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the patterns of worship service |
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service, all sung -matins, lauds, vespers, complive -prime, sext, terce, none |
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-proper -ordinary within ordinary kyrie-mercy gloria- glory credo- believe in one god sanctus- holy agnus dei- lamb of God |
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plain chant or plainsong named after pope Gregory who gave the gift of song. |
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performance styles of chant |
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direct- all together now responsorial- lead vocalist and choral response antiphonal- two seperate alternation choral groups |
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Plainsong. liited range of pitches repetitively |
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medieval polyphony most often based on a canuts firmus imitative polyphony |
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preexistent melody used as the basis of a new polyphonic composition. fixed song |
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the most important service derives from commemoration of the Last Supper divided into spoken and sung parts and the Proper and Ordinary. Sung Proper- Introit, Gradual, Alleluia, Offertory, Communion Sung Ordinary- Kyrie, gloria, credo, sanctus, Agnus Dei, Ite missa est Proper changes, Ordinary doesn't |
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Tenor has the cantus firmus that is the foundation for the composition. polyphonic setting of a sacred Latin text. |
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Song. Music and poetry cultivated by all classes of society the troubadour |
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Italian poetic and musical form usually pastoral in theme aba bcb dd, abb cdd ee are typical rhyme schemes |
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Perotin student of Leonin They wrote Polyphonic stuff at Notre Dame |
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The Early Polyphonic Mass |
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-mass ordinary -Latin v Vernacular -Early masses based on Gregorian Chant -Later Masses incorporated secular tunes |
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Wrote Secular Polyphonic masses |
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Secular Music in the Middle Ages |
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Guillaume de Machaut used the Chanson started during the Ars Nova period, or New Art period forms? ballade aabc virelai AbbaA Rondeau ABaAabAB |
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