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Breaker of images; those who
disapproved of the use of images of God/religious figures. |
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"Lover of images"; those of support and insist upon the use of images as necessary for devotion.
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Greek word. "Bearer of God". Epithet of the Virgin Mary as the mother of God. |
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Domed cross-in-square plan |
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Mortar joints were mainly an aesthetic choice by the mason or the architect. As
ssed mortar provides a dark shadow line and draws attention to the brick rather than the mortarnoted above, rece |
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A decorative technique in which rectangular blocks of stone are separated or framed on all four sides by bricks. |
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dentil is a small block used as a repeating ornament in the bedmould of a cornice
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[image]Is the term given to the imitations of the Arabic Kufic script, sometimes cursive Arabic script. It is an example of the influence of Islam on Christian art.
Note the Pseudo-Kuficon the hem of the Virgin’s robe, as well as her Halo. |
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is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. This term also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the fifteenth century. |
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[image]This term refers to one of three things in the Eastern Orthodox Church:
- The cathedral of a diocese.
- The major church building (temple) of a monastery corresponding to a conventual church in Western Christianity.
- A large church in a city at which all the faithful of the city gather to celebrate certain important feasts rather than go to their local parish church
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Is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture, such as a domus. Its enclosure within walls has given rise to extended meanings, of a hermit's or monk's cell
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[image]is a traditional representation of Virgin Mary and Saint John the Baptist, imploring Christ the salvation of man. This mosaic in Hagia Sophia is located in the upper south gallery, dating back to 1261. It is considered to be a pioneer for the Byzantine art in Renaissance period with its soft tones, the intense humanity and the emotional realism on the faces of the figures. |
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name given to a chamber on the south side of the central apse of the church, where the vestments, books, etc., that are used in the Divine Services of the church are kept[1] (the sacred vessels are kept in the Prothesis, which is on the north side of the sanctuary)
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