Term
| Publishing date of Jane Eyre |
|
Definition
|
|
Term
| Publishing date of Young Goodman Brown |
|
Definition
|
|
Term
| Publishing daye of The Demon Lover |
|
Definition
|
|
Term
| The publishing date of The Darling |
|
Definition
|
|
Term
| The publishing date of the Cask of Amontillado |
|
Definition
|
|
Term
| Publishing date of the Fall of the House of Usher |
|
Definition
|
|
Term
|
Definition
| Charts the protagonist's story from childhood to maturity. |
|
|
Term
|
Definition
Upper middle to upper class.
Symbolises the 'correct' patriarchal society.
An example of a dysfunctional one is "Gateshead"
They have PICTURESQUE gardens |
|
|
Term
|
Definition
A variation of the manor house with dark elements
"Secrets"
An example is Thornfield, with secrets being the third floor and Bertha being hidden away. |
|
|
Term
|
Definition
It symbolizes domesticity, peasent life
The "rustic norm"
Those not as economically privileged.
They have PASTORAL gardens. |
|
|
Term
|
Definition
Comes from Byron the poet.
They are the "anti-hero" and have a slightly dark side to them. "The dark misunderstood hero" who have issues with Hubris/Pride.
Rochester is an anti-hero. |
|
|
Term
|
Definition
| Multidimensional, grows with the story |
|
|
Term
|
Definition
| Don't change with the story |
|
|
Term
| Over-determined characters |
|
Definition
All the subconscious prejudices of the author come into play here.
ie. Bertha, Olenka |
|
|
Term
|
Definition
NO voice. Appear as a body against which harm has been done.
ie. Bertha, the Arab |
|
|
Term
|
Definition
Meant to be read against each other
ie Rochester vs Reed & Helen vs Jane |
|
|
Term
|
Definition
| no background, starts in the middle, right away with the action. |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| View from character with outside details, mostly 1st person |
|
|
Term
|
Definition
| Comes primarily from dialogue. Very little narrator presence. |
|
|
Term
|
Definition
Has two levels to the story simultaneously neither discrediting the other.
Realistic & symbolic levels.
ie. Young Goodman Brown |
|
|
Term
|
Definition
| Only One truth is death. Act good despite this. |
|
|
Term
| Landscape of Camus "The Guest" |
|
Definition
| Middle space, taken out of the real world. Related to the concept of existentialism. |
|
|
Term
|
Definition
| Unused master bedroom of the deceased uncle. Most of the furnishings are bright deep reds, crimson, maroon, etc. with one 'throne-like" white chair beside the bed. |
|
|
Term
|
Definition
| A 'gothic' house with three layers. The attic floor is hidden from all, with Bertha being secluded there. |
|
|
