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A path traced by a moving point, emphasize boundary |
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lines drawn to record boundaries perceived of three-dimensional forms |
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no real line, just directional flow of painting |
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three-dimensional form that occupies a volume of space |
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shape that is detached and focused on, positive shape |
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surrounding visual information the figure stands out from, negative shape |
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perpendicular lines, placed over hatching, darker value |
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dots placed to suggest value |
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orange, green violet; product of mixing two primary colors |
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intermediate (tertiary) colors |
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product of mixing a primary and a secondary color |
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red-orange side of the wheel |
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blue-green side of the wheel |
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wooden board for mixing colors, or range of pigments selected for a painting |
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name of color according to the categories of the color wheel |
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lighter than normal value |
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relative purity of a color |
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composed of variations of the same hue |
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colors directly opposite on the color wheel |
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colors adjacent on the color wheel |
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three colors equidistant from each other on the color wheel |
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limited to a few pigments |
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placing thousands of points of pure color next to each other |
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literally tactile, we can touch it (not really) |
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observed from a distance, believed to be a certain texture |
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decorative, repetitive design |
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suggesting space in two dimensions |
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parallel lines converge in the distance at the vanishing point, recede in size |
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object recedes in size to give linear perspective |
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atmospheric (aerial) perspective |
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objects are more hazy as they get further away |
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organization in all dimensions, all kinds of art |
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sense of oneness, things belonging together |
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difference, providing interest |
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relative "heaviness" or "lightness" of the composition |
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balanced, but weighted more on one side |
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attention is drawn to certain parts of a composition |
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purposefully made less visually interesting to make emphasized areas stand out |
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size in relation to a standard size |
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size relationships between parts of a whole |
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use of scale to indicate relative importance |
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