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| The _____ may be hired to create a film or may find the script itself and bring it to a production company for funding. |
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| The ____ takes the producer's vision of the scirpt and translates that vision into the film through the actors and the sets. |
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| The _____ is hired to capture the actual images that the producer and director want for the finished film, and is in charge of the film crew. |
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| The _____ is responsible for ensuring that the lighting on the actors sets is correct for the shots. |
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| The _____ is the head of the art department, and is responsible for the visual appearance of the set or sets for the film. |
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| The _____ supervises the actual construction of the set. |
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| This person is the gaffer's number-one assistant. |
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| This person is the chief set electrician. |
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| This person is a general laborer on the set. |
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| This person is the head of the grip department. |
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| This person is the key grip's number-one assistant. |
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| This person is an electrical laborer on the set. |
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| This person records the dialogue and other sounds from the set for the film. |
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| _____ refers to the size and dimension of figures and forms relative to a specific unit of measure. |
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| _____ are built of all sets prior to the construction of the final sets. |
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| _____ are models built for use in the actual filming. |
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| With ____ we can set the mood, evoke emotion, tell time, and enhance the subject matter. |
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| The _____ establishes the directionality and source of motivation for the scene. |
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| The _____ is used, when necessary, to create a desirable lighting ratio on the actor's face. |
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| The _____ is used to seperate the actors from the background. |
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| The standard frame rate for motion picture photography is ____ frames per second. |
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| The _____ gathers the light and projects the images in front of the camera onto the film for exposure. |
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| _____ is the distance from the center of the lens to the exposing film, at the film plane. |
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| ______ is a measurement of how much light is allowed through the lens. |
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| _____ is a device that controls the amount of light through a lens. |
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| _____ is simply a more precise f-stop measurement, measure through each individual lens. |
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| The _____ is both literally and figuratively the focal points of the motion picture camera's mechanical operation. |
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| The ______ consists of a mirrored, constantly rotating half-disk positioned between the lens and the film gate aperture. |
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| The ____ stores the film both before and after exposure. |
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| The ______ refers to the width of the film stock in use. Cameras are built to work with one format. |
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| Film's top layer, which captures images, is called the _____. |
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| _______ is a number that describes how sensitive the film stock is to light. |
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| The film images get captured onto video in a process called______. |
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| ______is a digital audio signal that is assigend to a special track of a videotape or audio tape. Its purpose is to label each video fram with a 24-hour reference clock. |
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| When the audio is unsuable it must be replaced, using a process called |
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| The process of recording _______ is referred to as "shooting" or "walking". |
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| When the sound of something doesn't exist in reality, the sound designer creates ______ for these elements from the sounds he or she can record in real life. |
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| When the sound of an animal or other being in a film doesn't exist in reality, the sound designer must create______ |
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| ______provide the sound of a film's environment. |
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| Ambiance/Backgrounds (BG's) |
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| ______is the process of taking the assembled material from each of the sound elements and synching them to picture. |
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| The purpose of ______ is to make sure elements remain constant and consisten from shot to shot. |
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