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Literary work in which characters, events, objects, and ideas have secondary or symbolic meanings. One of the most popular allegories of the 20th Century was George Orwell's Animal Farm, about farm animals vying for power. |
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Repetition of consonant sounds. Examples: (1) But now I am cabined, cribbed, confined, bound into saucy doubts and fears.–Shakespeare. (2) Duncan is in his grave; after life's fitful fever he sleeps well–Shakespeare. (3) When I was one-and- twenty–A.E. Housman. (Note that "one" has a "w" sound. (4) I sent thee late a rosy wreath–Ben Jonson. (Note that "wr" has an "r" sound.) |
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Reference to a historical event or to a mythical or literary figure. Examples: (1) Sir Lancelot fought with Herculean strength. (Reference to the mythological hero Hercules). (2) "I have met my Waterloo," the mountain climber said after returning from a failed attempt to conquer Everest. (Reference to the Belgian town where Napoleon lost a make-or-break battle). |
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Something that is misplaced in a story because it is out of time. In Julius Caesar, a clock strikes though there were no clocks in Caesar’s day. In the movie Ben-Hur, Charlton Heston anachronistically wears a wristwatch during the chariot race. |
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the relationship of similarity between two or more entities or a partial similarity on which a comparison is based. An example is the classic analogy between the heart and a pump. In argumentation and persuasion, analogy is often used as a form of reasoning in which one thing is compared to or contrasted with another in certain respects, based on the known similarity or dissimilarity in other respects. |
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Repetition of a word, phrase, or clause at the beginning of word groups occurring one after the other. Examples: (1) Give me wine, give me women and give me song. (2) For everything there is a season . . . a time to be born, and a time to die; a time to plant, and a time to pluck up what is planted. |
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A little story, often amusing, inserted in an essay or a speech to help reinforce the thesis. |
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Character in a story or poem who opposes the main character (protagonist). Sometimes the antagonist is an animal, an idea, or a thing. Examples of such antagonists might include illness, oppression, or the serpent in the biblical story of Adam and Eve. |
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the word, phrase, or clause referred to by a pronoun |
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Placement of contrasting or opposing words, phrases, clauses, or sentences side by side. Following are examples:
I am tall; you are short. The world will little note nor long remember what we say here, but it can never forget what they did here.
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Short, often witty statement presenting an observation or a universal truth; an adage. Examples: (1) Fish and visitors smell in three days–Benjamin Franklin. (2) Many hands make light work.–John Heywood. |
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Addressing an abstraction or thing, present or absent, or addressing an absent person or entity. Examples: (1) Frailty, thy name is woman.–William Shakespeare. (2) Hail, Holy Light, offspring of heaven firstborn!–John Milton. (3) God in heaven, please help me. |
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a noun or noun substitute placed next to (in apposition to) another noun to be described or defined by the appositive. The appositive can be placed before or after the noun:
- Henry Jameson, the boss of the operation, always wore a red baseball cap.
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The repetition of internal vowel sounds in nearby words that do not end the same, for example, "asleep under a tree," or "each evening." Similar endings result in rhyme, as in "asleep in the deep." |
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lack of conjunctions between coordinate phrases, clauses, or words.
We shall pay any price, bear any burden, meet any hardships, support any friend, oppose any foe to assure the survival and the success of liberty. |
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A bildungsroman is a novel that traces the development of a character from childhood to adulthood, through a quest for identity that leads him or her to maturity. |
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Language that is discordant and difficult to pronounce, such as this line from John Updike’s "Player Piano": "never my numb plunker fumbles."
She sells sea shells down by the sea shore. |
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A rhetorical figure in which elements are presented in the order ABBA. It's named for the Greek letter chi (which looks like an "X"). The "X" suggests the crossing that characterizes the figure. Some examples:
This man I thought had been a Lord among wits; but, I find, he is only a wit among Lords. |
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words and phrases used in everyday speech but avoided in formal writing; e.g. Jack was bummed out about his chemistry grade instead of Jack was upset about his chemistry grade. |
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An elaborate, usually intellectually ingenious poetic comparison or image, such as an analogy or metaphor in which, say a beloved is compared to a ship, planet, etc. |
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A common type of near rhyme that consists of identical consonant sounds preceded by different vowel sounds: home, same; worth, breath. |
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A declarative sentence states an idea. It does not give a command or request, nor does it ask a question. A declarative sentence usually ends in a period, though it may end in an exclamation point. |
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The selection of words in a literary work. |
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A direct address is the name of the person (normally) who is being directly spoken to.
i.e. What do you think of this, Georgia? |
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Dramatic irony is a relationship of contrast between a character's limited understanding of his or her situation in some particular moment of the unfolding action and what the audience, at the same instant, understands the character's situation actually to be. |
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Figure of emphasis in which the same word or words both begin(s) and end(s) a phrase, clause, or sentence; beginning and ending a phrase or clause with the same word or words.
Example: "Nothing is worse than doing nothing." |
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Ending a series of lines, phrases, clauses, or sentences with the same word or words.
What lies behind us and what lies before us are tiny compared to what lies within us."
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an adjective which expresses a quality or attribute considered characteristic of a person or thing. It is also an appellation or descriptive term which is common in historical titles such as “Catherine the Great.” |
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Substitution of an inoffensive term (such as "passed away") for one considered offensively explicit ("died").
poor = economically disadvantaged |
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Attempting to group words together harmoniously, so that the consonants permit an easy and pleasing flow of sound when spoken, as opposed to cacophony, when the poet intentionally mixes jarring or harsh sounds together in groups that make the phrasing either difficult to speak aloud or grating to the ear.
And lucent syrops, tinct with cinnamon; Manna and dates, in argosy transferred From Fez; and spiced dainties, every one From silken Samarcand to cedar'd Lebanon. |
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An exclamatory sentence expresses strong emotion. It ends with an exclamation mark. (! One of these things) |
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A narrated scene that marks a break in the narrative in order to inform the reader or audience member about events that took place before the opening scene of a work. |
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character in a work whose behavior and values contrast with those of another character in order to highlight the distinctive temperament of that character (usually the protagonist). In Shakespeare’s Hamlet, Laertes acts as a foil to Hamlet, because his willingness to act underscores Hamlet’s inability to do so. |
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The introduction early in a story of verbal and dramatic hints that suggest what is to come later. |
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A boldly exaggerated statement that adds emphasis without in-tending to be literally true, as in the statement "He ate everything in the house." |
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the language, dialect, or style of speaking peculiar to a people or the constructions or expressions of one language whose structure is not matched in another language.
Some examples in English are “no wonder,” “better late than never,” “to lead by the nose,” and “spick and span.” |
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the forming of mental images, figures, or likenesses of things. It is also the use of language to represent actions, persons, objects, and ideas descriptively. This means encompassing the senses also, rather than just forming a mental picture. |
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Imperative sentences in the English language are the sentences that make a command or request;
Get me some water. Leave that cat alone. Go to the store for me. Bring me some ice. |
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Interrogative sentences in the English language are the sentences that form a question;
What do you think I should wear the pink shoes or the white sneakers? What did the teacher say to you yesterday? Did you go to the movies yesterday? |
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Inversion is a reversal of a normal word order, with words or phrases being juxtaposed.
Blessed are the meek. (vs. The meek are blessed.)
Good, it is. Strong in the force, you are. (Star Wars' Yoda speaks in anastrophe!) |
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Juxtaposition refers to the alignment of two terms.
An oxymoron is a the most common type of juxtaposition.
An oxymoron is putting two contradictory words together.
an example of an oxymoron is -: Judges are supposed to maintain an unbiased opinion.
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Deliberate understatement, especially when expressing a thought by denying its opposite. |
It isn't very serious. I have this tiny little tumor on the brain.
Running a marathon in under two hours is no small accomplishment. |
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A sentence structure in which a main clause is followed by subordinate phrases and clauses. Contrast with periodic sentence.
I found a large hall, obviously a former garage, dimly lit, and packed with cots.
I knew I had found a friend in the woman, who herself was a lonely soul, never having known the love of man or child.
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a figure of speech in which a word or phrase is applied to a person, idea, or object to which it is not literally applicable.
And take my tears, which are love’s wine. |
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Reference to something or someone by naming one of its attributes.
The pen is mightier than the sword The pen is an attribute of thoughts that are written with a pen; the sword is an attribute of military action |
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The atmosphere or emotional condition created by the piece, within the setting. Mood refers to the general sense or feeling which the reader is supposed to get from the text; it does not, as a literary element, refer to the author’s or characters’ state of mind.
The mood of Macbeth is dark, murky and mysterious, creating a sense of fear and uncertainty. |
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A recurring important idea or image. A motif differs from a theme in that it can be expressed as a single word or fragmentary phrase, while a theme usually must be expressed as a complete sentence.
Blood is an important motif in A Tale of Two Cities, appearing numerous times throughout the novel.
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a collection of events that tells a story, which may be true or not, placed in a particular order and recounted through either telling or writing. One example is Edgar Allen Poe's "The Tell-Tale Heart." |
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Where sounds are spelled out as words; or, when words describing sounds actually sound like the sounds they describe.
Remarque uses onomatopoeia to suggest the dying soldier’s agony, his last gasp described as a “gurgling rattle.” |
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A contradiction in terms.
"cold fire,” “feather of lead” and “sick health,” |
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Where a situation is created which cannot possibly exist, because different elements of it cancel each other out.
A Tale of Two Cities opens with the famous paradox, “It was the best of times, it was the worst of times.”
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Use of similar or identical language, structures, events or ideas in different parts of a text.
Hobbs’ final strikeout parallels the Whammer’s striking out against him at the beginning of the novel.
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a final form of hyperbaton, consists of a word, phrase, or whole sentence inserted as an aside in the middle of another sentence:
- But the new calculations--and here we see the value of relying upon up-to-date information--showed that man-powered flight was possible with this design.
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A long and frequently involved sentence, marked by suspended syntax, in which the sense is not completed until the final word--usually with an emphatic climax. Contrast with loose sentence.
"And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not charity, I am nothing." |
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Where inanimate objects or abstract concepts are seemingly endowed with human self-awareness; where human thoughts, actions, perceptions and emotions are directly attributed to inanimate objects or abstract ideas.
The car jumped.
The alarm yelled at me. |
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the use of a conjunction between each word, phrase, or clause
"Who killed him?" and he said, "I don't know who killed him but he's dead all right," and it was dark and there was water standing in the street and no lights and windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was all right only she was full of water. |
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The main character of a narrative; its central character who engages the reader’s interest and empathy.
John Proctor in the Crucible |
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a play on words or the humorous use of a word emphasizing a different meaning or application.
“Ask for me tomorrow and you shall find me a grave man.” |
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the simple repetition of a word, within a sentence or a poetical line, with no particular placement of the words, this is to make emphasis
Today, as never before, the fates of men are so intimately linked to one another that a disaster for one is a disaster for everybody. |
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one asked solely to produce an effect or to make a statement, but not expected to receive an answer.
Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? . . . If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? And if you wrong us, shall we not revenge? |
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the use of humor and wit with a critical attitude, irony, sarcasm, or ridicule for exposing or denouncing the frailties and faults of mankind’s activities and institutions, such as folly, stupidity, or vice.
In the Twentieth Century, satire includes George Orwell’s Animal Farm and 1984 which satirized political situations and the status quo, Aldous Huxley’s Brave New World which satirized utopian dreams. |
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I couldn't find any other definition other than the one for rhyme scheme, which is this:
The pattern of rhymed words in a stanza or generalized throughout a poem, expressed in alphabetic terms. |
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An indirect relationship where one thing or idea is described as being similar to another. Similes usually contain the words “like” or “as,” but not always.
“The moon appeared crimson, like a drop of blood hanging in the sky.” |
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an outcome that turns out to be very different from what was expected, the difference between what is expected to happen and what actually does |
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In literary criticism, stream of consciousness is a narrative mode that seeks to portray an individual's point of view by giving the written equivalent of the character's thought processes, either in a loose interior monologue, or in connection to his or her actions. |
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The use of specific objects or images to represent abstract ideas. |
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The term is applied in literature to the description of one kind of sensation in terms of another. In The Lion, the Witch and the Wardrobe, Peter's voice upon entering the Beavers' hiding place is described as being "tired and pale in the darkness" (99). "Pale" is a sight adjective used to describe a sound, "Peter's voice." |
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a part is used to signify the whole, as when a ship's captain calls out, "All hands on deck!" (in which "hand" signifies the whole person of each sailor.) |
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The ordering of words into meaningful verbal patterns such as phrases, clauses, and sentences |
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repetition of an idea in a different word, phrase, or sentence.
With malice toward none, with charity for all. |
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common thread or repeated idea that is incorporated throughout a literary work. A theme is a thought or idea the author presents to the reader that may be deep, difficult to understand, or even moralistic. |
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The apparent emotional state, or “attitude,” of the speaker/narrator/narrative voice, as conveyed through the language of the piece. Tone refers only to the narrative voice; not to the author or characters. |
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The single characteristic (usually negative) or personality disorder which causes the downfall of the protagonist.
Othello’s tragic flaw is his jealousy, which consumes him so thoroughly that he is driven to murder his wife rather than accept, let alone confirm, her infidelity. |
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Trope has two meanings: (1) a rhetorical device or figure of speech involving shifts in the meaning of words--click on the tropes link for examples, (2) a short dialogue inserted into the church mass during the early Middle Ages as a sort of mini-drama. |
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Verbal irony is a figure of speech. The speaker intends to be understood as meaning something that contrasts with the literal or usual meaning of what he says. The different sorts of discrepancy between the meaning of what is said and what is in fact on the particular occasion meant with it give rise to different kinds of verbal irony:
Example: Mother comes into the TV room and discovers her 11-year-old watching South Park instead of doing his homework, as he was set to a dozen minutes ago. Pointing to the screen she says, "Don't let me tempt you from your duties, kiddo, but when you're finished with your serious studies there, maybe we could take some time out for recreation and do a little math." |
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two different words linked to a verb or an adjective which is strictly appropriate to only one of them.
"You are free to execute your laws, and your citizens, as you see fit." (Star Trek: The Next Generation)
"He carried a strobe light and the responsibility for the lives of his men." (Tim O'Brien, The Things They Carried) |
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