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*George Bellows, Cliff Dwellers, 1913, o/c, 39 x 41”, LACMA
-urban realism -individuals come out very dark sediments -just coming out of dwellings for some fresh air -hard to imagine time w/ no heating/air conditioning -a feeling of being trapped in condition or lifestyle -very little light and air even when you walked onto stoop –buildings shadowing |
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*Jacob Riis (1849-1914), “Five Cents a Spot” Lodging House, Bayard Street, c. 1889, gelatinsilver print
-make ppl aware of very sorrowful conditions of immigrants when they arrived in the land of plenty -artist got lucky, got job when ppl were very unemployed -job –to document -ppl crammed into space -equally bad as steerage on boat -obviously an exploitation of individuals |
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*Hine, Child in a Carolina Cotton Mill, 1908, gelatin-silver print on masonite, 10.5 x 13.5”, MOMA
-capturing girl to show how overwhelming the loom is -spontaneous photo -safety record bad -wages bad -but we ‘need the workers’ in this economy |
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*Alfred Stieglitz (1864-1946), The Steerage, 1907, gelatin-silver print, 4 x 3”, Art Institute of Chicago
Big comparison -not trying to evoke and understanding of lives of immigrants -claustrophobic life in 3rd class steerage -catches this view of massive humanity on bottom and top -ladder on right -bridge on left -remembers suspenders -composition/formal elements -not thinking of ppl going back to Europe -his whole emphasis was not to create an emotionally inspired work -solely based on composition and formal elements |
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*Max Weber (1881-1961), Chinese Restaurant, 1915, o/c, 40 × 48”, Whitney Museum of American Art
-diff. effects of collage effect -nothing other than oil on this composition -seeks out dynamism, the energy of most ethnic cuisine -textures and patterns -group of individuals broken down in center -fragmented imaged of people walking into energy/ realm of everyone bustling about |
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*O’Keeffe, Radiator Building – Night, New York, 1927, o/c, 48 x 30”, Fisk Univ.
-she seems to be reducing building -white and grey against skyscraper, building dissolving into sky -smoke -search lights another diagonal –direct attention to radiator building -in orange glow light – is husbands name -defying imposition to her work -taking night sky scrappers –imposing will on |
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*Demuth, The Figure 5 in Gold, oil on composition board, 1928, 36 x 29”, Metropolitan
-someone seeing a fire image –racing down the street, in blur and chaos -number 5 stands out in the mist of everything -less distinct it becomes in recession -trapezoid =fire engine -see street lamps -w/ all this energy –reference to Cubism |
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*Grant Wood (1892-1967), American Gothic, 1930, oil on board, 30 x 25”, Art Institute of Chicago
-Gothic comes from pointed window on upper story -girl =daughter -man = local dentist -very serious, solemn -time of hardship -ppl living through dust bowl, drought, economic hardship -seem to be stoic –in control of emotions -may have been more comforting -not making fun of these ppl at all -being very respectful of them -painting caught on |
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*Edward Hopper (1882-1967), Early Sunday Morning, 1930, o/c, 35 3/16 × 60 1/1/4”, Whitney Museum of American Art
-America might not find enthusiasm in this -luminous, classic -human figure eliminated -lonely –no life on street, although sunny -contemplation, despair -“could be downtown Lawrence” -doesn’t look like largest city -intense light =intense shadows |
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