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| the same frames of a famous Russian actor between a bowl of soup, a coffin, and playing girls. The audience thought he acted well for every circumstance |
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| Pioneered by Kuleshov, this editing style is characterized by the Same frames on either side of shots, doing inserts and the like |
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| What are the five modes of montage? |
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R.I.T.M.O: Rhythmic- Graphic matches. Shapes, size, color, and action is repeated from shot to shot. intellectual- Create a meaning. Kuleshov effect. tonal- an attempt to create emotion. Continuity doesn't matter. We're looking at emotion, not any realistic view of the world. metric-meters in time. Shots get shorter over the course of a sequence. As shots get faster at the end of a sequence, more concern is made in the audience. overtonal- a combination of any of the other forms. |
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| Detail three ways to create questions: |
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Come in as late as possible to the scene Reorder to reveal. Play your cards wisely. start the shot with the people or objects hidden from the viewer, so they're not sure quite what's going on. |
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| When in Rough Cut, look for |
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- Manifesting the internal
- Cut to what the caracter is thinking of
- Cut to what the character is searching for.
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- Screen Direction
- Maintain geographic reality (Most important convention in the past)
- Location - show the production design/location
- Action Axis can shift in different scenes for a dramatic purpose as well.
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| Effects of duration of the shot |
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- What needs to be included to make the narrative clear?
- what are the frames needed?
- clean entrance, clean exit
- What is the talent looking at?
- Starting to establish the pace of the project
- insert edits allow you to use the important moments of the shot sometimes -- allows you to cut out dead weight in the middle.
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Definition
master wide
two shot
Bust Shot A, Bust Shot B
Close up A, Close up B
OTS A, OTS B |
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