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| relationship of elements in a pattern or grid. |
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| determined by how elements are placed on a page. |
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| elements of the design are centered or evenly divided horizontal and vertically on a page. |
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| off-centered alignment created with an odd or mismatched number of elements. |
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| elements radiate or swirl out from a center point. |
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| the use of big and small elements, black and white text, squares and circles. |
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| placing elements near each other to demonstrate their relationship to each other. |
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| repeating some aspect of the design throughout the entire layout. |
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| negative or empty space between text and/or graphics. |
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| visually dividing the page into thirds vertically and/or horizontally and placing the most important elements within those thirds. |
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| the spot that the eye sees when it first encounters a page. It is slighty above and to the right of the mathematical center of the page. |
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| the visual path of the eye follows when looking at a printed page. |
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| used to organize information, simulate movement, lead the eyes and enhance a design. |
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| used to enhance a publication. |
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| used to define size, space, and create an impact. |
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| used to convoy a visual sense of feel. |
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| can be used to evoke emotion. |
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| cool colors(blue, green, and violet) |
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| warm colors(red, orange and yellow) |
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| beige, ivory, taupe, black, gray and white. |
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| a chart used to choose colors, can be used to pick colors that will look good together in desktop publishing publications. |
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| colors that look good together to create a more visually appealing publication. |
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| CREATING COLOR ON MONITORS |
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| colors are created by mixing varying degrees. |
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| COMPLIMENTARY COLORS ON PRINTER |
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| in the four-color printing process, color is created by layering cyan, magenta, yellow and black ink. |
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| the process of matching the colors produced on the computer screen to the colors that can be printed on paper using ink to ensure the printed publication looks as much like the on-screen publication as possible. |
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