and recency effect |
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Definition
primacy: you remember the first word in a list of words; recency; you remember the last word in a list of words -remember the PRIMACY effect has a greater effect than the recency effect on memory |
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Term
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Definition
are general representations of a common memory |
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Definition
office study -relevant to "schemas" -people tended to remember seeing things that are NORAMLLY in offices, but which were not actually present in the study |
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Definition
found that chess payers have a schema for what a chess board looks liek so they can memorize it very quickly |
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Definition
penny study -found that students were unable to detect slightly abnormal pennies; the details are not mandaotry for memorizing a penn |
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Definition
-homeowners and burglars -memory of event depended on which perspective they took -CONTEXT EFFECTS IN MEMORY/CODING |
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Term
spreading activiation model |
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Definition
when you remember one thing, it triggers a flood in memories that are similar to that |
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Term
evidence for constructivist theory |
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Definition
1. posner and keele 2. loftus 3. gist memory 4. Nickerson & Adams |
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evidence for record-keeping account of memory |
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Definition
-1. flashbulb memories ; accurate memories of large scale events 2. penfield (been debunked) 3. Magnussen: discovered that eople are just as good at detecting a difference in two pictures back to back as they are if they see them a week apart |
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Term
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Definition
-Hintzman -everything you experience lays down a TRACE in memory. one trace isn't enough to remember a small detail, but if you experience the same detail enough, then you'll ahve enough traces in memory to remember it fairly accurately |
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Term
what is the point of making decisions? |
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Definition
-to try to predict the outcome |
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Term
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Definition
we think we understand teh nature of a probem, but our answers to the question reveal that we are living an illusion |
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Term
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Definition
1. i could win some money 2. i need to limit my losses 3. i need to save face and punish my opponent GENDER OF OPPONENT 1. man vs. man; out-compete 2. woman vs woman: limit losses, one will stop early 3. man vs. woman; man will let woman win |
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uncertainty in decision-making |
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Definition
regarding: 1. outcome 2. quality of info 2. quantity of info note: there is also a level of REGRET regarding social comparison and saving face |
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Definition
-tried to develop equations which could clarify decision making processes |
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Definition
came up with present day beliefs regarding d-making |
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Definition
despite being told this information, the subject would pick the picture they looked at when teh arousal meter went nuts |
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Definition
having heard the info of one side of the story, its difficult to imagine the other side |
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Term
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Definition
-restaurant example of one-sided evidence of what your experience in a certain place is |
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Term
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Definition
-those individuals most profitable or beneficial are unintentionally chosen to represent a sample |
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Definition
-example of a sampling bias-the subjects aren't seeing the whole picture |
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Definition
survey are very sensitive to the order of questions |
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Term
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Definition
-regarding d-making -we tend to base estimates and decisions on known anchors or familiar, suggested positions and ADJUST RELATIVE to this point (note: if an arbitrary number is present, people will use this number as an anchor to make their judgements) |
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Term
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Definition
a number on a roulette wheel will influence/serve as an anchor to the unrelated question posed |
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Term
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Definition
-30% of the people have an opinon about something they don't know anything about |
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Term
fundamental attribution error |
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Definition
we tend not to give enough credit to the power of the SITUATION people are in when tyring to explain their behaviour (accredit it to their internal personality traits ) -we attribute attitudes to a BEHAVIOUR factor OR -we attribute people's attitudes to a situational factor |
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Term
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Definition
-related to fundamental attribution error ; study designed to make host look smart, contestant foolish results: -observers rated questioner in the 80th percentile of feneral knowledge, but the contestand below average (ess than 50%) -contestant rated questioner in teh 70th perceptil and himself in teh 40th because he believed audience knew the answers better than he note: questioners role reveals NO ignorance |
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Term
Humphreay; bosses and workers study |
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Definition
-workers deemed teh bosses as more knowledgeable while bosses viewed thier workers less knowledgeable |
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Definition
students asked to present an essay based on "due unto others". group 1 told to hurry, group 2 told to take their time. those in group 2 would help the conferderate posed as a homless person (POWER OF THE SITUATION AFFECTS BEHAVIOUR) |
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Definition
-related to d-making -additional variables added to the equation as long as they add something to its overall predictive quality or explanatory power ex. we assess which factors are important or not in determining our total understanding |
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Definition
analysis invovles making a decision on the bases of a set of cues or attributes -ex. radiologists sorts x-rays into benign or malignant |
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Term
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Definition
-the diagnostic meaning of one cue depends upon the meaning of other cues ex. the tone of voice makes me think not suicidal unless the call comes in teh early hours of the morning |
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Term
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Definition
-perception of the nature of an event after it has happened (people exaggerate in hindisght what they new in forestight; hindsight bias) -they view things as "Relatively inevitable" -believe others should have been able to better-predict outcomes than was actually the case/possible |
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Definition
-tendency to report certain outcomes as relatively inevitable |
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philosophical determinism |
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the conscious belief whatever happens has to happen |
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-stepwise regression -clinical judgment -configurale judgment |
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-even in randomly produced data, people try to find some order of meaning |
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-flipping a coin; the gambler fails to realize that after 4 successive heads, the fifth outcome is just as likely to be a heads |
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-a statistical procedure used to describe the occurence of unlikely events in a large number of independent trials -experts see "randomness," threatened individuals see "imagined order" |
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-given a set of events and a sufficiently large set of possible explanatory factors, one can always derive explanations to any desired degree -overfitting theory is teid to a type of correlational overkill bias |
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ability to ignore information that we have, even when we know it's inaccurate |
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-can be analytical, empirical and subjective |
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a calculation based on our knowledge of the world and a logical evaluation (cards, coins, roulette wheel, russian roulette) |
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-we can simply count how often various events happen (either actually or thorugh a simulation) |
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-a subjective statement usually a prediction that is NOT the product of an experiment (ex. think it'll rain, so you pack an umbrella), "it is LIKELY that she's an engineer, it is LIKELY that my VCR will break) -to speak about the probability of a non-repeatable event doesn't make much sense. what we're really doing is making a statement of confidence in our prediction |
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-it is the probability of the event times the outcomes, summed across all outcomes -we assume the "game" can be repeated as many times as we like
-in a bet: is the amount of money you stand to win (in the long run) |
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conjunction of two probabilities must be LESS THAN OR EQUAL to the SMALLER of the two properties -the probability of a conjunction can bever be greater than the probability of one of its component events |
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created a study in which subjects had to consider an office that has 70% engineers and 30% lawyers -base rate gives the answer of 70% |
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3 heuristics of decision-making |
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1. representativeness 2. availability 3. adjustment from an anchor |
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representativeness heuristic |
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probabilites are evaluated by the degree to which A resembles B. -when A is highly rep. of B, the probability that A ORIGINATES from B is high. PROBLEM: similarity is often identified in teh exact same way as "probability". similarity is NOT influenced by factors that should influence probability |
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someone who has achieved a level of exceptional skill or mastery in a domain that we value. as such it is a CULTURAL judgment |
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the BIG problem in expertise is that experts don't know how they do what they do |
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suggest that there is something completely different about these people (experts) |
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suggests that there isn't anything inherently different, they just have more of the stuff than others (novices/layman) do. |
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components of expertise (5) |
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1. memory (for paritcular domain of interest) 4. physical configuration (ex. oscar peterson had huge hands which helped him excel at piano, or height is a predisposition to bball; pysical config. can help but not guarantee success 3. attention: to the domain for long enough time 4. will power and belief in self (believe that practice will pay off to their performance) 5. multiple failures (people at top of field have more failures than those at bottom; failure percieved as a lesson) |
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-relevant to "transfer of skill" in the topic of "Expertise" -did a study on skill transfer regarding a mnemonist -couldn't remember letters but could remember 81 random digits -therefore skill transfer is minimal if not non-existent |
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brazilian children can sell 5 lemons at 35 c each, yet in the classroom they are unable to determine that 5 x 35 is? no skill transfer -learning curve is minimal if an expert transfers to a similar domain |
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-tested acquisition of reading skills ; subjects presented with upside down, mirror, reversed image sentences -through practice we can read these different sentences almost as readily and as quickly as normal test (power law reading) |
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-relevant to "expertise" -Koler's study of reading -subjects came back a year later. started off shaky, but after some practice, performed better than they did a year before |
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is a function of where things are in a sequence. it's easy to recall things at the end of a sequence, but failry chanllengin to recall something in the middle |
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-speed anc accuracy INCREASE with PRACTICE -SKILLS show a very high level of RETENTION |
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-related to expertise -the investigation of the chess-playing problem is intented to develop techniques that can be used for more practical applications (ex. war) |
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-probability that a sample has been drawn from one populatoin rather than from another |
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-even small smaples are highly representative of the populations from which tehy are drawn |
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unwarranted confidence which is produced by a good fit between the predicted outcome and the input information -the internal consistency of a pattern of inputs is a major determinant of one's confidence in predictions based on these inputs |
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regression towards the mean |
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after an really bad performance, you tend to perform better, or RISE UP to the NORM. opposite when you do well, you FALL BACK to the norm ex. pilots -failure to account for regression leads one to overestimate teh effect of punishment and underestimate the effect of rewards |
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-people asses the probability of an event by the ease with which instances or occurences can be brought to mind ex. heart attacks associated with acquintances with heart problems (recall of these instances) |
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biases due to the retreivability of instances |
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-a class whose instances are easily retrieved will appear more numerous than a class of equal frequency whose instances are less retrievable |
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biases due to the effectiveness of a search set |
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-most people judge words taht begin with a consonant to be MORE NUMEROUS than words in which the same consonant appears in the thrid position -also, frequency of words is judged as relatively more numerous than concrete words |
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-one generates several instances and evaluates frequency-probability by the ease with which the relevant instances can be constructed ex. assessing risk of future adventure might depend on how easily you can imagine-up difficulties you may encounter |
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-people tend to overestimate the frequency of co-occurence of natural connections ex. naive judges presented pictures of mental patients; later had to recall how many pics had suspicious looks on their faces and the numbers were OVERESTIMATED AVAILABILITY can also explain this; suspiciosuness at an odd drawing of the eyes is due to the availability of the IDEA that suspiciousnerss is linked to eyes |
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-choosing a starting point and then adjusting it to find the right answer -different starting points yield different estimates, which are biased towards initial values |
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-the quantified opinion of one person -determine preferences among bets but are not derived from them -note: any set of internally consistent probability judgments is as good as any other |
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- approach to decision-making -decisions are made based on past considerations and preferences rather than on experimental observations. -this has to do with the RATIONAL THEORY OF CHOICE (a theroy flaweD) |
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-decisions made based on empirical observation and experimental studies of choice behaviour |
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refers to tendency for people to prefer avoiding losses than acquiring gains |
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having a preference for a sure outcome over a risky prospect that has higher or equal expected value (appears more with choice involving GAIN) |
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-having a preference for a risky prospect over a sure outcome that has higher or equal expected value (appears more with choice involving losses) |
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how peopel make decisions under conditions of uncertainty |
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concave function of money |
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gain or loss has a subjective value depending on how much money you start out with -a 100 dollar "sure thing"/gain appears to have more subjective value than a $200 dollar risky gain -however, in a CHOICE INVOLVING LOSS, most people prefer to take an even chance at losing 200 or nothing than losing 100 dollars "sure thing" |
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-observes regularities in risky choices. 3 properties 1. defined on gains and losses rather than total wealth 2. ti is steeper for losses than it is for gains 3. it is CONCAVE for gains, CONVEX for losses |
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the same problem framed in alternative ways leads to different answers |
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-if option B is better than option A, one one attribute and at least as good as A on all the rest, then B should be chosen over A |
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-an individual's preference between options should not depend ont he manner in which tehy are descirbed, provided the descriptions contains the same information (relevant to "framing effects") |
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-specific ACQUIRED characteristics underlie outstanding performance |
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outstanding behaviours are attribtued to relatively stable characteristics of the individual -stability constraints eliminate achievements due to unique environemntal circumstances |
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can only be assessed by determining the unique situation of the individual and by observing performance in standardized situations |
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proposed individuals gain eminence/position of distinction in the eyes of others due to a long-term history of achievement. achievement is based on natural ability and personal motivation. EMINENCE is genetically determined |
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-seek to understand and account for what distinguished individuals in a domain from less outstanding individuals in that domain |
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--- is either predominately influenced by inherited qualitties or is a funciton of learning and acquisition |
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is attributed either to some general characteristic of the individual or to a specific aspect |
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inherited characteristics |
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-general abilities: ex. intellignce or personality -specific abilities : music and artistic abiltiy, body building ex. being able to draw |
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-general learning and experience (acquired) -domain-sepcific training and practice (acquired) |
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