Term
| Melody moves in steps, not leaps |
|
Definition
|
|
Term
| 8th note patterns to enlightne |
|
Definition
|
|
Term
|
Definition
|
|
Term
| decision that less people = more drama through individual variation |
|
Definition
|
|
Term
|
Definition
|
|
Term
| matching musical rythym to rythym of words |
|
Definition
|
|
Term
| tempo changes frequently with a lack of a meter to add emotion |
|
Definition
|
|
Term
| who completed large epics |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| exulstate deo, lorfeo, dido |
|
|
Term
|
Definition
complete - ep1 - partial - ep 2 - partial - ep3 - complete
tonic - other keys - tonic |
|
|
Term
| who is the master of counterpoint |
|
Definition
|
|
Term
|
Definition
|
|
Term
| optimism for the average person |
|
Definition
|
|
Term
| Louis XIV death, American independence, French revolution |
|
Definition
|
|
Term
| large and prosperous middle class due to economy - what were implications |
|
Definition
| classical - more public shows and people wanting to play music and autonomy for composers |
|
|
Term
| when did composers become self employed |
|
Definition
|
|
Term
| when was the rise of the piano |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| simple harmony with slow chord progression |
|
Definition
|
|
Term
| 3 new genres of classical |
|
Definition
| comic opera, symphony, chamber music (string quartet and sonatas) |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| who became a celebrity once broke free |
|
Definition
|
|
Term
|
Definition
|
|
Term
| who wrote exclusively piano |
|
Definition
|
|
Term
|
Definition
| beethovens suicide notes - music kept him in his life |
|
|
Term
| what time was meant for reflection of society |
|
Definition
|
|
Term
| what time was for internal shade of composer |
|
Definition
|
|
Term
|
Definition
| made $ from publishing, more freedom, slow work = longer pieces |
|
|
Term
| how was Beethoven political |
|
Definition
| napoleon (his 3rd symphony) |
|
|
Term
| who's music was serious, forceful, long crescendos, thematic |
|
Definition
|
|
Term
| who added sudden key changes |
|
Definition
|
|
Term
| how does 6 easy variations break convention |
|
Definition
| 2 3-bar and 1 5 bar phrase |
|
|
Term
| how was 5th symphony unconventional |
|
Definition
| oboe solo and key change (recap B is in major of the tonic as opposed to the tonic) |
|
|
Term
|
Definition
| made $ from publishing, more freedom, slow work = longer pieces |
|
|
Term
| how was Beethoven political |
|
Definition
| napoleon (his 3rd symphony) |
|
|
Term
| who's music was serious, forceful, long crescendos, thematic |
|
Definition
|
|
Term
| who added sudden key changes |
|
Definition
|
|
Term
| how does 6 easy variations break convention |
|
Definition
| 2 3-bar and 1 5 bar phrase |
|
|
Term
| how was 5th symphony unconventional |
|
Definition
| oboe solo and key change (recap B is in major of the tonic as opposed to the tonic) |
|
|
Term
| increased emotional range, orchestral size, polyphony |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| 4 people whom exemplified nationalism |
|
Definition
brahms - folk tunes
wagner - folk tales
chopin - mazurkas Poland
Verdi - Political Italian Operas |
|
|
Term
| Eiffel tower, Brooklyn bridge, statue of lberty |
|
Definition
|
|
Term
| how is napoleon painting romantic (3) |
|
Definition
| points to left, environment reflects mood of artist/ characters, windy = emphasis on nature |
|
|
Term
| more polyphony vs. more homophony |
|
Definition
|
|
Term
| who was mr. miniature and who was mr. grandiose |
|
Definition
|
|
Term
| who wrote songs majorically |
|
Definition
|
|
Term
| first guy to achieve fame with piano |
|
Definition
|
|
Term
| performed only about 30 times |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| what piece is in rubato form |
|
Definition
| chopin - robbed form - accompinement keeps tempo but melody is free to move |
|
|
Term
| which piece used neighbouring tones to add tension |
|
Definition
| chopins prelude in e minor |
|
|
Term
| which piece used dynamics changes and escending melodic lines |
|
Definition
| chopins prelude in e minor |
|
|
Term
| who was the first performance hero |
|
Definition
|
|
Term
| lyric vs. grand vs. comic opera |
|
Definition
| stories of tragic love with full productions - grand productions lofty subjects - comical subjects with simple productions |
|
|
Term
| thematic transformation - what and who |
|
Definition
| changing ideas and reappearing themes - liszt |
|
|
Term
| transcriptions - what and who |
|
Definition
| liszt - transcribing operas and symphonies into piano - implications... |
|
|
Term
| who wrote for the avg person |
|
Definition
| Verdi - increase popularity - became parliament member |
|
|
Term
| 3 Characteristics of Verdi/ Italy |
|
Definition
| Melodic tunes, dotted melodies, drama was short and action-packed |
|
|
Term
| human emotion rather than tragic plot |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| ground bass descends with grief |
|
Definition
|
|
Term
| simple relatable characters |
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| 4 forms for each movement |
|
Definition
| sonata, aria, minuet and trio (triple meter), rondo (abacada, abacaba) |
|
|
Term
|
Definition
|
|
Term
| chromatic passages and surprise notes |
|
Definition
|
|
Term
| how is Beethoven unconventional (3) |
|
Definition
| oboe solo, wrong key for recap B, 3 and 5 bar phrases |
|
|
Term
|
Definition
|
|
Term
|
Definition
| schubert - different melodies on each stanza to go with proper emotion |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| emotion with dissonance and high leaps |
|
Definition
|
|
Term
|
Definition
| authentic (5-1), plagal (4-1), half (1 or 4 to 5) |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| melody in soprano voice range - exulstate |
|
|
Term
|
Definition
| small opera performances unstaged |
|
|
Term
| 3 movements of the solo concerto |
|
Definition
| fast, slow, faster than first |
|
|
Term
|
Definition
| improvisation parts (time killer) |
|
|
Term
|
Definition
| polyphony that is controlled with a common theme |
|
|
Term
|
Definition
|
|
Term
|
Definition
| underground society for moral support |
|
|
Term
| 3 accompinents of classical |
|
Definition
| walking bass ( notes beside), SIMPLE HARMONY (with chord progression), alberti bass (breaking down chords, homophonic as does not equal melody) |
|
|
Term
|
Definition
| instrumental intro with three short parts |
|
|
