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Artist: Charlie Parker Genre: Bebop Popular
-Parker & Gillespie trading bars -32 measure choruses: extended improv -1st chorus: saxophone -2nd chorus: drum solo -Rhythm section more free -Conclusion: restatement of head -No real tune, perceived as being too technical/esoteric |
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Artist: Ella Fitzgerald Genre: Big Band Popular
-Trumpets "Trading Bars" -Call % response between vocals and band -Vocals: Scat singing, stretching of words -Repeat of verses: improvisation and scatting -Trumpet solo: Dizzy Gillespie -Conclusion: return to opening |
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Artist: Carter Genre: Country Ballad? TRADITIONAL
-Clear, nasal vocals (typical of Anglo style) -Ballad -Strophic Choruses -Instrumental breaks -NO HOOK |
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Artist: Jimmie Rodgers Genre: Country
-Poetic form of blues (a a b) -Strophic Choruses -Punctuated by yodels -Anglo vocal style -Guitar accompaniment |
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Mule Skinner Blues (version 2) |
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Artist: Bill Monroe Genre: Country (Bluegrass)
-String band ensemble -Fast Tempo -Nasal Vocal Style -Collective Improvisation |
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Artist: Big Mama Thornton Genre: ?
-Vocals: deep and raspy -Electric guitar -Simple drum and hand-clapping -Relaxed tempo -Basic structure of 12 bar blues |
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Artist: Russ Columbo Genre: Ballad (in the crooning style) Popular
-Love song -Emphasis on vocal nuances -No improvisation, no scat singing, no embellishment of melody (contrast with jazz singer) |
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Arist: Billie Holliday Genre: Ballad (in the jazz singing style) Popular
-Contrast with Russ Columbo's version -Song as vehicle for voice and personal expression Rhythm varies -Blues inflection on melody -Jazz-singing (as opposed to crooning) |
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Nancy (with the laughing face) |
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Artist: Frank Sinatra Genre: Popular
-Illustrates fusion of crooning style and nuance of jazz -Accompanied by orchestra (violins, harp, flute) -Vocal phrasing and rhythm: indicative of jazz singer -Middle road between crooner and jazz singer |
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Artist: George Gershwin Genre: Popular?
-Gershwin: "indicative of all American music" -4 main sections: piano solos -Influence of all genres in melodies: jazz, blues, tin pan alley -Neither exclusively classical nor jazz -Demonstrated a middle ground between two traditions (classical music and pop music) |
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Can't Help Lovin' Dat Man |
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Artist: Kern and Hammerstein (Showboat) Genre: American Musical Popular
-Sung by Julie (advising Magnolia) -Lyrics in style of blues (reflection of race) -Bent and emphasized notes -Indicative of her racial identity |
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Artist: Fats Domino Genre: R&B Popular
-Rhythm and Blues instrumentation: vocal, piano, guitar, sax, bass, drums -12 bar blue verses -Refrain quotes title: HOOK -Instrumental break: sax solo -1st and 3rd verse repeat |
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Artist: Chuck Berry Genre: Rock and Roll Popular
-Shares many qualities with Maybellene: fast tempo, rapid fire lyrics, hook Differences: call and response between piano and guitar Instrumental break: more advanced |
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Choo-choo ch boogie (1946) |
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Artist: Louis Jordan Genre: Jump Music Popular
-Synthesis of regional styles -Verses set to blues progression -HOOK -Intended as dance music -Piano plays boogie woogie pattern -Lyrics: coded message -Two instrumental breaks: piano and sax, improv in the jazz tradition -8 beat pattern with stress on backbeat |
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Artist: Joe Turner Genre: Boogie Woogie
-Fast Tempo -Emphasis on piano Left hand: repetitive melodic patterns Right hand: off beat -8 beat pattern |
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Artist: Bill Haley and the Comets Genre: Rock and Roll Popular
-Combination of jump music and blues -Hook -Electric guitar, bass, sax, drums -Western swing beat -Fast tempo |
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Mule Skinner Blues (1) *** |
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Artist: Jimmie Rodgers Genre:
-Traditional cowboy song -Punctuated by yodel -Guitar accompaniment, strumming |
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Artist: Kern & Hammerstein SHOWBOAT Genre: American Musical
-Joe's signature song -Atypical of most African American roles: operatic, complex -Reflection of Jim Crow society |
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Artist: Muddy Waters Genre: Chicago Blues? Popular
-Stop time emphasizes lyrics - |
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Artist: Clifton Chenier Genre: Cajun/Blues/Rock and Roil Popular
-Cross-pollination of genres -Blues: 12 bar blues and blues poetic form -Rock and roll: electric guitar, drum set -Bilingual song |
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Artist: Don Azipiazu Genre Rumba/ Latin American Traditional
-Emphasis on percussion: maracas, claves, congas -Melody rhythm distinct from accompaniment -Vocals (Spanish): long phrases -Features the "clave rhythm": patterns of 8 beats with an emphasis on 1,4,7 and 3 and 5 |
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Artist: Tito Puente Genre: Salsa Traditional
-Features the timbales: single-headed drums -Introduction: bass and percussion -Instrumental refrains by the trumpet -2 Timbale Solos: 1)Syncopations and cross-rhythms 2) Clave Rhythm -Repetition of lyrics in vocal verses |
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Artist: Hank Williams Sr. Genre: Country Music- Honky Tonk Popular
-Nasal Vocal Style -Steel Guitar (originally a Hawaiian instrument) -Full rhythm section -Strophic form -Ballad -Instrumental breaks -Emphasis on hook |
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Artist: King Clifton Chenier Genre: Cajun-Zydeco Traditional
-Cross-pollination with blues and rock and roll -Quick dance beat -Rub board and drum set -Solo accordion |
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Artist: Joe Falcon and Cleoma Breaux Genre: Cajun Traditional
-Features the accordion on the melody -Guitar accompaniment and rhythm -Strophic form -Instrumental chorus after each verse -Vocals: thin and nasal |
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Artist: Chuck Berry Genre: Rock and Roll (with Country and Blues influence) Popular
-Structure based on 12 bar blues -One chord per verse (instead of traditional 3) -Instrumental break: showcases guitar sills -Rapid fire lyrics |
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Afro-American Symphony (Movement 3, Animato) |
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Artist: William Grant Still Genre: Orchestral movement with blues, spiritual influences Traditional
-Homage to African American genres: spiritual, Tin Pan Alley, blues, jazz -First melody: blues influence -Second melody: spiritual -Preserves traditional format and sound of a classical symphony |
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Artist: Kern and Hammerstein (Showboat) Genre: American musical Popular
-Sung by Gaylord Ravenal -Same melody in each verse, unchanging tune -Never completes song -Reflection of Ravenal's character |
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Artist: Kern and Hammerstein (Showboat) Genre: American Musical Popular
-Duet between Magnolia and Ravenal -Love song -Active narrative (atypical) -4 distinct melodies: changes in key and meter -Features a waltz melody as a reflection of love |
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Artist: Kern and Hammerstein (Showboat) Genre: American Musical Popular
-Sung by Julie at the end -Lyrics are colloquial |
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Artist: Elvis Presley Genre: Rock and Roll Popular
-Based on 12 bar blues -Verse/chorus structure -4 verses -Vocals: Blues and country inflections- hiccuping effect |
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Artist: Buddy Holly Genre: Rock and roll Popular
-Alternating verses and choruses -Instrumental break features Holly on the guitar -Hook |
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Artist: Fats Domino Genre: R&B Popular
-Rhythm and Blues instrumentation: vocal, piano, guitar, sax, bass, drums -Verses: 12 bar blues -Refrain quotes title (HOOK) -Instrumental break features a sax solo -1st and 3rd verse repeat |
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Artist: Charlie Parker Genre: Bebop Popular
-More "swing" feel -Introduction: piano -Piano comping -Head: saxophone and muted trumpet -conclusion: restatement of head |
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Artist: Little Richard Genre: Rock and roll Popular
-Based on Ain't that a shame -Evidence of 12 bar blues -Verse/chorus structure -Band: piano, guitar, sax, bass, drums -Sax solo -Hook: "Having some fun tonight" |
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-Usually a male in a lower register -Slow, romantic songs -Intended as breaks between dance (swing music) -Examples: Bing Crosby, Russ Columbo |
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