Term
Copyright: Determining what is eligible for protection |
|
Definition
- Originality(must oroginate with author, must not be copied, author must use skill discretion etc)
- Fixation
- Nationality of creator and place of publication
|
|
|
Term
What is Protected by Copyright |
|
Definition
- Literary, dramatic, musical and artistic works, sound reproduction, live performance, compliattions, neighbouring rights
|
|
|
Term
Who owns copyright, for how long? |
|
Definition
- author: person who first expresses the work in tangible form
- Life of author plus 50 years
|
|
|
Term
Rights protected by copyright |
|
Definition
- economic rights:reproduction, public performance, publication, making available, adaptation, translation, abridgement, noveluzation, dramatization, telecommunication to public, authorization
- moral rights: paternity/attribution, integrity, association
|
|
|
Term
How to violate copyright/remedies |
|
Definition
- violated by: plagarism, piracy, bootlegging, counterfeiting
- Civil remedy: injunctions, damages, accounting or profits, delivery up
- Criminal remedy
|
|
|
Term
Three categories of Ammendments to Copyright |
|
Definition
- sector specific reforms:performers, photographers, enabling rights, time shifting and format shifting, making available right, mash-up exception, educators, librarians
- compromise provisions: fair dealing, notice and notice, noncommercial fines
- no- compromise digital lock rules: no fair dealing exception, penalties severe
|
|
|
Term
|
Definition
- a mark which distinguishes the product or services of one trade from those of another, specifically by indicating the source or origin of the trader's goods or services
- lasts 15 years
- renewable infinitely(provided that it's still a trademark)
|
|
|
Term
Necessary elements of trademark |
|
Definition
- 1. a "mark": any sign or combination of signs; personal names, designs, letters etc
- 2. Distinctive or capable of becoming distinctive: trademark has to distinguish products from each other, has to be located on the good, on the packaging, or at the point of purchase
- "used" as a trademark
|
|
|
Term
|
Definition
- 1. word: IBM, Xerox, Oasis
- 2. a phrase or slogan: Mr. Christie you make good cookies
- 3. a logo or design: Mcdonalds arches, mac apple, nike swoosh
- 4. a distinctive shape: ipod shape
|
|
|
Term
Elements of trademark application |
|
Definition
- mark stated or depicted
- exact mark must be used
- Must articulate the specific wares or services
- Basis for title
- Date of first use
- who proposes to use the mark
- standards for certification marks
- entitles to use statement
- address in Canada
|
|
|
Term
|
Definition
- 1. Exclusive right to use trademark
- 2. Right to be free of use of confusingly similar marks
- 3. Right to be free of use that will depreciate the goodwill
- 4. Right to authorize
|
|
|
Term
|
Definition
- "goodwill": positive association that attracts customers towards its owner's wares or services rather than those of its competitors
- 1. Someone else is using the trademark
- 2. Use has to be to distinguish wares in the marketplace
- 3. has to threaten the goodwill of the good or service- a reduction in esteem in same market of consumers
|
|
|
Term
|
Definition
- 1.first to use the mark in Canada
- 2. first to make it known in Canada
- 3. The first to file
|
|
|
Term
|
Definition
- 1. Injunctions: Can prevent the infinging trademark use
- 2. Damages:to put you in the position you would have been without the infringement
- 3. Accounting for profits: you not only get your profits but their profits as well
- 4. Delivery up
|
|
|
Term
|
Definition
- 1. Any defect in registration
- 2. Any adverse change in distinctiveness
- 3. Loss of distinctiveness
- 4. Failure to use
- 5. Failure to bring action within limitation period
|
|
|
Term
CIPO Requirement for Sound Mark |
|
Definition
- 1. state the application is for a sound mark
- 2. Contain a drawing that graphically represents the sound
- 3. contain a description of the sound
- 4. Contain an electronic recording of the sound
|
|
|
Term
|
Definition
- seek to protect the discovery and invention of scientific and technological knowledge
- patents were made to improve industry
- Canadian patent act modeled on American legislation
- patent office established in 1906
- Limited form of property right no common law governing patents
- dynamic relationship between inventions and patents
|
|
|
Term
|
Definition
- a monopoly property right granted to an inventor for an invention
- Invention: any new and useful art, process, machine, manufacture or compostion of mater, or any useful improvement to those(s.2 Patent Act)
- Valid for 20 years
|
|
|
Term
Four Criteria For Invention |
|
Definition
- New: cannot be something that is already in active use or something that is already known; cannot be made public before patent application
- 2. Non-obvious: has to be non obvious to someone trained in the particular field the invention is in
- 3. Useful: More requirement for industrial or commericial application, will it lead to greater productivity in industry, or will it sell in the marketplace
- 4. Fully described in the application: standrad is would someone trained in the field be able to reproduce what it is that you are patenting; if not it is not adequately described. There does not have to be any percieved benefit to the patent(patenting a virus), can patent something that is illegal(human cloning)
|
|
|
Term
|
Definition
- the inventor holds the rights
- Person who first independlently thought of the invention and objectively manifested it
- co-invention
- Employment
|
|
|
Term
|
Definition
- Injunctions
- Damages
- Accounting for profits
- Delivery up
|
|
|
Term
|
Definition
- specifies ways in which technics can intensify and multiply force and forms of vitality by ordering it as an economy, a calculable and hierarchical system of value
|
|
|
Term
What does Industrial Design do? |
|
Definition
- 1. distinguishes a product in the marketplace
- 2. implies or constructs a particular imagge of the consumer of that designed object
|
|
|
Term
What is Industrial Design?/ Why do we protect it |
|
Definition
- features of shape, pattern or ornament,(or by any combination of those) applied to a finished article made by hand, tool, or machine and which appeal to or are judges solely by the eye
- success of manufactured products in marketplace related to their design elements. Manufacturers invest time, labour, money into design features. Want to support a robust marketplace
- have to register under Industrial Design Act
|
|
|
Term
What do you need to do to recieve industrial design protection |
|
Definition
- register under industrial design act
- no time limit if not made public, otherwise file within 12 months
- much simpler than patent regime
- Application is processed, examined and then if successful, registered
- first to file
- prior to 51 copies protected under copyright
- after 51, mass produced, has to be under industrial design act
- tends to be a less technical area than copyrights or patents
- TERM: 10 years, not renewable
|
|
|
Term
Who can Register ID/ Who own the rights |
|
Definition
- "Proprietor" must register
- Author defined as first proprietor
- can have joint proprietorship
- Rights are assignable
|
|
|
Term
Remedies for Industrial Design |
|
Definition
- Injunctions
- Damages
- Accounting for profits
- Delivery up
- same as all other ip
|
|
|
Term
|
Definition
- " designates not onlty the celebrity's visual likeness, but rather all elements of the complex constellation of visual, verbal, and aural signs that circulate in society and constitute celebrities' recognition value
|
|
|
Term
Logic of persona as property |
|
Definition
- 1. stars deserve to be considered authors of theor persona
- 2. The persona becomes property( Locke)
- 3. stars who have laboured on themselves should be the sole owners of that property
|
|
|
Term
Krouse v Chrysler Canada(1973)
|
|
Definition
- Emergence of the Right of Publicity in Canada
- "the common law does not contemplate a concept in the lae of torts which may broadly be classified as an appropriation of one's personality"
|
|
|
Term
Critiques of the Right of Publicity |
|
Definition
- 1. Nonrecognition of the industrial apparatus of fame production
- 2. Problems with claim that granting monopoly rights produces more/better cultural activity
- 3. Increasing division of cultural public sphere into private property
- 4. The stifiling of polysemy
- 5. Consumer protection a dated argument
|
|
|
Term
|
Definition
- a trade secret is a formula, pattern, compilation, devie, process, code, or data that is specific to its owner, that provides a business advantage over a competitor, and is kept secret or confidential
- TERM: Forever
|
|
|
Term
Why protect trade secrets(VAVER) |
|
Definition
- thought neccessary to the entrepreneurship that is at the heart of a healthy competitive market
- "like intellectual property" and therefire should be protected for the same reasons- the moral justification of giving someone the fruits of their labour, more knowledge is better than less
- recognizes and reinforces commercial standards of good faith and fair dealing
|
|
|
Term
Criteria to recieve trade secret protection |
|
Definition
- a breach of confidence action requires:
- 1. Information has the neccessary quality of confidence about it
- 2. Communicate in certain circumstances where an obligation was created
- 3. Misused to the detriment of he disclosing party
|
|
|
Term
Who owns trade secret rights/what are they |
|
Definition
- the individual or business that produces the information and protects it
- you ca do what you wish with the trade secret
- if you do anything to disrupt its secrect then you risk losing the right to protect it or seek remedies
|
|
|
Term
Trademark I: The Disneyfication of Dr. Suess |
|
Definition
- Disneyfication: the application of simplified, aesthetic, intellectual or moral standards to a thing that has the potential for more complex and thought provoking expression
- commerce valued more than are in the American legal system; copyrights protected for only a limited time, trademarks are perpetual
- copyright protects authors, trademark portects products and the marks attached to those products
|
|
|
Term
Trademark I: Consuming Caffiene, Discourse of Starbucks Coffee |
|
Definition
- commodity fetishism:when all traces of production are erased from the object produced
- consumerism: when you don't think about what has gone into making the product, or who has made the product, you consume the luxury product anyways
- tasteprint:starbucks "master roasters" create a desired flavourful bew by combining various different coffee beans from around the world
|
|
|
Term
Trademark II:Colour and the Sensory Scan(Elliot) |
|
Definition
- scan: quickly glancing at a product which conveys a host of brand attributes to the consumer
- observation transcends borders, cultures, and language barriers
- smashability: successful brands can be "smashed" but can still be recognizable from their pieces(e.x recognition by colour)
|
|
|
Term
Trademark II: Something Old, Something Borrowed, Something Blue(Roth) |
|
Definition
- Non- Traditional Trademarks: sound, scent or colour trademarks, capable of distiguishing the goods or services of one undertaking from the good or services of another
- difficult to determine whether a frangrance is indicative of source or whether the consumer would be able to distinguish goods based on their respective scents
|
|
|