Term
|
Definition
|
|
Term
|
Definition
| rhythms grouped in threes |
|
|
Term
|
Definition
| a quiet dynamic; an instrument |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| includes an exposition, a development and a recapitulation |
|
|
Term
|
Definition
|
|
Term
|
Definition
| takes the musical themes and builds on them |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| each stanza of song gets the same music |
|
|
Term
|
Definition
quick, dance-like movement in triple meter
Hint: "scare" - fast, quick,
|
|
|
Term
|
Definition
|
|
Term
|
Definition
| sing and talk, style of opera in which some text is spoken rather than entirely sung |
|
|
Term
|
Definition
| idea which is repeated at a higher or lower pitch level |
|
|
Term
|
Definition
streching the tempo: slowing it down and speeding it up for expressive purposes
Hint: It's rude to strech someone out. |
|
|
Term
|
Definition
| music that is inspired by a story or idea unrelated to music |
|
|
Term
|
Definition
| one-movement form found in music that tells a story |
|
|
Term
|
Definition
| secondary theme that serves to accompany the first |
|
|
Term
|
Definition
musical form that follows the ideas of the composer and does not have a formal structure.
Hint: Thoughts of composer |
|
|
Term
|
Definition
| sliding between one note to the next |
|
|
Term
|
Definition
|
|
Term
|
Definition
1770-1827
Hint: L looks like a 7 and B looks like an 8 |
|
|
Term
|
Definition
|
|
Term
| Camile Saint-Saens (Dates) |
|
Definition
|
|
Term
| John Philip Sousa (Dates) |
|
Definition
1854-1932
*Think of civil war* |
|
|
Term
|
Definition
|
|
Term
|
Definition
1898-1937
*Think of the 20s* |
|
|
Term
|
Definition
|
|
Term
|
Definition
Form: through-composed
Composer: Franz Schubert |
|
|
Term
|
Definition
Form: Tone poem and through-composed
Composer: Camille Saint-Saens |
|
|
Term
|
Definition
Form: compound binary form
Composer: John Philip Souza
|
|
|
Term
|
Definition
Form: Tone poem and sonata-allegro form
Composer: Paul Dukas |
|
|
Term
|
Definition
Forms: jazz piano concerto and orchestra extional form
Composer: George Gershwin |
|
|
Term
| Theme and Variations on Simple Gifts/Appalachian Sprin |
|
Definition
Forms: Orchestral compostitio
Composer: Aaron Copland |
|
|
Term
|
Definition
| showy solo passage, sometimes improvised, introduced near the end of an aria or a movement of a concerto |
|
|
Term
|
Definition
| a shifting of the normal accent, usually by stressing the normally unaccented beats |
|
|
Term
|
Definition
| a melodic phrase, often constantly repeated, forming an accompaniment or part of an accompaniment for a soloist. |
|
|
Term
|
Definition
| same melody, entire way through |
|
|
Term
|
Definition
|
|
