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Robert Henri. Fifty-Seventh Street, NY. 1900 -humble, homely subject, realists -revolt against academic norms, critics hated it thought they were evil -part of THE EIGHT -captures U.S. good and bad |
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Robert Henri. Laughing Child. 1910 -fast brushstroke -captures immediacy of the moment -very natural, dissonance from what people were used too |
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William Glackens. Chez Mouquin. 1905 -very contrived -owner of restuarant with one of his "girls" -members of THE EIGHT dont really paint the same -critics hated it and called all the members anti-American -paintings were still sold |
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Maurice Prendergast. The Promenade. 1910 -very small but highly decorated -Part of THE 8 -after 1908 THE EIGHT never exhibited again -they freed us from hypocracies -the only thing in common with the Ashcan school is they both aren't academic traditionists |
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George Luks. Hester Street. 1905 -All about Immigration -they were called Teeming Masses -this was a market place -many different types of people, Hassidic jews, italians, blacks -Luks saw it as exciting |
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George Luks. The Speilers. 1905 -type of dance from Germany -typically for adults, it was very close and intimate -purposely blurry to capture movement -not a portrait more of a genre scene |
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George Bellows. Pennsylvania Excavation. c. 1910 -Good example of the Ashcan SChool -rise of city, very dirty and polluted |
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George Bellows. Cliff Dewellers. 1910 -similar to Hester Street -hot crowded day -subject matter isnt something you would expect in fine art -rich people didnt understand because they would just leave the city in the summer and go to their country side houses |
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George Bellows. Both Members of this Club. 1910 -The black man would not have been allowed in the club if he wasnt fighting -exclusively male, women just didnt want to go -boxing was illegal except for private clubs -fascinated by it yet disgusted -discussed as comment on race and sexuality |
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John Sloan. Fun, One Cent. 1905 -Leader of Ashcan group -print so it could be distributed -focused on working girls -short skirts, social norms are changing -girls in their nightgowns movie box |
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John Sloan. Hairdressers Window. 1910 -seeing what she is capable of -Store fronts of NY, consumerism is growing daily -the closeness of NY -native style was often subject matter relating to NY |
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