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Early Baroque,Text painting, dionysian, Madrigal, |
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Early Baroque, Venice, continuo, cantatas. |
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Renee descartes, six possible affections. used as template for music. |
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ABA format. Soloist ornaments on second A. Baroque, Dionysian |
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Late Baroque, functionalist, concerto, programmatic music. (four seasons) |
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Oratorio, Opera, Opera Seria. First true classical composer, but in baroque. |
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Late Baroque, functionalist. Chapelmaster in leipzig. Cantatas (based on chorales) Oratorios. NO OPERA, counterpoint, perpetuum mobile. |
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1750-1825- Apollonian, clean, beautiful melodies, little improvisation. |
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Classical, patronage, won right to own work. Sense of humor. Taught Mozart, Beethoven |
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Classical, 41 symphonies, Opera seria, Buffa(figaro) Singspeil, start of standartization of forms, genres |
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1835-1900, focus on composer's emotion. Focus on individual like enlightenment, unlike enlightenment emphasis not on rational. began in literature. |
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Classical/Romantic, Diva, developing motives, Per aspera ad astra, Eroica symphony, nine symphonies, |
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Romantic, Italian composer, Opera, Code Rossini, Rossini Crescendo, Double Aria, nice, good humor, anti-Beethoven |
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Vincenzo Bellini and Gaetano Donizetti |
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Under Code Rossini's shadow, began to increase realism in Italian opera |
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Confronted code rossini, more realism, became nationalist icon after Nabucco, Mamet style dialogue, no black and white |
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Under Beethoven, used Rossini style to write symphonies, did same with other composers |
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Also dealt with how to get past beethoven |
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Under Beethoven. Product of salon culture, rich french threw money at him, character peices, avoided symphonies. Exoticism, |
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Hector Berlioz, Franz Liszt, Richard Wagner |
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New German school, progressives, Beethoven ruined symphony for them, they had to move to other genres. |
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Programmatic symphonies, elaborate story from just instruments. |
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Symphonic poems, one movement, programmatic |
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Total Work, used for nazi propaganda, huge orchestra |
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Schumanns, Mendelssohn, Johhanes Brahms |
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Conservative school, against new germans. Music is absolute, cannot refer to much outside itself, traditional forms still good. |
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Used traditional forms, was a genius, scholar, sampled, intricate, formal music, every genre but opera (Bach, Beethoven). Chamber music, piano music, symphonies |
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Emphasis on a shared culture, made by a minority. for independence, or recognition after achieving independence. |
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Nationalist against russians. Finlandia |
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Czeck nationalist, smetana |
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Nationalist, for national pride, pomp and circumstance |
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Russian nationalist, ballet, symphonies, wrote his heart beat stopping, personal music |
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1862-1918, neoclassicism, began 20th cent, used music from other cultures, studied older styles (neoclassical concept), impressionism. |
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Tonality not required, reactions to world events, expressionist music, serialism, |
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20th cent, serialism, pantonality, expressionist |
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Schoenberg disciple,more interested in serialism, charted rhythm, expressionist, Timbre |
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Schoenberg disciple, pantonal, romantic, expressionist, |
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French response to serialism, expressionism. |
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Neoclassical functionalist, no problem with imitation, arranged orchestras, beauty drowned his emotion in le tombeu de couperin |
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Distanced himself from russian nationalism Sold more than schoenberg, rite of spring=primitivism, settled on pertuschka's sophisticated, sarcastic social commentary. Taught at UCLA |
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Neoromantics, systematic serialism (milton babbitt), Chance music, Minimalism (phillip glass), John Cage |
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Gustav Mahler = Great conductor, jewish, destroyed by nazi historians. Beethoven=nazis wanted to associate themselves with him |
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Fanfare for the common man, saved him from the blacklist. |
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Black angels against vietnam |
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Genius, broken by stalin. Lady Macbeth of mtensk. Public music = communist, private = shrieking |
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