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The flow of electricity of current is measured in amps. |
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The assistant to the production audio mixer that is responsible for optimal microphone placement on a film set. |
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Alters the dynamics or differences between low and high volumes within an audio signal. It is useful when recording to take out the sharp peaks in the audio to maximize the volume going to the recorder without distortion. It can also be used as an effect to make voices sound bigger and fuller, increase loudness, and smoothen mixes. |
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The flow of electricity. Measured in Amps |
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Any signal that has not been processed or affected in any way. |
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The place were the re-recording processe takes place. It is basically a movie theater with a recording console. |
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Dynamic Based Effects Processors |
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A processor that controls or alters the dynamics or the amplitude of a signal. |
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The electromotive pressure or force. Measured in Volts. |
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Frequency selective amplifiers that allow us to alter the frequency characteristics of a given sound. Grouped with dynamic processing became they deal with amplitude. |
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Mixing sound for a film into stems, which will be combined to represent the finished soundtrack. |
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Originally, "flanging" was achieved using two reel-to-reel tape recorders playing the same program, in sync, with their outputs summed together. By alternately slowing down one machine then the other, different phase cancellations occurred. since the two signals would alternately add and subtract due to the introduced phase (timing) difference, the audible effect was described as a "swishing" or "tunneling" sound. We can not mimic the "swishing" sound with electronic devices. |
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Effects that are added in real time to the picture by foley artists. These effects are usually footsteps, body movements or prop handling. |
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The number of waves or cycles passing through a point at a specific time. Measured in hertz (Hz) |
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Control the amplitude of a signal with basically two states: Open and colsed. Open allows the signal to pass; closed does not allow the signal to pass. All gates feature controls for both the amplitude level where the gate opens and closes and how quickly it changes from open to closed. |
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The measurement of frequency. |
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Prevents the flow of (AC) electricity. Measured in Ohms. |
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Every time we double the distance from a sound or light source, the amplitude drops to 1/4 of the strength. |
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Inverse Square Law Formula |
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20LOG(Dr/DM) DR = Reference Distance DM = Measured Distance |
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The strength of a direct current is directly proportional to the potential difference and inversely proportional to the resistance of the circuit. |
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Impedance: Prevents the flow of (AC) electricity. Measured in Ohms. |
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Resistance: Prevents the flow of (DC) electricity. Measured in Ohms. |
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Music that is made specifically for a particular film. |
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A frequency selective amplifier that allows the user to control and manipulate various bandwidths and frequencies of a given signal or sound. |
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The energy used to preform work. Measured in Watts |
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The process of mixing all of the sound elements so that the final mix can be accomplished with less work. |
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These boards only feature the key elements of a project. They are usually drawn bigger and in color for the client. |
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Works with the boom operator and is responsible for capturing the sounds on a film set. |
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These boards show every camera angle, shot, cut, special effect, and action and every movmement. These are the boards that the production crew will be using. |
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Prevents the flow of (DC) electricity. Measured in Ohms. |
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These devices are used to mimic the acoustic reflections of different sized areas. |
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The additional background audio that is recorded on set that is used in the mixing process. |
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Pre-existing music that is added for a particular film. |
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The final elements of a soundtrack (usually dialog, music and effects) that when combined, make up the finished mix of a film. |
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Time Based Effects Processors |
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A processor that control or alters the timing of a signal. |
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24 hour reference clock encoded as a digital audio signal that is used for syncing purposes and editing. |
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Electromotive Force - The electrical pressure or fource. |
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Power - the energy used to preform work. |
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The physical length of a wave form one point to another point of corresponding phase. |
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Speed of a wave / frequency |
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Any signal that has been manipulated with effects. Ex. the addition of reverb or flanging to a signal. |
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Every time you double your distance from a sound source you will drop ? dB. |
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Metric Conversions
Tell Granny Mom knows about my ugly new piercing |
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TGMK 0 munp
Tell Granny Mom knows about my ugly new piercing
T = Tera 12 G = Giga 9 M = Mega 6 k = Kilo 3 0 m = Milli -3 u = Micro -6 n = Nano -9 p = Pico -12 |
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Speed of a sound wave is ? |
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Electricity Chart P = E*I | R*I2 | E2/R E = R*I | P/I | /-P*R R = E/I | E2/P | P/I2 I = E/R | P/E | /-P/R |
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Definition
PIERZ WAVOO
P = power I = current E = Electromotive Force R = Resistance Z = Impedance
W = Watts A = Amps V = Volts O = Ohms O = Ohms |
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Camera turns left & right. This is commonly used to show wide landscape. |
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Camera tilts up or down. this is commonly used to show tall objects or to follow charaters. |
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The camera is moved in towards or out away from subject. |
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The camera rolls left or right, parallel to the scene. |
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the picture moves from wide shot to close-up or from close-up to wide shot or any cobination. |
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Hours : Minutes : Seconds : Frames example - 02:38:44:42 (remember last section is frames there fore works in increments of 30 not 60 such as time) |
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aka - Speed
V=D/T T=D/V D=T*V |
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Every ? db increase is double the power of the previous decibel level? |
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3 db Every time we double our speakers we are doubling the power. Therefore every time we double our speakers we will gain 3db |
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A*B = Area (unit squared) 2*(A+B) = Perimeter |
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Volume of a rectangular prism? |
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A*B*C = volume (unit cubed) Length Width Depth |
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Surface area of a rectangular prism? |
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2(LW+LD+WD) = x (x*2) = Surface area (unit squared) |
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Circle area and circumference? |
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A = pi * r2 c = pi * d
pi=3.14 |
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C = -/a2+b2 A = -/c2-b2 B = -/c2-a2 |
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Advertisements 3 parts of an Ad |
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Psychology of Color Lay Out (How does it flow, is there a clear path for your eyes to follow) Copy (the way ads are worded) |
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Persuasion Based Anthority |
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Presents a Problem Offers a solution Effective Believable |
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People & attitudes associated with the product. |
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High Priced items Sells an image No Strong aguments |
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Consensus implies correctness We agree with people we like Everyone is doing it, so why shouldn't I? Celebrity Endorsments. |
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Color Theory says Black suggests ... |
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authority, power, boldness, seriousness, is distinguishing and classic. Business wise it's great for creating drama and is good for background color. It is ideal for text on a light background. |
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Color Theory says Blue suggests ... |
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security, authority, faithfulness and dignity. for business it suggests sanctuary and fiscal responsibility. It is the most popular and the second most powerful color. |
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Color Theory says Brown suggests ... |
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suggests richness, politeness, helpfulness and effectiveness. In business it suggests less important items. Solid, reliable brown is the color of earth and is abundant in nature. Light brown implies genuineness while dark brown is similar to wood or leather. It it is popular food color. |
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Color Theory says Gray suggests ... |
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suggests authority, practicality, earnestness and creativity. Business wise it is traditional and conservative. |
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Color Theory says Green suggests ... |
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suggests health, fertility, freedom, freshness, healing, tranquility and jealousy. Business use it to communicate status and wealth. It is the easiest color on the eye. It is a calming, refreshing color. It is populor for food. |
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Color Theory says Orange suggests ... |
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suggests pleasure, excitement, cheer, endurance, strength and ambition. For business it good for highlighting information on charts and graphs. |
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Color Theory says Pink suggests ... |
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suggests femininity, getleness, well-being and innocence. For business you must be aware of it's feminie links and implications. |
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Color Theory says Purple suggests ... |
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suggests spirituality, royalty, luxury, wealth, sophistication, authority and mournfulness. In business it is upscale and works with artistic types. It is also feminine and romantic. |
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Color Theory says Red suggests ... |
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suggests excitement, strength, sex, passion, vitality, aggressiveness and commands attention. Business wise it is associated with debt, is great for boldness and accents. The most emotionally intense colot, red stimulates a faster heartbeat and breathing. Red is often used in restaurant decorating schemes because it is an appetite stimulant. |
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Color Theory says White suggests ... |
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Definition
suggests refined, purity, devotion, contemporary and truthfulness. For business it can be sterile and refreshing. Doctors and nurses wear white to imply sterility. |
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Color Theory says Yellow suggests ... |
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suggests warmth, sunshine, cheer, and happiness. Business wise it appeals to the intellectual types and is a good accent. When used in combination with black, it suggests danger. Yellow enhances concentration, hence its use for legal pads. It is most difficult color for the eye to take in, so it can be overpowering if overused. It also speeds metabolism and is used frequently in food packing because it conveys a feeling of health and well being. |
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Definition
Visual tool for planning your film. Which can include Location, brief notes regarding what's happening in the scene, camera movment, audio post (including dialog, music and effects), and visual effects. |
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