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Italian, early Baroque, opera. "Tu Se Morta from Orfeo" |
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English, middle Baroque, Opera "Dido's Lament" |
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Italian, middle Baroque, sonatas |
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Italian, middle Baroque, "the red priest", taught in an orphanage, concerto gross and solo concerto "La Primavera" Spring -Four seasons |
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German, late Baroque, every form except opera, master of improvisation, keyboardist. "Suite no. 3 in D major" "Cantata no. 140" chorale "Brandenburg Concerto no. 5 1st movement" "Organ Fugue in G Minor (Little Fugue)" |
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German then Italy and England, late Baroque, opera then oratorio "Messiah, Every Vally Shall be Exalted" "Messiah, Hallelujah Chorus" |
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Instrumental. Small group of soloists and orchestra. 3 movements: fast, slow, fast. Ritornello form: melody played by orchestra in first and last movements. |
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Instrumental. Similar to concerto grosso but only one soloist. |
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Polyphonic. Subject: main theme with imitation. Answer: melody on top of subject. |
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Started in Italy. Drama sung to orchestral accompaniment. Aria: more drawn out, expresses emotion. De Capo Aria: ABA improvisation and show off in second A. Recitative: Resembles speech, presents plot. Accompanied Recitative: more instruments. |
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Instrumental. 1 to 8 instruments. Trio Sonata: Basso Continuo and two other instruments. Sonata de chiesa: dignified church sonata. Sonata de camera: dance-like chamber sonata. |
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Instrumental. Multi movement based on dance. |
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Hymn tune with German text |
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Multi movement church work. German religious text. Uses chorale tune. |
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Like opera, but no costumes or scenery. Sacred, based on Biblical stories. |
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1600-1750. Early baroque: homophony. Late: polyphony. More instrumental. Rhythmic patterns. |
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Harmony in bass. Cello and keyboard. |
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Bassline with numbers indicating chords |
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Mostly strings, limited percussion, basso continuo |
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Music written to order. For courts and churches. |
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Musical melody played by the orchestra in first and last movements of concertos |
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Chord inversions indicated by the numbers in figured bass |
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When the music is played end to beginning |
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Opera in the Baroque period |
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Started from musical discussions of the Camerata in Florence, Italy. Composed for court ceremonies. First known opera: Euridice (Peri). First large-scale opera: Orfeo (Monteverdi). |
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Text of an opera or oratorio |
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Ground bass/basso ostinato |
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Lament. Repeated musical idea in bass. |
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Bach. Concerto grosso. String orchestra and group of soloists. Ritornello form. |
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Organ Fugue in G Minor (Little Fugue) |
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Bach. Fourth voice on pedals. |
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Monteverdi. Opera aria. Voice and basso continuo. |
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Dido's Lament, from Dido and Aeneas |
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Purcell. Opera aria. Ground bass..falling tears. |
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La Primavera (Spring), Concerto for Violin and String Orchestra, from The Four Seasons |
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Vivaldi. Solo concerto for violin. Polyphonic. Ritornello form. |
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Bach. Suite. Strings and trumpets. |
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Cantata No. 140: Wachet auf, ruft uns die Stimme (Awake, a Voice is Calling Us) |
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Bach. Church cantata. Chorale tune. |
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Ev'ry Valley Shall Be Exalted, from Messiah |
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Handel. Oratorio. Orchestra ritornello. Virtuoso singer. |
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Handel. Homophonic, polyphonic, and monophonic. |
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