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exercise in visual language and aesthetics (form and function) |
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architecture industrial interior design fashion/textile design |
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Merely the expression of a specific idea or concept in a visual way (love symbols) |
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Types of visual communication |
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graphic design photographic design |
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Strategic visual communication |
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symbol/message for a specific audience through the application of visual design |
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strategic visual communication AND strategic writing |
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form of visual communication which represents an idea, but is distinct from it |
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How are symbols applied in a practical way in advertising design? |
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Bass logo (abstract-- not representational) |
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Art that does not attempt to represent external, recognizable reality (shapes, forms, colors and textures) |
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Three modern abstract artists |
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Pollock, Mondrian and Kandinsky |
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Representational logo designs |
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a symbol that stands for, or represents something (easily recognized) |
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Examples of representational logo designs |
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Air Jordans, Apple, caveman paintings, horses, IBM, Sony's Vaio, |
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Rene Magritte (pipe picture) |
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- background / overview - target audience - objectives - mandatories - deliverables - timeline |
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design based on a specific set of well1defined, established goals. |
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Defines the product, communicates a primary benefit, communicates clearly, must be long-term and enduring, reveals more than what meets the eye |
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overall look and feel of one’s brand, visually and verbally, color, paper, design, typography, and copy to communicate the PERSONALITY |
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Examples of identity advertisements |
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IBM, Apple, Heineken, the Economist magazine, |
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“products are made in the factory, but brands are created in the mind.”
The principles of branding are universal across virtually every business venture. |
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Kaldi's/Starbucks, KFC place in Chinatown, flea market brands |
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vehicle in which we deliver the brand and it’s message |
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Target Market Frame of reference Point of difference |
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Examples of inherent drama |
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Red meat adverisements, McDonald's eggs, Elaine's Bagels, |
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Eye patch ("Man in the Hathaway Shirt"), Dos Equis, Louis Vuitton, |
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Story appeal and celebrities |
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People want to identify themselves in characters and celebrities |
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the order, dominance, size and spatial relationship of your visual elements from one another, and the media space (context) in which they exist
OGILVY |
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Photo, headline, body copy |
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People scan and skim first and read second; and they only read IF their scan turns up something worthwhile |
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lack of visual hierarchy lack of whitespace |
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geometrical primitives, polygon(s), easily change colors, objects and elements, .ai .eps .pdf |
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native, not backwards compatible |
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Encapsulated Post Script, programming language developed in the 80s to describe page layout, .eps > .ai on universality, |
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Portable Document Format, universal file format that can hold both vector and raster graphics, |
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data structure representing a generally rectangular grid of pixels |
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Types of bitmap graphic files include |
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.jpg, .psd, .tiff, .png, .pdf |
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native, not backwards compatible |
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lossy file scheme, Joint Photographic Experts Group, |
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high-quality image with a smaller file size |
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optimization/web optimization |
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lossless, Tagged Image File Format |
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Portable Network Graphics, transparency in the image file, |
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Graphics Interchange Format, maximum of 256 colors, hold frame information for simple animations |
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logos illustration when you need to scale objects when you need to easily change colors when you need to easily manipulate lines and objects |
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photography photo)real treatments the web print when you need to express shades of colors ( in millions of colors) |
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A rejection of the old way of thinking, move away from romantic aesthetics |
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Example of modernist designer |
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Massimo Vignelli (New York Subway Guide) |
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Expressive typography, simple elements, |
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UNIFIES THE VISION
finds target audience.
makes decisions about visual elements used, and what artistic style to use |
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Important part is composition |
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