Term
Sylvia Plath Movement: Year: |
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Definition
Confessional movement (challenges romantic ideas) Late 1950s, early 60s |
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Stasis in darkness. Then the substanceless blue Pour of tor and distances.
God's lioness, How one we grow, Pivot of heels and knees! -- The furrow
Splits and passes, sister to The brown arc Of the neck I cannot catch,
Nigger-eye Berries cast dark Hooks ----
Black sweet blood mouthfuls, Shadows. Something else
Hauls me through air ---- Thighs, hair; Flakes from my heels.
White Godiva, I unpeel ---- Dead hands, dead stringencies.
And now I Foam to wheat, a glitter of seas. The child's cry
Melts in the wall. And I Am the arrow,
The dew that flies, Suicidal, at one with the drive Into the red
Eye, the cauldron of morning. |
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What a thrill ---- My thumb instead of an onion. The top quite gone Except for a sort of hinge
Of skin, A flap like a hat, Dead white. Then that red plush.
Little pilgrim, The Indian's axed your scalp. Your turkey wattle Carpet rolls
Straight from the heart. I step on it, Clutching my bottle Of pink fizz. A celebration, this is. Out of a gap A million soldiers run, Redcoats, every one.
Whose side are they one? O my Homunculus, I am ill. I have taken a pill to kill
The thin Papery feeling. Saboteur, Kamikaze man ----
The stain on your Gauze Ku Klux Klan Babushka Darkens and tarnishes and when The balled Pulp of your heart Confronts its small Mill of silence
How you jump ---- Trepanned veteran, Dirty girl, Thumb stump. |
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Love set you going like a fat gold watch. The midwife slapped your footsoles, and your bald cry Took its place among the elements.
Our voices echo, magnifying your arrival. New statue. In a drafty museum, your nakedness Shadows our safety. We stand round blankly as walls.
I'm no more your mother Than the cloud that distills a mirror to reflect its own slow Effacement at the wind's hand.
All night your moth-breath Flickers among the flat pink roses. I wake to listen: A far sea moves in my ear.
One cry, and I stumble from bed, cow-heavy and floral In my Victorian nightgown. Your mouth opens clean as a cat's. The window square
Whitens and swallows its dull stars. And now you try Your handful of notes; The clear vowels rise like balloons. |
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This is the easy time, there is nothing doing. I have whirled the midwife's extractor, I have my honey, Six jars of it, Six cat's eyes in the wine cellar,
Wintering in a dark without window At the heart of the house Next to the last tenant's rancid jam and the bottles of empty glitters ---- Sir So-and-so's gin.
This is the room I have never been in This is the room I could never breathe in. The black bunched in there like a bat, No light But the torch and its faint
Chinese yellow on appalling objects ---- Black asininity. Decay. Possession. It is they who own me. Neither cruel nor indifferent,
Only ignorant. This is the time of hanging on for the bees--the bees So slow I hardly know them, Filing like soldiers To the syrup tin
To make up for the honey I've taken. Tate and Lyle keeps them going, The refined snow. It is Tate and Lyle they live on, instead of flowers. They take it. The cold sets in.
Now they ball in a mass, Black Mind against all that white. The smile of the snow is white. It spreads itself out, a mile-long body of Meissen,
Into which, on warm days, They can only carry their dead. The bees are all women, Maids and the long royal lady. They have got rid of the men,
The blunt, clumsy stumblers, the boors. Winter is for women ---- The woman, still at her knitting, At the cradle of Spanis walnut, Her body a bulb in the cold and too dumb to think.
Will the hive survive, will the gladiolas Succeed in banking their fires To enter another year? What will they taste of, the Christmas roses? The bees are flying. They taste the spring. |
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Definition
Wintering -- (Bees poems) Sylvia Plath |
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You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo.
Daddy, I have had to kill you. You died before I had time-- Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal
And a head in the freakish Atlantic Where it pours bean green over blue In the waters off beautiful Nauset. I used to pray to recover you. Ach, du.
In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend
Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw.
It stuck in a barb wire snare. Ich, ich, ich, ich, I could hardly speak. I thought every German was you. And the language obscene
An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen. I began to talk like a Jew. I think I may well be a Jew.
The snows of the Tyrol, the clear beer of Vienna Are not very pure or true. With my gipsy ancestress and my weird luck And my Taroc pack and my Taroc pack I may be a bit of a Jew.
I have always been scared of you, With your Luftwaffe, your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer-man, panzer-man, O You--
Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you.
You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not Any less the black man who
Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do.
But they pulled me out of the sack, And they stuck me together with glue. And then I knew what to do. I made a model of you, A man in black with a Meinkampf look
And a love of the rack and the screw. And I said I do, I do. So daddy, I'm finally through. The black telephone's off at the root, The voices just can't worm through.
If I've killed one man, I've killed two-- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now.
There's a stake in your fat black heart And the villagers never liked you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I'm through. |
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I have done it again. One year in every ten I manage it--
A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot
A paperweight, My face a featureless, fine Jew linen.
Peel off the napkin O my enemy. Do I terrify?--
The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day.
Soon, soon the flesh The grave cave ate will be At home on me
And I a smiling woman. I am only thirty. And like the cat I have nine times to die.
This is Number Three. What a trash To annihilate each decade.
What a million filaments. The peanut-crunching crowd Shoves in to see
Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies
These are my hands My knees. I may be skin and bone,
Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident.
The second time I meant To last it out and not come back at all. I rocked shut
As a seashell. They had to call and call And pick the worms off me like sticky pearls.
Dying Is an art, like everything else. I do it exceptionally well.
I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call.
It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical
Comeback in broad day To the same place, the same face, the same brute Amused shout:
'A miracle!' That knocks me out. There is a charge
For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes.
And there is a charge, a very large charge For a word or a touch Or a bit of blood
Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy.
I am your opus, I am your valuable, The pure gold baby
That melts to a shriek. I turn and burn. Do not think I underestimate your great concern.
Ash, ash-- You poke and stir. Flesh, bone, there is nothing there--
A cake of soap, A wedding ring, A gold filling.
Herr God, Herr Lucifer Beware Beware.
Out of the ash I rise with my red hair And I eat men like air. |
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Lady Lazarus Sylvia Plath |
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I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating across the tops of cities contemplating jazz, who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated, who passed through universities with radiant cool eyes hallucinating Arkan- sas and Blake-light tragedy among the scholars of war, who were expelled from the academies for crazy & publishing obscene odes on the windows of the skull, who cowered in unshaven rooms in underwear, burning their money in wastebaskets and listening to the Terror through the wall, who got busted in their pubic beards returning through Laredo with a belt of marijuana for New York, who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or purgatoried their torsos night after night with dreams, with drugs, with waking nightmares, alcohol and cock and endless balls, incomparable blind streets of shuddering cloud and lightning in the mind leaping toward poles of Canada & Paterson, illuminating all the mo- tionless world of Time between, Peyote solidities of halls, backyard green tree cemetery dawns, wine drunk- enness over the rooftops, storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree vibrations in the roaring winter dusks of Brooklyn, ashcan rantings and kind king light of mind, who chained themselves to subways for the endless ride from Battery to holy Bronx on benzedrine until the noise of wheels and children brought them down shuddering mouth-wracked and battered bleak of brain all drained of brilliance in the drear light of Zoo, who sank all night in submarine light of Bickford's floated out and sat through the stale beer afternoon in desolate Fugazzi's, listening to the crack of doom on the hydrogen jukebox, who talked continuously seventy hours from park to pad to bar to Bellevue to museum to the Brooklyn Bridge, a lost battalion of platonic conversationalists jumping down the stoops off fire escapes off windowsills of Empire State out of the moon, yacketayakking screaming vomiting whispering facts and memories and anecdotes and eyeball kicks and shocks of hospitals and jails and wars, whole intellects disgorged in total recall for seven days and nights with brilliant eyes, meat for the Synagogue cast on the pavement, who vanished into nowhere Zen New Jersey leaving a trail of ambiguous picture postcards of Atlantic City Hall, suffering Eastern sweats and Tangerian bone-grindings and migraines of China under junk-withdrawal in Newark's bleak furnished room, who wandered around and around at midnight in the railroad yard wonder- ing where to go, and went, leaving no broken hearts, who lit cigarettes in boxcars boxcars boxcars racketing through snow toward lonesome farms in grandfather night, who studied Plotinus Poe St. John of the Cross telepathy and bop kabbalah because the cosmos instinctively vibrated at their feet in Kansas, who loned it through the streets of Idaho seeking visionary indian angels who were visionary indian angels, who thought they were only mad when Baltimore gleamed in supernatural ecstasy, who jumped in limousines with the Chinaman of Oklahoma on the impulse of winter midnight streetlight smalltown rain, who lounged hungry and lonesome through Houston seeking jazz or sex or soup, and followed the brilliant Spaniard to converse about America and Eternity, a hopeless task, and so took ship to Africa, who disappeared into the volcanoes of Mexico leaving behind nothing but the shadow of dungarees and the lava and ash of poetry scattered in fireplace Chicago, who reappeared on the West Coast investigating the FBI in beards and shorts with big pacifist eyes sexy in their dark skin passing out incompre- hensible leaflets, who burned cigarette holes in their arms protesting the narcotic tobacco haze of Capitalism, who distributed Supercommunist pamphlets in Union Square weeping and undressing while the sirens of Los Alamos wailed them down, and wailed down Wall, and the Staten Island ferry also wailed, who broke down crying in white gymnasiums naked and trembling before the machinery of other skeletons, who bit detectives in the neck and shrieked with delight in policecars for committing no crime but their own wild cooking pederasty and intoxication, who howled on their knees in the subway and were dragged off the roof waving genitals and manuscripts, who let themselves be fucked in the ass by saintly motorcyclists, and screamed with joy, who blew and were blown by those human seraphim, the sailors, caresses of Atlantic and Caribbean love, who balled in the morning in the evenings in rosegardens and the grass of public parks and cemeteries scattering their semen freely to whom- ever come who may, who hiccuped endlessly trying to giggle but wound up with a sob behind a partition in a Turkish Bath when the blond & naked angel came to pierce them with a sword, who lost their loveboys to the three old shrews of fate the one eyed shrew of the heterosexual dollar the one eyed shrew that winks out of the womb and the one eyed shrew that does nothing but sit on her ass and snip the intellectual golden threads of the craftsman's loom. who copulated ecstatic and insatiate with a bottle of beer a sweetheart a package of cigarettes a candle and fell off the bed, and continued along the floor and down the hall and ended fainting on the wall with a vision of ultimate cunt and come eluding the last gyzym of con- sciousness, who sweetened the snatches of a million girls trembling in the sunset, and were red eyed in the morning but prepared to sweeten the snatch of the sunrise, flashing buttocks under barns and naked in the lake, who went out whoring through Colorado in myriad stolen night-cars, N.C., secret hero of these poems, cocksman and Adonis of Denver--joy to the memory of his innumerable lays of girls in empty lots & diner backyards, moviehouses' rickety rows, on mountaintops in caves or with gaunt waitresses in familiar roadside lonely petticoat upliftings & especially secret gas-station solipsisms of johns, & hometown alleys too, who faded out in vast sordid movies, were shifted in dreams, woke on a sudden Manhattan, and picked themselves up out of basements hung- over with heartless Tokay and horrors of Third Avenue iron dreams & stumbled to unemployment offices, who walked all night with their shoes full of blood on the snowbank docks waiting for a door in the East River to open to a room full of steam- heat and opium, who created great suicidal dramas on the apartment cliff-banks of the Hud- son under the wartime blue floodlight of the moon & their heads shall be crowned with laurel in oblivion, who ate the lamb stew of the imagination or digested the crab at the muddy bottom of the rivers of Bowery, who wept at the romance of the streets with their pushcarts full of onions and bad music, who sat in boxes breathing in the darkness under the bridge, and rose up to build harpsichords in their lofts,
who coughed on the sixth floor of Harlem crowned with flame under the tubercular sky surrounded by orange crates of theology, who scribbled all night rocking and rolling over lofty incantations which in the yellow morning were stanzas of gibberish, who cooked rotten animals lung heart feet tail borsht & tortillas dreaming of the pure vegetable kingdom, who plunged themselves under meat trucks looking for an egg, who threw their watches off the roof to cast their ballot for Eternity outside of Time, & alarm clocks fell on their heads every day for the next decade, who cut their wrists three times successively unsuccessfully, gave up and were forced to open antique stores where they thought they were growing old and cried, who were burned alive in their innocent flannel suits on Madison Avenue amid blasts of leaden verse & the tanked-up clatter of the iron regi- ments of fashion & the nitroglycerine shrieks of the fairies of advertis- ing & the mustard gas of sinister intelligent editors, or were run down by the drunken taxicabs of Absolute Reality, who jumped off the Brooklyn Bridge this actually happened and walked away unknown and forgotten into the ghostly daze of Chinatown soup alleyways & firetrucks, not even one free beer, who sang out of their windows in despair, fell out of the subway window, jumped in the filthy Passaic, leaped on negroes, cried all over the street, danced on broken wineglasses barefoot smashed phonograph records of nostalgic European 1930s German jazz finished the whis- key and threw up groaning into the bloody toilet, moans in their ears and the blast of colossal steamwhistles, who barreled down the highways of the past journeying to the each other's hotrod-Golgotha jail-solitude watch or Birmingham jazz incarnation, who drove crosscountry seventytwo hours to find out if I had a vision or you had a vision or he had a vision to find out Eternity, who journeyed to Denver, who died in Denver, who came back to Denver & waited in vain, who watched over Denver & brooded & loned in Denver and finally went away to find out the Time, & now Denver is lonesome for her heroes, who fell on their knees in hopeless cathedrals praying for each other's salva- tion and light and breasts, until the soul illuminated its hair for a second, who crashed through their minds in jail waiting for impossible criminals with golden heads and the charm of reality in their hearts who sang sweet blues to Alcatraz, who retired to Mexico to cultivate a habit, or Rocky Mount to tender Buddha or Tangiers to boys or Southern Pacific to the black locomotive or Harvard to Narcissus to Woodlawn to the daisychain or grave, who demanded sanity trials accusing the radio of hypnotism & were left with their insanity & their hands & a hung jury, who threw potato salad at CCNY lecturers on Dadaism and subsequently presented themselves on the granite steps of the madhouse with shaven heads and harlequin speech of suicide, demanding instanta- neous lobotomy, and who were given instead the concrete void of insulin Metrazol electricity hydrotherapy psychotherapy occupational therapy pingpong & am- nesia, who in humorless protest overturned only one symbolic pingpong table, resting briefly in catatonia, returning years later truly bald except for a wig of blood, and tears and fingers, to the visible madman doom of the wards of the madtowns of the East, Pilgrim State's Rockland's and Greystone's foetid halls, bickering with the echoes of the soul, rocking and rolling in the midnight solitude-bench dolmen-realms of love, dream of life a nightmare, bodies turned to stone as heavy as the moon, with mother finally ******, and the last fantastic book flung out of the tenement window, and the last door closed at 4 a.m. and the last telephone slammed at the wall in reply and the last furnished room emptied down to the last piece of mental furniture, a yellow paper rose twisted on a wire hanger in the closet, and even that imaginary, nothing but a hopeful little bit of hallucination-- ah, Carl, while you are not safe I am not safe, and now you're really in the total animal soup of time-- and who therefore ran through the icy streets obsessed with a sudden flash of the alchemy of the use of the ellipse the catalog the meter & the vibrating plane, who dreamt and made incarnate gaps in Time & Space through images juxtaposed, and trapped the archangel of the soul between 2 visual images and joined the elemental verbs and set the noun and dash of consciousness together jumping with sensation of Pater Omnipotens Aeterna Deus to recreate the syntax and measure of poor human prose and stand before you speechless and intelligent and shaking with shame, rejected yet confessing out the soul to conform to the rhythm of thought in his naked and endless head, the madman bum and angel beat in Time, unknown, yet putting down here what might be left to say in time come after death, and rose reincarnate in the ghostly clothes of jazz in the goldhorn shadow of the band and blew the suffering of America's naked mind for love into an eli eli lamma lamma sabacthani saxophone cry that shivered the cities down to the last radio with the absolute heart of the poem of life butchered out of their own bodies good to eat a thousand years.
II
What sphinx of cement and aluminum bashed open their skulls and ate up their brains and imagination? Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Chil- dren screaming under the stairways! Boys sobbing in armies! Old men weeping in the parks! Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Mo- loch! Moloch the heavy judger of men! Moloch the incomprehensible prison! Moloch the crossbone soulless jail- house and Congress of sorrows! Moloch whose buildings are judg- ment! Moloch the vast stone of war! Moloch the stunned govern- ments! Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a smoking tomb! Moloch whose eyes are a thousand blind windows! Moloch whose skyscrap- ers stand in the long streets like endless Jehovahs! Moloch whose factories dream and croak in the fog! Moloch whose smokestacks and antennae crown the cities! Moloch whose love is endless oil and stone! Moloch whose soul is electricity and banks! Moloch whose poverty is the specter of genius! Moloch whose fate is a cloud of sexless hydrogen! Moloch whose name is the Mind! Moloch in whom I sit lonely! Moloch in whom I dream Angels! Crazy in Moloch! Cocksucker in Moloch! Lacklove and manless in Moloch! Moloch who entered my soul early! Moloch in whom I am a consciousness without a body! Moloch who frightened me out of my natural ec- stasy! Moloch whom I abandon! Wake up in Moloch! Light stream- ing out of the sky! Moloch! Moloch! Robot apartments! invisible suburbs! skeleton treasuries! blind capitals! demonic industries! spectral nations! invincible mad houses granite cocks! monstrous bombs! They broke their backs lifting Moloch to Heaven! Pavements, trees, radios, tons! lifting the city to Heaven which exists and is everywhere about us! Visions! omens! hallucinations! miracles! ecstasies! gone down the American river! Dreams! adorations! illuminations! religions! the whole boatload of sensitive bullshit! Breakthroughs! over the river! flips and crucifixions! gone down the flood! Highs! Epiphanies! Despairs! Ten years' animal screams and suicides! Minds! New loves! Mad generation! down on the rocks of Time! Real holy laughter in the river! They saw it all! the wild eyes! the holy yells! They bade farewell! They jumped off the roofl to solitude! waving! carrying flowers! Down to the river! into the street! |
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Allen Ginsberg Movement: Year: |
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Definition
Movement: The beats Year:50s-70s |
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